“Aristotle’s Concept of Tragedy/The Tragic Hero and Drama”
Essay
I. Introduction
Sophocles’ Oedipus is a dramatic play that deals with tragedy and comedy. Tragedy can awaken humans to the place of grasping hope and growth; Aristotle’s and Sophocles’ display an all-inclusive story of the tragedy of fate. Sophocles’ tragedy is an emotional story of a ruler who kills his father and unwarily takes his mother as his significant other. A tragic hero characterizes one who makes unwise decisions that prompts catastrophe overcome. Due to the prophecy that their new son would kill his father, Laius and, Jocasta, King and Queen of Thebes, gave their infant to a shepherd with orders that he be left on a mountainside to die. The shepherd, however,
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exercising his free choice by making bad decisions . Oedipus certainly meets these portrayals of a tragic hero. The dialect of tragedy consists of two circles: one is a relative point and the other is impacted and the effect on its audience. Sophocles and Aristotle’s achieve that task with absolute clearness. The modern reader, coming to the classic drama not entirely to the enjoyment, will not always surrender himself to the emotional effect. He is apt to worry about Greek ‘fatalism’ and the justice of the downfall of Oedipus, and, finding no satisfactory solution for these intellectual difficulties, loses half the pleasure that the drama was intended to produce . In dramatizing stories, there will dependably blends of passionate sentiments, suspense, and fervor to discover what’s …show more content…
Traditionally, hamartia has been identified either as being a “tragic flaw”—a serious physical, psychological, or moral flaw in an otherwise impeccable character—or as being directly caused by such a flaw. For example, Laurence Berns states, “As a result of a flaw natural to his kind, the tragic hero harms and destroys those he loves most. It is those very qualities for which he is admired and honored that cause him to wreak great evils” (77). Oedipus, then, is said to be a just and noble ruler who cares for his people as though they were his own children. Indeed, Oedipus addresses the citizens of Thebes as “children” in Sophocles’ tragedy Oedipus the King (111–113), and he burns with an admirable passion to discover the truths pertaining both to his own past and to the cause(s) behind the plague besetting his city . The fundamental purpose of this dramatic story is that a king picks up his legacy by killing Laius who is his father, so he can fill in as imperial ruler in Delphi. The metaphysical realities revealed through Oedipus' actions go beyond the noble/base, advantageous/injurious or pleasant/painful noted above. Oedipus' actions can be further defined as either virtuous (virtue) or vicious (vice). Virtue and vice are metaphysically manifested through Oedipus' actions in the play.
In addition, the story of Oedipus Rex is another outstanding tragic literature. However, compared to Tim O’Brien’s writing style, Sophocles’ work inspires the emotions of pity and fear, and not depression. Normally a person with status, the tragic hero can be placed with sins of the gods or be a victim of given situations. Their fate often establishes an advanced social rank, often based upon exile. Tragedy illustrates the manner in which pride can overturn even the strongest characters, as it makes the readers aware of human suffering.
The play, Oedipus the King by Sophocles presents a grim hamartia caused from a terrible deed of long ago. Oedipus the protagonist is the powerful King of Thebes and held of high estate by the people of Thebes. As the terrible deed of Oedipus’s becomes apparent to both Oedipus and the City of Thebes his tragic flaw is slowly realized. The play will show “tragic power resides in human failing, hamartia, constantly underpinning any sense of the inevitable” (Walton). The play will show the author’s view of a tragic hero as seen in the play Oedipus the King does exemplifies Aristotle’s definition of a tragic hero.
During the Ancient Greek period, Aristotle, a great philosopher, wrote a book called the Poetics to describe what makes a great tragic play. Using the Oedipus Rex by Sophocles as the basis for his book, Aristotle goes into great detail about plot, character, and much more, breaking up the components of a tragedy. Since Oedipus Rex had a huge part in the creation of Aristotle’s book, it fulfills many of the Greek philosopher’s requirements for a tragic play.
Through the play one can see that Oedipus’ flaw is hubris. His aggression and arrogance prevents him from making rational decisions and blinds him from seeing the truth. Oedipus refutes fate and consequently, when he is forced to see reality he destroys himself. The tragedy presents hubris as a fatal flaw of human nature and therefore warns against excessive pride. Sophocles also expresses the power the gods through Oedipus’ fight against fate. Through Oedipus’ demise the audience understands that man only has free will to an extent and in the end god’s plan with follow through. The play keeps an audience entertained through drama while simultaneously depicting a warning to humanity. Overall, Sophocles’ work is revered because of the effects his precise diction
Oedipus also displays this uncompromising attitude in his devotion to Thebes. Oedipus' loyalty to Thebes is another factor that led to the tragic figure's ruin. Aristotle explains that a tragic character is just and good, but fatal error, pride(possibly hubris), or frailty brings about his misfortune. Oedipus fits this description perfectly. Oedipus could easily have left the city of Thebes and let the plague take its course he “would be blind to misery/ not to pity [his] people kneeling at his feet”. When Apollo's word comes back in the hand of Creon, Oedipus could leave the murder of Laius uninvestigated as it had been for so long, but “rising in his pride, he protests: he pits himself in some way against whatever…seems to him to be wrong…”(Levin 178). Oedipus can not let this investigation be overlooked; he must solve the riddle of who killed King Laius because his pride overpowers him. Oedipus' pride also reveals itself again in his loyalty to the truth.
Tragic fates and the downfalls of others have always seemed to interest a crowd. Audiences will travel from afar and pay to witness such performances. They listen and sit at the edge of their seats wondering when and how the catastrophe will occur in the protagonist’s doomed life. The reason for this is because almost all of the spectators can relate to the protagonist due to the fact that the protagonists of these tragedies are tragic heroes. These tragic heroes have qualities that render them both tragic and heroic, and they display five key characteristics according to Aristotle’s definition. The criteria of a tragic hero is that they must suffer throughout the play, have a tragic flaw, eventually recognize their tragic flaw and take responsibility for their actions, be neither completely good nor completely bad, and arouse pity and fear in the audience. These traits allow the people in the audience to relate to the tragic hero because no one is completely good, no one is completely bad, many have felt suffering, fear having a tragic flaw of their own, and long to recognize their own tragic flaw and take responsibility for their actions. This reliability has helped tragedies, specifically Greek tragedies, become some of the most influential pieces in theatre and literature. In the play Oedipus the King, the protagonist Oedipus is an excellent example of a tragic hero.
Aristotle’s criteria for a tragedy involves three main subjects: values, characters, and a conclusion; William Shakespeare’s Macbeth incorporates these critical topics. The values are supernatural powers, which determine what is right and what is wrong. The character in a tragedy must be noble by birth and by action. In the conclusion, the character must understand why he or she fell, accept the punishment, and order must be restored. By including these, Macbeth fits Aristotle’s criteria for a tragedy.
Oedipus is one of the most famous tragic heroes in drama history. His bizarre fate leads him to a tragic defeat that leaves the audience and reader feeling emotionally overwhelmed. According to Aristotle’s definition, Oedipus’ story makes him as a tragic hero. Oedipus is the personification of Aristotle’s characterization of a tragic hero through his ability to maintain and keep his virtue and wisdom, despite his shortcomings and situation in life. Aristotle’s observation of a tragic hero does not reveal the lack of morality or the evil of the character, based on an error in judgment. The tragedy and drama fit the Aristotelian characteristics of Oedipus.
In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.
Tragedy can either be the darkest part of life for one person or it can be a learning opportunity for the other person. Of all the tragedies written in the literate, “Oedipus the King” written by ‘Sophocles’ is one of the oldest and the most prominent tragedy written till date. It is the story of the king, who is brutally left to die by his own parents, luckily survived, unknowingly killed his own father and married his mother. Although this story was written 2000 years ago, but it still has a great significance in the modern world. Of the most powerful tragedies of the time, “Oedipus the king” discloses such values and situations as parental aggression, child abandonment, self-confidence, ability to handle trauma, and parent-child intimate relationship that people are struggling with in today’s world. Sophocles reveals these behaviours and incidents through the actions of Oedipus.
Aristotle’s tragic hero is one of the most recognizable types of heroes among literature. A tragic hero combines five major points all of which have to do with the hero’s stature in society, his faults, how these faults effect him, the punishment his faults gets him, and how he reacts to this punishment. Aristotle explained that the story of Oedipus the King, written by Sophocles, is a perfect example of a tragic hero. In the play, Oedipus is given a prophecy in which he is told that he will kill his father then marry his mother. As in many Greek plays, Oedipus tries to run from his prophecy and ends up fulfilling exactly what it is foretold. Through the play we see that Oedipus posses many of the characteristics
Aristotle is one of the greatest ancient Greek philosophers. One of his best works is Poetics. Aristotle defines what a tragedy is …etc.(what talks abt) A tragedy consists of six component, which are listed here in order from most important to least important. Aristotle’s structure of tragedy was interpreted differently by the neoclassical philosopher Corneille. Corneille argued that “Action can become complete only through several others . . . which, by serving preparation, keep the spectator in a pleasant suspense . . . leave us in the expectation of something which is to take place in the following one . . . into the shortest possible period, so that the performance may more closely resemble reality and thus be more nearly perfect . . .I
In order to gain a proper perspective on the concept of what a tragic hero is, we must synthesize information from the following play’s, “The Death Of A Salesman”, and “Oedipus The King”. Both plays takes the stance on the idea that validates the ultimate notion, “tragic hero. From Willy’s hubris personality to his questionable and mysterious death, to Oedipus dynamic and complex choices and kingly personality that determines his fate. A tragic hero is a literary character who makes a judgement that leads to his/her downfall. In other words, even though both characters made incredible contributions and left a very noble legacy, their choices and decisions determined their ultimate fate. In today’s world tragic heroes are commonly present,
According to Aristotle's theory of tragedy and his definition of the central character, Oedipus the hero of Sophocles is considered a classical model of the tragic hero. The tragic hero of a tragedy is essential element to arouse pity and fear of the audience to achieve the emotional purgation or catharathis. Therefore, this character must have some features or characteristics this state of purgation. In fact, Oedipus as a character has all the features of the tragic hero as demanded by Aristotle.
Thesis: In Sophocles’ “Oedipus”, Oedipus is exemplified as a tragic hero according to Aristotle’s definition because his story appeals to the reader’s humanity in the way he maintains his strengths after inadvertently causing his own downfall.