Wuthering Heights is a novel wrote by Emily Bronte about tragic and gothic romance. One of the most famous character in the book was Heathcliff, a tortured anti-hero. This essay will talk about one type of archetype in the story “tortured anti-hero” - Heathcliff and how his personalities affected the story.
Heathcliff is an orphan brought to live at Wuthering Heights by Mr. Earnshaw, Heathcliff falls into an intense, unbreakable love with Mr. Earnshaw’s daughter Catherine. After Mr. Earnshaw dies, his resentful son Hindley abuses Heathcliff and treats him as a servant. Catherine marries Edgar Linton instead of Heathcliff, because of her desire for social prominence. Heathcliff’s humiliation and misery prompt him to spend most of the rest
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His A powerful, fierce, and often cruel man, Heathcliff acquires a fortune and uses his extraordinary powers of will to acquire both Wuthering Heights and Thrushcross Grange. A quick summary of Heathcliff personalities. At the beginning of the novel, Heathcliff serve as an innocent child abused by the people took care of him, later on the course of novel, he became more abuse tendencies. There is no way to know truly he is a “good guy” or a “bad guy”. We can see even a kindest person can be destroyed by cruelty, Heathcliff became misery and he is making sure everyone around just as miserable as him. Emily Bronte uses weather as an symbolic archetype in Wuthering Heights as the season change, the characters entered different season of life. As Catherine lays ill and dying, the weather reflects the melancholy mood of the novel. Rain and water are used as a means of portraying of how although Catherine is dead, she lives on through Cathy, and through Cathy Heathcliff maintains hope. Just like “Rain” …show more content…
Because misery, and degradation, and death, and nothing God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart — you have broken it; and in breaking it, you have broken mine. So much the worse for me, that I am strong. Do I want to live? What kind of living will it be when you——oh, God! would you like to live with your soul in the grave?” . What actually made him a tortured anti-hero is how people around him treated him, made him to find a way to rescue himself. The reason why he is not considering as “bad or good” is because he is just doing what he needs to do - save his soul and peace. He is acting cruel in fact he is asking for help from others, asking for passionate from Catherine which he’ll never granted. Heathcliff, however, defies being understood, and it is difficult for readers to resist seeing what they want or expect to see in him. The novel teases the reader with the possibility that Heathcliff is something other than what he seems—that his cruelty is merely an expression of his frustrated love for Catherine, or that his sinister behaviors serve to conceal the heart of a romantic hero. We expect Heathcliff’s character to contain such a hidden virtue because he resembles a hero in a romance
However Catherine lured Heathcliff into a relationship, brain washed him into thinking that she truely loved him and was going to marry him one fine day. Instead she discarded their relationship and decided to marry Edgar Linton, a wealthy man. Catherine discarded her relationship with Heathcliff, for one main reason and that was because he was not a wealthy man. It was obvious that Catherine married Edgar so she could be the greatest woman of the neighbourhood and if she married Heathcliff it would degrade her and they would both end up as beggars . This a good example of how Heathcliff was a victim of class hatred.
The England that the seventeenth-century migrants left behind was undergoing dramatic changes, many of which stemmed from a rapid rise in population that began early in the sixteenth century. As the population grew, the economy altered, social stratification increased, and customary modes of political behavior developed into new forms. England’s ruling elites saw chaos everywhere, and they became obsessed with the problem of maintaining order in the evidently anarchic society around them. The large-scale migration of English people to America can itself be taken as an indication of the extent of these changes, for never before in the century-old history of European expansion had more than a small number of male adventurers chosen to emigrate
Heathcliff is abused; his only source of love is his dearest Catherine, yet even that love cannot thrive in Heathcliff’s environment. The problem is not that his love is unrequited, but rather that Catherine believes she would fall to ruin if she were to be with Heathcliff “It would degrade me to marry Heathcliff now; so he shall never know how I love him---because he's more
Although characterized as a violent individual, Heathcliff’s love for Catherine exemplifies a lot of aspects of sympathy. The sorrow he was faced with when he overheard Catherine said that marrying him would degrade her, ultimately resulting in his
During his multiple visitations to her new residence, Thrushcross Grange, he meticulously tries to make her feel ashamed of her marriage to Edgar Linton. For example, in his second visit to Thrushcross Grange he states that “[she has] treated [him] infernally” and that she should expect “[his revenge] ... in a very [short] while” (105-106). Correspondingly, Catherine responds saying that she is in shock by “his [new phase of character]” and is curious as to how he will get his “[so called ‘revenge’] ... [on her supposed ‘infernal’ treatment]” (106). Infuriated by her calling his sense of judgment, and revenge a bluff, he starts his master plan by aiming his affections at Edgar’s sister, Isabella Linton. Wantonly, Heathcliff manages to win Isabella’s heart and as such “[takes her away on horseback]” for Catherine to find out (122). Once again at hearing the disappearance of Heathcliff, this time with another woman, Catherine slips into another round of hallucinations. Yet, unlike the last time, her condition becomes life threatening. Catherine, in the time of her ailment, believes that “[her old life, and self are gone because of how Heathcliff treats her now]” (151). At the same time of when Catherine thinks this, Heathcliff, returns once again, to inform that “[he has not changed in how he treats her, but she has changed in how
In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.
Heathcliff’s obsession with Catherine serves as a drive that escalates his sense of revenge. This obsession manifests itself as Heathcliff grows infuriated at how Catherine chooses Edgar over him, uncovering the pivotal reason for why he chooses to seek vengeance on Edgar. In the middle of the book, Heathcliff venomously declares, “The moment her regard ceased, I would have torn his heart out, and drank his blood” (Bronte 148). Heathcliff goes through life so full of spite and hatred that an apathetic and wicked nature replaces his humanity. He elopes with someone who he does not care for, abuses his own offspring, and propagates agony to those around him.
The gothic and often disturbing Wuthering Heights is Emily Bronte’s classic novel that contains undeniably powerful writing that created her timeless love story. Andrea Arnold transformed her masterpiece into a cinematic rendition to recreate the wild and passionate story of the deep and destructive love between Catherine Earnshaw and Heathcliff.
Heathcliff resents her scorn. He desires to regain her approval. He attempts to be “decent” and “good” for her sake (Brontë 40). However, his attempt to be decent fails miserably. He resents the attentions that Catherine gives to Edgar. Catherine would rather wear a “silly frock” and have dinner with “silly friends” than ramble about the moors with him (Brontë 50). Heathcliff keeps track of the evenings Catherine spends with Edgar and those that she spends with him. He desperately wants to be with Catherine. When Catherine announces to Nelly her engagement to Edgar, Heathcliff eavesdrops, but leaves the room when he “heard Catherine say it would degrade her to marry him” (Brontë 59). Catherine has spurned his love, choosing Edgar over him. Heathcliff cannot bear this rejection. The love he possesses for her transcends romantic and filial love (Mitchell 124). He feels that he is one with her (Mitchell 123).
Heathcliff is portrayed (and often is) a savage, emotionless brute. For most of the book, the reader must try to decode his feelings and motives. Heathcliff’s character and entire outlook change from childhood until his death. Heathcliff’s apathetic, aggressive persona was morphed into manically happy by the forces of good. Heathcliff’s actions in his later life are shaped by his troubled childhood.
Heathcliff was the primary character that drove the plot of Wuthering Heights. The novel began and ended with him and his vindictive actions are most important to the progression of the story. He was unique from the other characters in the way that he looked, with “black eyes [withdrawn] so suspiciously under their brows...[and] dirty, ragged, black hair” (Bronte 3, 37). Mr. Earnshaw had generously brought this gipsy boy when he returned from a trip, picking him up from the miserable factory towns occupied by the lower classes in 1840. Earnshaw’s family did not receive this boy well, so Heathcliff was often characterized as a demon, epitomizing the equivocal attitude of the upper class, who at times felt charitable to and at times afraid of the lower class.
1. As it deteriorates and dies, Heathcliff and Catherine’s relationship serves as a cautionary tale and a witness to love’s destructive nature. Their love for one another is an addiction. Catherine long for Heathcliff and states, “I wish I could hold you.. till we were both dead” (Brontë 357). Catherine understands their relationship as “a source of little visible delight, but necessary” (Brontë 183). She views herself as one in the same with her lover, “Nelly, I am Heathcliff” (Brontë 183). She is obsessed with him-- regardless of her relationship with Edgar, Heathcliff never ceases to occupy her thoughts. If she were to lose Heathcliff, she would effectively go through withdrawal; their love is an addiction. She wants possession of Heathcliff
Love is a strong attachment between two lovers and revenge is a strong conflict between two rivals. In the novel Wuthering Heights, Emily Bronte uses setting to establish contrast, to intensify conflict, and to develop character. The people and events of Wuthering Heights share a dramatic conflict. Thus, Bronte focuses on the evil eye of Heathcliff's obsessive and perpetual love with Catherine, and his enduring revenge to those who forced him and Catherine apart. The author expresses the conflict of Wuthering Heights with great intensity. Hence, she portrays a combination of crucial issues of romance and money, hate and power, and lastly
“My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff!” (Brontë, 82)
Emily Bronte’s Wuthering Heights display of cultural and physical features of an environment affecting one’s character and moral traits is showcased through the first Catherine’s development throughout the novel. Catherine is forced to “adopt a double character”, as she lives as a rebellious, passionate woman on the turbulent Wuthering Heights, while behaving politely and courtly on the elegant Thrushcross Grange(Bronte, 48). Each of these environments also contains a love interest of Catherine’s, each man parallel with the characteristics of their environments: Heathcliff, the passionate and destructive, residing in Wuthering Heights, while the civilized and gentle Edgar inhabits Thrushcross Grange. Catherine’s development in character due to her setting significantly contributes to the theme that pursuing passionate love is dangerous, such as the love shared by Heathcliff and Catherine.