Arnold Schonberg Vs Symphony Op. 21 Analysis

Another similarity is that the melody is repeated several times in both pieces. Yet another similarity is that both selections have moderate tempo in some parts of the pieces. One last similarity is that both selections include many major chords, meaning that the sounds tend to be

Beethoven’s Symphony No. 5 in C minor’s themes occur from 00:00-03:00. The first theme is heard at 00:07-00:51 and 01:33-02:18 (the themes repeat). The second theme is played from 00:51-01:33 and from 02:18 -02:41. In Beethoven’s Symphony No. 8 in F major, the first theme occurs at 1:20-2:07 and 3:23-4:06. Beethoven’s second theme enters at 2:07-3:23 and 4:06-5:27. In keeping with sonata form, the first theme of both of these symphonies is slightly darker than the second (although the latter symphony is more lighthearted than the

Symphony No. 7 in A Major (Op. 92), completed in 1812, might have been one of Ludwig Van Beethoven’s most popular pieces. The seventh of Beethoven’s nine symphonies, its premiere concert (December 1813 in Vienna) was performed at a charity concert in order to benefit the soldiers who had been wounded a few months prior in the battle of Hanau. It was performed three times in ten weeks following its premiere. During the time of the symphony’s premiere, Vienna was still distressed due to being taken over by Napoleon in 1805 and 1809 and yearning for victory; the audience at the premiere seemed to have loved the energy and beauty of the piece. The Seventh Symphony had been dedicated to both Count Moritz von Fries and Russian Empress Elisabeth

The reason I this piece of artwork appealed to me was because of the vivid use of colors. The bright pastels of pinks, yellows, blues and purples caught my eye and drew me in. They created a bright, relaxed, elegant and uplifting feeling to the setting. What I thought was interesting was that at first glance you see a woman, but rather than looking joyful, she seems upset or confused. Due to the colors of the setting I imaged the women’s emotion would match the bright and uplifting colors. I thought the artist’s choice of color was unique because I would typically imagine the colors to be gray and black with the emotion of confusion and sadness. It really causes the viewer to have to examine the image as a whole as well as piece by piece.

Although I enjoyed both pieces of music I really enjoyed the works of Gustav Mahler and his piece Lied von der Erde. This piece is rich in drama. I feel that the texture used is this song is imitative polyphony. I feel that there are various parts in this song that use the similar melodies. I feel that the harmony between the two vocalists were right on with each other and the orchestra. You can hear the brass instruments in the very beginning of the songs then the strings, wind instruments along with the piano and keyboards begin to make their entrance. They come together very strong but in a peaceful way at first. Towards the middle of the song the tempo and rhythm really picks up (it seems as if all of their emotions are bursting out) then it slowly begins to drop back to slower movements. You can really hear the strings during this time. But surprisingly enough just when you think the song is going to end boom your hit again. This song keeps you on the edge of your

Music in the nineteenth century saw the creation and evolution of new music genres such as the piano miniature, short expressive piano pieces. During this time raw emotion and expressionism prevailed as the focus of music during this described “Romantic” movement. Robert Schumann’s “Grillen”, from Fantasiestucke, Opus 12 was written in July 1837 contains several virtues of music during his time period. Schumann’s uses various qualities in his music such as form, pitch, rhythm and meter, and texture so express different attitudes within his music. These qualities convey music that characterizes romanticism as very emotional, expressional, and dramatic. Schumann’s piano miniature remains a supreme example of the Romantic style in its uses

Sonata form is the musical form is the form that has been most widely used then any other form. It really toke shape as a main form during the Classical period. It is usually used a first movement in a multi-movement piece and is commonly referred as Sonata-Allegro form. The concept behind it was to try and find a way to organize or categorize musical ideas into a movement based on a particular “key.”

In what period was the work composed? List three aspects of the musical style of this period that apply to this work.

a)The "Beethoven Concerto"s and Op. 37's Placement in the Genre and as a continuation of Mozart's Style

          Haydn has a special preference for writing music in a bundle of six. Each of the six pieces has its individuality while sharing many common features at the same time. Haydn’s solo keyboard sonatas show striking diversity in type and style. They often could be categorized by their style periods and each of them reflects a corresponding social background.

When comparing compositions of the two composers, the two composers differ in several areas, such as form, tonality, theme, and structure. Haydn’s compositions were more relevant with the classical era. His pieces were more constructed on melody and vastly linear. Whereas Beethoven set off to use more of a dynamic contrasting sound in his compositions. First off, comparing a movement in Haydn’s symphony No. 95 in C minor and Beethoven’s symphony No. 5.

As noted by Robert Hughes, "Beethoven was not only the embodiment of all that was before him, but also of that which was yet to come" (Hughes 486). The truth of this may be seen by comparing Beethoven's 5th Symphony in C Minor to Haydn, the father of Symphony, and his 95th in C Minor. While Haydn's symphony is both playful and dramatic, Beethoven's symphony is grander both in terms of scale and vision. He expands the size of the orchestra to incorporate the sounds swirling around, underlying, and depicting the arrival of Fate in a rhythm-driven, thematic symphony that takes Haydn's form and runs with it as though to the top of a mountain peak. This paper will analyze the symphonies by movement, according to form, size, structure, tonalities, melodies, orchestral sound and overall mood and effect.

One feature that is obvious between Webern's and Boulez's piece is the tempo.The tempo in Webern's piece is much faster than Boulez's piece.Furthermore, the dissonance in Boulez's piece is more profound than that of Webern's piece, and both pieces feature different instruments, Boulez's piece is written for pianos and Webern's piece is for

There were a total of four music pieces performed. They were “Overture from the Singspiel”, “Concerto in e minor”, “Concerto on b minor,opus 104”, and “Symphony#2 in b minor, opus 5”. I think pieces were performed belong to classical style.

I found this piece very interesting; it tells a clear story, and has a dissonant accompanist which makes it sound stylistically similar to the music of musical theatre.