Artworks And Chicano Art Analysis

Chapter five in the book, From Indians to Chicanos, by James Diego focusses on the how the breakup and transformation of the social order happen. There are three subtopics that the chapter covers. The subtopics are the contact enlightenment, the conflict that occurred because they wanted independence and the change that happen when they experimentation on the nationalism. These three things were important because they had to do a lot with how the breakup and transformation of the social order happened.

To understand Chicanos, it is necessary to comprehend their Mexican roots. The Spanish interrupted the evolution of indigenous lifestyles and fashioned a colonial empire that remade the land, people, and culture. Spanish architecture, religion, language, and other institutions and practices were glorified as Indian culture was degraded, but many changes led to a new Mexican culture. New foods, religious beliefs and practices, social customs and cultural traditions arose and evolved. It also left a socio-psychological heritage in which skin color became associated with feelings of inferiority and superiority, with those who have whiter skin being privileged. Whether a person appears to be white or dark, still is significant among Mexicans as well as Chicanos. Could this possibly

The main characters are reversals of the negative ways Chicanos had been positioned within the dominant regimes of representation. Baugh (1996: 29) explains Valdez’s own opinion that – ‘the experience of Chicano gangs could easily be explained away by socioeconomic and political interpretations but that kind of explanation robs the gang of its

The murals depicted what we have been talking in class since the beginning of the first week. They were just a graphic representation of the struggle of the Chicano Movement and the Chicana Feminism. The painting on the wall showed that the Chicano History was more that a simple fact it was alive and it is still alive. I think that all the painting there was an expression of what Moraga call re-membering. Even though, I am not part of the chicano community, throughout those painting, I feel like I was re-membering the struggle that they faced at this time. I understood where the story started from and where it is going.

Murals are the quintessential public art embodying the spirit of the community in which they are created. They say this is who we are, this is what we think, this is where we come from, and this is what we want, reflecting most clearly any changes in the sociopolitical environment. Murals lay out a powerful visual image of the ideology of their creators or sponsors, be it the Church during the Renaissance, government funded projects, or individuals expressing opposition. In Mexico, after the Mexican Revolution of 1917, the government commissioned a vast number of mural projects to transmit its revisionist history of the country, and celebrate the empowerment of the underclass in their recent victory. Predominate themes were cultural

Artistic expression empowers the Latino community and gives support for issues of concern to that community. The movie Lupe Under the Sol brings attention to various topics that have not been addressed by mainstream media.

The portrayal and the representation of the Chicano Art Movements are entrenched by the Mexican-American artist who institute artistic personalities and identities in the United States. The plenteous amount of the artist is massively influenced by the immense Chicano Movement (El Movimiento) which, was established in the 1960’s. The influence of Chicano Art was due to the Mexican- Revolution philosophy, art of Pre-Columbia and indubitably European techniques of painting, cultural, social, political issues. The movement took a stand to fight against stereotypes of Mexican- Americans conducive and to resist typical social norms. The movement to concentrate on awareness of collective history, equal opportunity, grants and social mobility. Chicanos have used the movement in pursuit of expressing their cultural values. Ever since it first appeared in America the art of Chicanos has matured to illustrate common struggle and social issues in conjunction with uniting the youth of the Chicano people to their culture and history. Chicano Art is not only Mexican- American artwork; it further emphasizes and accentuates the histories of the Chicano people in a superb and sublime way of American art.

Throughout history, art has helped in different mediums to bring awareness to different issues and constructive messages to society. The Chicano movement started in the 1960s; the public wanted to repair social injustice. The Chicano movement encompassed a broad section of issues; from restoration of lands, to farm workers’ rights, to enhance education, to voting and political rights. At this moment many individuals were trying different ways to express their views and one of those ways was art. In the early years of the Chicano movement, Frank Romero established a reputation as one of the Chicano art heroes. Through murals Frank Romero expressed his thoughts and embodied a Chicano identity. His murals would not only connect with Mexicans, but with everyone. In his painting or art Romero would usually show everyday events in different views, opening the eyes of the viewer. Romero 's art would come out strong. Although Romero gained his fame with his murals, he is amazing in drawing, painting, ceramics, and sculptures. He is not just a remarkable Chicano artist, but an astonishing artist around the world.

The Chicano movement occurred in the 1960’s and 1970’s as a response to socioeconomic and political inequality. Chicanos faced negative racial discrimination and was denied the same basic civil rights as well as the same educational quality that White people received. As the Mexican Americans developed a sense of consciousness of their political and ethnic inequality, they began to act politically. The Chicano movement aimed to restore land grants, increase farm workers' rights, enhance education, obtain equal voting and political rights, and develop consciousness of the collective history. During the Chicano movement, a poem called “I am Joaquin” was popularized in the United States since it promoted liberation and cultural pride. The poem

“I'm not Mexican. I am not American. I am not American in USA and Mexican in Mexico. I am Chicano everywhere. I do not have to assimilate anything. I have my own history”, stated the writer and novelist Carlos Fuentes. The Chicano subculture is the mixture of the Mexican and the American cultures. This subculture has its own history and unique characterizations that make it stand out. According to the Merriam Webster dictonary the word subculture is defined as “a group that has beliefs and behaviors that are different from the main groups within a culture or society”. The Chicano subculture has a history, language, leaders, art, literature, and even their music, and it’s the perfect example for this definition of the word subculture.

Discrimination has been the brawn of injustices done to people of color. Most don't know of the Chicano struggle in the United Stated for the past four to six generations. Chicanos in America were forced to face chaos, poverty, and pain. Chicano, by Richard Vasquez is a perfect example of how Mexican Americans and Chicanos were treated in America during the 90's. Although Chicanos faced a burdensome life in America, lots of customs and culture immigrated to America with them, which has fabricated the Chicano Culture. The book Chicano profoundly demonstrates how hard it was for a Mexican family to immigrate to America. Once Chicanos started a life in America, it was very hard to get out of it. Mexicans were not socially accepted because

Hispanic art, food, and entertainment all have a common theme; they are all fun, light-hearted, yet fulfilling and rich in cultural heritage. On one side, Mexican culture in particular loves to make fun of itself. There are many depictions in song and art of lazy Mexicans in large sombreros with thick mustaches eating burritos. On the other hand artists like Diego Rivera paint large murals depicting rich historical events like the revolution, in bold colors on controversial topics (This Old, n.d.).

Reflection #1: Scars of a Chicano “We cannot give up in life because it gets hard. We gotta get up and keep going because only the cowards quit. ”Growing up in the projects I faced a variety of challenges that I had to face. in order to pursue higher education. The word resilience is a word I keep close to my heart for a various of reasons.

Among all the music, the Cubans also had a good hand in the arts; literature, graphic and performance arts. Journalists appreciate the special position of visionary scholars. In the early years of the Revolution, there was censorship, however the state loosened control in 1987 and now enables basic ideas to be debated about openly as long as they don't indicate treason. The graphic arts consisted of; Film has been very popular and effective type of art for Cuba. Havana has the internationally prestigious New Latin American Film Festival every year. Cubans adore going to the cinema; it is a favored and a cheap type of entertainment, and since film production has become a big deal, heading off to the movies is just around fourteen pennies. The

The Chicano art movement rose during the civil rights era was based on three goals that included restoral of land, education reforms rights for farm workers. The three goals followed by the Chicano Art artists had long been coming. One of the first goals included rights for farm workers. Arguably, the Mexicans Americans fight to secure unionization for the farm workers was one of the key goals of the Chicano art. In order to Sway the grape farmers, Cesar Chavez launched a national boycott that aimed at the American Farm