Authority In Shakespeare's King Lear

Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to

In order to relieve himself of the problems and work associated with holding his position so he can "unburdened crawl toward death," King Lear, of pre-Christ Britain, divides up his kingdom into three portions, one for each of his daughters (1.1.41). To decide the daughter to whom he should give the largest portion of the kingdom, King Lear holds a competition that merely serves to feed his ego. He requires each daughter to publicly

In King Lear, Shakespeare portrays a society whose emphasis on social class results in a strict social hierarchy fueled by the unceasing desire to improve one’s social status. It is this desire for improved social status that led to the unintentional deterioration of the social hierarchy in King Lear. This desire becomes so great that Edmund, Goneril, Reagan and Cornwall were willing to act contrary to the authority of the social hierarchy for the betterment of their own position within it. As the plot unfolds, the actions of the aforementioned characters get progressively more desperate and destructive as they realize their lack of success in attaining their personal goals. The goals vary, however the selfish motivation does not. With

The concepts of nature, humanity, power and love lay as a foundation for Shakespeare’s, King Lear. These notions are examined through the actions and realizations of King Lear, himself. Throughout the discourse of this play we view the portrayal of humans as animals and witness King Lear’s mistreatment after he gives away his power. When doing so he makes clear his view on love and its value, solely based on the flattery of words.Through nature, King Lear becomes grounded and recognizes the animalistic behaviors of the rich and the struggles of the poor. This recognition brings him to an utmost discovery that presents the reality of vicious humanity and changes the way he views the world.

Lear cannot deny his ultimate role as the king. He desires to maintain his name and his rights as king, but to give control of the kingdom to his daughters and their husbands. However, this cannot work: "We know immediately that he is doomed to painful disillusionment by his assumption that his identity as king, father, and man, being fixed in the macrocosmic scheme of things, must remain unshaken without its worldly supports" (Egan 32). So, King Lear's exercising of this nonexistent power establishes his tragic flaw and the problem of the play: the power of the kingdom must reside in Lear only.

In King Lear, Lear’s conflict of power with his daughters is brought about by his own arrogance, which flaws his judgement and propels his change of heart. When Lear parcels out his kingdom to his daughters, he finds the honesty of Cordelia’s praise to be ungrateful and

The emotive grandstanding language illustrates the dynamic prominence of exercising power imprudently and in haste. However, in contrast to The Queen, Lear’s transference of political authority to his daughters is on the prerequisite of flattery with an over exaggerated speech which must appeal and appease his ego: “Which of you shall we say doth love us most, that we our largest bounty may extend.” (Act 1.1.45-50) Lear’s actions have afforded his daughters the opportunity to take advantage of him. This strengthens Shakespeare’s theme of power, that authority is nothing more than a show and a display of status through language and verbal praise.

To conclude, “King Lear” portrays power as the ability to manipulate and control whatever one desires; power corrupts Gonerill, Regan and Edmund. When one has all the power he desires, deceit is usually the path he takes. Lear appears as an actor with no role to play and realizes this in scene 4, when he cries “why, this is not Lear” and later says “who is it that can tell me who I am?”. Here, Lear seems to be stranded in his role as King , unable to act in any other manner and powerless which finally causes the downfall of his

At the beginning of “King Lear,” an authoritative and willful protagonist dominates his court, making a fateful decision by rewarding his two treacherous daughters and banishing his faithful one in an effort to preserve his own pride. However, it becomes evident during the course of the tragedy that this protagonist, Lear, uses his power only as a means of projecting a persona, which he hides behind as he struggles to maintain confidence in himself. This poses a problem, since the audience is prevented from feeling sympathy for the king. Shakespeare’s ironic solution is to allow Lear’s progressing madness to be paired with his recognition of truth, thereby forcing Lear to shed his persona, and

William Shakespeare displays how oppression can stem from a formerly unjust relationship in the play King Lear. While the character of King Lear descends into madness, his three daughters, Goneril, Regan, and Cordelia, all suffer from the dominance of their father as he begs for their love. During this time of power transition, the daughters turn their oppressing father into the oppressed. Through the use of juxtaposition in how Lear's three daughters oppress him, Shakespeare conveys how previously oppressed people can free themselves from the ill-treatment and inflict pain on the former oppressor, a concept that is prevalent in today's society with the increase of sexual assault victims speaking out and exposing their perpetrator.

All texts can be read and understood, interpreted and represented in many different ways according to the views of the responder and their context. Many different interpretations of “King Lear” have been made, each valuing and highlighting different aspects and themes of the play. It is necessary for these interpretations to be made and adapted in order for “King Lear” to have relevance within the context of the society. Each interpretation of the text extracts and concentrates on certain ideas, issues, themes, values of the play, altering the way the play is received amongst audiences and critics.

Later in the play, during the storm scene, Lear’s madness becomes even more apparent. The chaos created by the storm parallels the chaos that is within Lear’s mind. Late in Act 3, Lear himself speaks on the effect that the storm has on his mental state. The King proclaims, “Thou’dst meet the bear i’the mouth. When the mind’s free, / The body’s delicate: this tempest in my mind” (3.4.11-12). The chaos that arises from the mental decay of Lear parallels the chaos that arises from the storm. It can be inferred that the chaos created by the storm parallels the chaos within the King’s mind, and the fact that King Lear says “this tempest in my mind” while is standing in the tempest, which means storm, proves that this parallel exists. This also further proves that authority is more powerful that chaos because as Lear’s mind decays, chaos consumes him, and as the storm rages on, the chaos from the storm consumes the country of England. The authority that Lear used to represent has been diminished by his decreasing mental capacity in the same way that the stable conditions of the country has been destroyed by the chaos that the storm has created. In the middle of the sixth scene of Act 4, Lear’s madness in conjunction with nature becomes evident again. The stage directions read, “Enter LEAR mad [crowned with wild flowers]” (332). First, the brackets around “crowned with wild flowers”

At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.

King Lear an imprudent, old man symbolizes selfishness like no other. What is most daunting is the fact that he is adamantly loyal to appearances and ranking in life. He carries a title which most can not even dream of attaining, but wants to give up the position and all the responsibilities that follow it. “ Know that we have divided/ In three our kingdom, and `tis our fast intent/ To shake all cares and business from our age” (1.1.37-39). It is quite understandable if he just wanted to end his reign as king, but it’s another thing when he also wants to bask in the glory of the title and be treated like he still owns it. This egotistical attitude of his is more annoying than anything else, for he brought forth all his problems upon himself, and also unto others. His most arrogant moment is at the very beginning of the play, when he demands his daughters to profess their love for him openly, “which of you shall we say doth love us most?” (1.1.53). The use of his words in this quote is disgusting, it exudes pride, self-importance, and flattery. It’s because of these very words, that Cordelia denied him his right to the, all so selfish public display of love. Although Lear made costly mistakes throughout the play, his love to Cordelia rang

Shakespeare’s King Lear fabricated a world of its own, in which distinct virtues and vices were personified by individuals with diverse points of view. With each conflict in the play, the characters’ actions and decisions were parallel to the integrity of their heart and mind, exhibiting the virtue or vice they represented. With this strategy, Shakespeare shares that with trust should come discretion.