Art Museum Of Fort Worth Texas

As Edgar Degas once said, “ Art is not what you see, but what others make you see”. The St. Louis Art Museum is a place for artist to display their art and give spectators the option to see art from a new perspective. This was the case for me. As we walked up to the beautifully structured building that stood so tall and wide, my expectations were extremely high. At first glance I notice the bronze statue of King Louis IX of France riding high on his horse. From this statue alone, my expectations of the art museum grew stronger. I have never been to an art museum before, so I wasn’t sure of what to expect. My first expectation was to see huge detailed sculptures right as I walked through the door. That expectation didn’t come true.

This museum is the first time Johnson started to move away from the influence of Mies and the International Style. The international style of architecture emerged in the 1920’s and 1930’s. You can see this style of architecture in photo A. Common characteristics of International Style buildings are said to be rectilinear forms, ligh taut plane surfaces that have been completely stripped of applied ornamentation and decoration, and open interior spaces. The typical materials of this style are glass and steel usually combined with less visible reinforced concrete. In picture number four you can see Munson Williams Proctor museum has opaque stone-clad walls, and uses luxuriant materials such as granite and statuary bronze, and a very balanced and symmetrical design. These aspects were all part of Johnson’s growing new interest in neo classical typologies, or what would be known as New Formalism in modern architecture. Neo formalism emerged in the 1950s and really took off in the 1960s, it remained popular in the third quarter of the twentieth

I was required to go visit at Dallas Art Museum from Art Appreciation class. I went to the Dallas Art Museum and look through the art gallery. I was assigned to identify and write about six different function of art. The six function of art was maintained in the Patrick Frank book Artforms. The six function of art were Art of Delight, Art of Worship and Ritual, Art of commemoration, Art of commentary, Art of persuasion, and Art of Self-Expression. I was told by professor to write a four-page paper base of the six function of art that I was in museum. In the museum there was variety of art from different cultures and country. The histories of art were inside Dallas Museum of Art, many artist artworks were presented and many Gods sculptures and painting were displayed. There were many

In 1956, various people broke away from the Congres Internationaux d’Architecture Moderne (CIAM), founded in 1928, in order to set up an international splinter group of modern architects, Team 10. This led to the demise of CIAM. What were the goals of Team 10? How did they articulate their disagreements with the objectives of CIAM? Choose a specific building or project to show how one (or a pair) of the members of Team 10 attempted to put those goals into practice.

The North Carolina Museum of Art (NCMA) holds many works of art from all types of cultures from around the world. The Torso of an Emperor in the Guise of Jupiter from Roman culture and the Torso of Aphrodite from Greek culture, are but two of them. It is unknown who the artist was for either of them, but the work has lived on for centuries. During the time period the gods were known for their perfection- like body and extraordinary looks. Since the sculptures highlight only the torso of the body it represents that only image matters and the brain does not.

Philadelphia Museum, a three-floored building, has different artwork distributed chronologically, conceptually and according to nationality. The exhibitions are classified in different categories ranging from American Art, Asian art, European art, to Arms and armor, Prints drawing and photographs, Modern and contemporary art, Special Exhibitions, and Textiles. The ground floor is composed of two types of artwork: prints, drawing, and photography; specifically, the Honickman and Berman Galleries, and modern and contemporary art. The Honickman and Berman Galleries and a section of the modern and contemporary art occupy the west wing while the rest of the modern contemporary art occupies the east wing. The classical splendor is the most significant showcase in the Honickman and Berman Galleries designed by Benjamin Henry in 1808. Inspired by the classical art of ancient Greece, the showcase is one of the best achievements of the early national periods.

On November 7, 1883, an exhibition organized by “May Wright Sewell, her husband Theodore, and a small group of art-minded citizens” (History, 2017) began what would one day become the establishment now known as the Indianapolis Museum of Art. Since that first exhibition, the IMA has gone through several identity changes. They were first named, the Art Association of Indianapolis. Their next identity was as the John Herron Art Institute, which opened a whole new chapter, as they became “a campus featuring both a museum and an art school.” (History, 2017) Today, the IMA is one of the largest encyclopedic art museums in the nation. The IMA has had various leadership and staff over the years that have lent to how the museum operates today.

My experience to the Dallas Museum of Art was a bit different from the last time I had attended the museum. I was curious to see what pieces of art there would be and if it would be the same as the previous visit which was long ago, but to me all the pieces of art were so different and very interesting. It may have been because I saw all the pieces in a new perspective since learning about the different types of paintings there can be and knowing how and where sculptures come from. Even though I do not know much of art I really gave it a try into seeing what the artist may have wanted us to get out of his work. By reading a view of the chapters made me aware of art, I wouldn’t call myself an expert, but it was actually nice knowing that a

The Guggenheim museum in New York is unlike any other art gallery/ museum in the world. Its round, top heavy shape is something like no other and Wright prided himself on this artistic integrity1. The section of the Guggenheim, shown in Figure 3, shows that the main exhibition spaces are ramped from the top floor all the way down to the ground floor. This was a very

Walking into the Perez Art Museum was a great experience, being able to physically see all these creative art pieces was such a great feeling, especially because I am a fan of the arts. I would have to say that the most beautiful piece in the museum was the Mojo Jojo, this art piece was created by Polly Apfelbaum, born in 1955, Abington, Pennsylvania. This particular piece is made out of velvet and fabric dye of various colors, which is laid directly on the floor forming continuous circles. The other part of the circle started with dark colors and as it worked its way to the inner part of the circle the colors began to become lighter. I thought that this piece was so beautiful because of the amount of colors used and the feeling it brings as you are analyzing the art. Looking at this piece brought feelings of happiness, creativity, freedom and ambition. Some questions that came across my mind as I was visualizing this piece were: How many different colors have been used? What was the texture of the fabric? Is there a main focal area of the work?

As of recently, I had visited the UNM Art Museum to explore their various exhibits. There were four art exhibits at this art museum; Mata Ortiz, The 22nd Annual Juried Graduate Exhibition, Remnants: Photographs From the Disfarmer Studio, and Lightning Speak. Each exhibit portrayed similar characteristics, such as color, seating, and physical space. As with each art gallery, white is the primary neutral color used to display each piece. The white posts used to display certain pieces and walls gave a very modern and clean feel to the museum. As for seating, I was much too immersed into the art pieces to notice any seating areas during each exhibit. But I’m quite certain there weren’t any in most of them except for The 22nd Annual Juried Graduate

Situ Studio designed and fabricated six models for the exhibition, Frank Lloyd Wright: From Within Outward. For the design of the models, Situ Studio embraced the space of the Guggenheim as a site in itself, designing each of the pieces to have a unique engagement with the architecture of the museum. The resulting models respond to the geometry of the ramps, grow out of walls and are suspended from the gallery ceilings. In keeping with the theme of the exhibition, "From Within Outward," the three-dimensional scale models illuminate th internal mechanics of functional space in relation to exterior form in a variety of Wright projects including an exploded version of the Herbert Jacobs House #1 (Madison, Wisconsin, 1936 - 1937); a large landscape-based

In New York City, the Museum of Modern Art’s architects created a new standard for museum buildings. A couple decades later, in Fort Worth, Texas, Louis Kahn designed the Kimbell Art Museum. The innovative style of these museums, influenced other museums that followed. Some factors such as natural lighting, remained an important consideration for these new museum buildings. While changes to the ideal museum brought upon a completely new look, other concepts that remain the same as well. Ultimately, the changes enhance the audiences’ viewing experience and provide appropriate space for the artwork. The 1939 Museum of Modern Art building and the Kimbell Art Museum changed the architecture of future museums and developed the modern model for others to follow.

Unconventional design concepts and material use that incorporate the use of science, technology and nature were a key development during this time period. “In Hitchcock's words, Paxton's scheme ‘owed its aesthetic qualities to factors hitherto unrecognised — the repetition of units manufactured in series, the functional lace-like patterns of criss-cross trusses, the transparent definition of space, the total elimination of mass and the sense of tensile, almost live, strength as opposed to the solid and gravitational quality of previous masonry architecture’” (Mordant Crook 1987, p.107). This suggests Paxton was challenging traditional architecture of the period, offering a fresh perspective. The

Some are like sea serpents, others like office cubicles, but regardless the shape, all art museum galleries intend to give viewers a certain experience. The flowing into, out of, and around gallery spaces within an art museum can positively or negatively affect the patron’s experience. Unfortunately, when the design of an exhibition gallery negatively affects a viewer, a disservice is done to the artists and culture of the artworks on view. On view in the permanent collection of the Kimbell Art Museum in Fort Worth, Texas is the exhibition of several seventeenth and eighteenth century artworks with Spanish influences, accompanied by a single Japanese artifact of the same era. At first glance, all the pieces on display within this