Art Loss Essay

In the early morning hours of March 18, 1990, a pair of thieves disguised as Boston police officers entered the Isabella Stewart Gardner Museum and roamed the Museum’s galleries, stealing thirteen works of art. The stolen works are valued at $500 million, which made the lottery the largest art theft in American history. There were 14 pieces of art that was stolen on the March 18, 1990. There is a reward of $5 million for information leading to the recovery of these works in good condition. No one has found out, it has been 25 years of theories as to what happened.

Upon entering the room, visitors’ eyes dart to that mysteriously empty frame centered on the opposite wall. In such a painstakingly designed museum, this frame looks out of place. On these walls hang the memoirs of revered artists, but the empty frames scattered throughout remember something more tragic: the largest property theft in world history (Menconi, 2012). Head of security at the Gardner, Anthony Amore, refers to these empty frames as “placeholders, not memorials” and urges visitors to see them as a “testament” to their belief that they will reacquire the stolen paintings someday (Menconi, 2012). Whether they do or not, the 1990 Gardner theft greatly impacted

Her lawyer, Randy, delivers a closing argument that describes two interpretations of the history of the Holocaust: those who oppose restitution to the victims of the Holocaust and those who recognized the injustices committed to the Jewish population. The fact that the artwork was ultimately returned to her illustrates that history has taught society a lesson about equality. There are no possible compensations for the tragedies that took place, but society can use history to remember the past and form a better, more equal

As the FBI have been searching for who stole the paintings and reporters looking deeper into this investigation a statement; believing that there is no trace to where the paintings have gone has been confirmed. The main struggle of this situation is that the FBI and the Police, along

Though World War II was awful in every respect, and it led to the destruction of many priceless works of art, there are some examples of beauty emerging form the chaos. One such example come from the work Dean Keller. Keller was one of many “monuments men” who were given the daunting task of the preservation of art during the war. The monuments men had little resources yet they prevailed in their efforts of protecting much of the art at risk during the war. The thought that the allies had the forethought to take earnest efforts to respect the history and culture that comes from these great European works of art, is a glimpse of the beauty that emerged during this time of turmoil. At the end of the war, Dean Keller led the Americans in returning the art they had gathered for protection. This was received by great crowds of emotional Florentine’s grateful for the return of their stolen history. This scene of compassion and gratitude

Struggles with retrieving stolen art are at a high, especially if said art has been missing for decades, according to Bonnie Magness-Gardiner, head of the FBI's crime team. But with the NSAF (National Stolen Art File), an online

"Holocaust Restitution: Recovering Stolen Art." Jewish Virtual Library. American-Israeli Cooperative Enterprise, Mar. 2017. Web. 19 Mar. 2017.

There are many missing art works in the United States , Some of them are not found. It is getting harder and harder for the police and other departments to find missing artworks. With many new things coming into the world everyday , such as technology. Even though they are looking everywhere like libraries and bringing the FBI into this , they still have no luck. Most of these artworks that are stolen are worth expensive amount of money. They are up to $500 million dollars , which is the biggest artwork theft in American history.

Over the course of human history, political parties and movements have been involved in the destruction of great works of art. From the Mongols to recent terrorist organizations like Islamic State, these political organizations have a bad habit of destroying works of art. Moreover, this is only seen being done by political organizations that seek change or control over the world.

Throughout history, art has caused wars and forged alliances. In modern times, cultural treasures are being sorted into place after much misplacement. Restitution/repatriation, the act of returning cultural treasures to their rightful owners or nation of origin, often ensues difficult legal decisions, but remains a moral necessity. This act of returning cultural treasures, grows more common due to the media’s interest or publicized legal battles. The movie “The Woman in Gold,” involving Gustav Klimt’s painting of Adele Bloch-Bauer, is an example of the influence it has on media.

The price of art can vary depending on who and how you are selling it. The fair value of a work is what they call "fair market value". This value is what a work must cost when it is going to be bought or sold by two parties who are willing to do it without any obligation, knowing well the information available in relation to the value of that work. To determine this value, current markets are investigated, including auctions, galleries and private markets. Several elements such as artist, authenticity, theme, medium, condition, size, quality, style, date, history, rarity and novelty are taken into consideration. Let's look at each of these factors more thoroughly.

Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to

Art is a form of human expression. Art can be seen as the artist sleight of hand on his mood. Art is in various media from posters to public wall of which we call “graffiti”. Art is elusive as the use of colors shapes and the surface used adds a new dimension. Art portrays various ideas, feelings such as triumph, love, happiness, sorrow and boredom in loss to mention a few. Art is beauty and creativity. During man’s evolution art has progressed over in its most primitive state up to its most modernized versions today.

In the 1988, one year after Black Monday when Don Jones Industrial Average fell nearly 23 percent in a single day, Art & Auction the international art market journal published its annual edition with the troubling headline: “Is Corporate Collecting Dead?”. Almost 20 years later, the financial crisis made hundreds of bankers lose their jobs, and the image of people moving out their offices can still be recalled even today, and the same question aroused again. The same questions may appear again and again in the future, but as an essential part of world of art collecting, corporate collecting won’t die in the eyes of most people in the field.

The history of art dates back to ancient times. Artwork can be, and was, found around the world. What makes art interesting is that it can be created in any way, shape or form with any materials. It seems that the artwork can also tell us a lot about the artist. Art seems to be simply, a direct, visual reflection of the artist’s life. Therefore, one can assume that an artist’s life experiences and beliefs directly influence their art. If we look at examples from different periods of art we will be able to see the connection between the artist and the art.