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Ballet: The Balanchine Technique

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Balanchine also developed a distinct technique to accommodate his choreography and prepare his dancers to perform his works. Although it is not formally recognized as one of the official training systems of ballet, what has come to be known as the “Balanchine Technique” is just as comprehensive, if not more so, than its predecessors. It combines the musicality and athleticism of the Russian methods of Vaganova and Legat, with the precision and attack that Balanchine valued in his dancers. Specific characteristics of the Balanchine method include extreme speed and the use of a very deep demi plié, or bend of the knees. Across the various methods of ballet is an emphasis on “lines”, or the placement of the body as well as the shapes or visuals …show more content…

When compared to the classical methods, the Balanchine technique’s use of purposeful asymmetrical, abstract arm and hand placement is rather unconventional. Additionally, pirouettes en dehors, meaning a turn in which the dancer turns towards the leg they lift into the turning position, is taken from a lunge in fourth position as opposed to the conventional plié in fourth (“Pirouette En Dehors - Ballet Term Definition” 2018).
Another distinctive quality of the Balanchine method is the placement of the arabesque, a position in which the weight of the body is supported on one leg, while the other leg is extended back with the knee straight (“Ballet Position” 2016). In a Balanchine arabesque, the hip is open to the audience and the side arm is pressed backward instead of being perpendicular to the torso. Balanchine also stressed precise musical timing, emphasizing phrasing and syncopation in his classes; …show more content…

His untimely death was due to complications from pneumonia that arose as a result of a pre-existing neurological condition (Kisselgoff 1983). In the weeks following his death, it was discovered by pathologists at the Columbia-Presbyterian Medical Center that Balanchine had suffered from one of the rarest and least understood degenerative brain disorders. Creutzfeldt-Jakob disease, now categorized as a “slow-virus” disease due to its lengthy incubation period, is a chronic neurological disorder that leads to dementia and, ultimately, death ("Creutzfeldt-Jakob Disease" 2015). In the months leading up to his death, the once-athletic and exuberant Balanchine experienced a significant decline in his cognitive and motor skills, resulting in an inability to teach and choreograph. A conference at Columbia’s College of Physicians and Surgeons soon revealed that the choreographer began experiencing symptoms of Creutzfeldt-Jakob Disease around 1978 as he was slightly unsteady while standing, which limited his ability to demonstrate movements during classes and rehearsals (Altman

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