Aphra Behn 's Oroonoko As A Tale Of An African Prince And Victorious General Essay

Olaudah Equiano’s “The Interesting Narrative of the Life of Olaudah Equiano or Gustavas Vassa, the African” was first published in 1789 in London, England (687). Equiano’s narrative is informative; however, it is critical of the treatment of slaves and persuasive in its appeals to end the brutal treatment of African Americans. His intended audience was his friends and the public. Regarding the purpose of his narrative, Equiano wrote in Chapter I, “If it affords any satisfaction to my numerous friends … or in the smallest degree promotes the interests of humanity, the ends for which it was undertaken will be fully attained” (688). His narrative also offered a first-hand (first-person narrative) account of slavery and shared the story of his journey towards freedom. Equiano’s narrative is in chronological order after a brief introduction in Chapter I, which explained his purpose for writing his story along with providing background information on his childhood and the culture of his birthplace in Essaka, Africa. Furthermore, although much of Equiano’s story centered on his extensive sea travel, his harmonious mixture of formal and informal word choices along with the lack of the technical terminology commonly associated with sailors helps the general audience

The purpose of this book is to offer his perspective on how Africans were treated in the Americas from 1550 to 1812.

There are different experiences of the slave trade that are reflected in these documents such as those of an enslaved person (Olaudah Equiano), a European slave trader (Thomas Phillips – an English merchant), an African monarch (King Jao) whose kingdom and personal authority suffered from the slave trade, and an African monarch (Osei Bonsu) who opposed the ending of the slave trade. Of all the commercial ties that linked the early modern world into global network of exchange, none had more profound or enduring human consequences than the Atlantic Slave Trade. And in all these documents, we can see how people reacted differently to this system based on how they encountered it and how it affected them.

The story, Oroonoko; or, The Royal Slave, written by Aphra Behn, depicts the main character, Oroonoko, as being an African prince that lives among his people, whom all abide by a code of virtue and fidelity. When Oroonoko is faced with a dilemma in his own country and living among a “civilized” white society, that are devout Christians, he is confronted with the burden to uphold his code of virtue and maintain a title of being a “Noble Savage” by means of loyalty, religious beliefs, and honor.

Although slavery has long been abolished, there is no doubt that there were important pieces of literature being produced at this time. The most significant pieces of literature were those against slavery. Anti-slavery writings gave people a closer look into what it is was like to be a slave. Two writings in particular played an essential role in expressing the mistreatment of slaves and the African American race itself. The Narrative of Frederick Douglass and David Walker's Appeal, explained the problems slaves has in learning, hypocrisy in Christianity within the slave owner, and the action slaves should take.

Throughout history, slaves have been treated like animals and thought of as property, not human beings. Even Oroonoko, a handsome, statuesque prince is turned into a slave because of his race, and is degraded and mistreated. To racist slave owners, the horrible treatment of Africans was acceptable because they were a different species, and no amount of education or beauty could save them. Behn shows how unjust and brutal slavery is in Oroonoko. The treatment of slaves is comparable to the treatment of the poor, as both have few rights, and both are unjustly judged and mistreated based on social status.

Douglass’s ethos is never more apparent than the preface preceding the story. This introductory note provides a rich background of Douglass’s life as a former slave and transformation into a famous abolitionist, serving as authentication that the piece was written by a literate and educated African American. For instance, in an excerpt

Another of Jordan’s sub topics in this book deals with the Savage behavior exhibited by Africans and viewed among the English explorers. The English were at sometimes appalled with the differences in morals, table manners, and most visible

Not so long ago few Americans spoke of slavery – which was swept under the rug until the civil rights movement in the 1950s. The shame of slavery gradually rose to public consciousness over the last five decades. Now the topic appears everywhere, in movies, television documentaries and academia. Nearly every major museum has mounted an exhibition on slavery. This issue has become an integral part of the foundation for understanding America’s past. With specific attributes, slavery is distinct from all other forms of oppression, giving it a unique place in human history. Many consider Narrative of the Life of Frederick Douglass (1845) as the best among anti-slavery propaganda that appeared with increasing frequency during the years preceding the Civil War. The primary reason of its appeal is the unsurpassed clarity of Douglass’ writing, which displays his superior sensitivity and intellectual capacity as he addresses the woeful irony of the existence of slavery in a Christian, democratic

Since the publication of the first slave narratives as early as 1740, black authors accounting their experiences as former slaves have used a variety of tactics to best reach audiences with whom it was thought they had little in common with beyond basic humanity, including testimonials, documentation, and use of the popular literary techniques of the era. As the tradition of the slave narrative grew alongside the abolitionist movement, these narratives became increasingly political, as authors hoped to not only share their stories of subjugated, but motivate those in power to action against the institution oppressing them. Two of the most significant

The narrative by Olaudah Equiano gives an interesting perspective of slavery both within and outside of Africa in the eighteenth century. From these writings we can gain insight into the religion and customs of an African culture. We can also see how developed the system of trade was within Africa, and worldwide by this time. Finally, we hear an insider's view on being enslaved, how slaves were treated in Africa, and what the treatment of African slaves was like at the hands of the Europeans.

One implication as a result of the biggest known migration of human beings in history is that there is little documentation of individuals from the African Slave Trade. As such a familiar occurrence in history, there is little to be known about the individual experiences of captives during this horrific time. Randy Sparks, author of The Two Princes of Calabar, ends the silence as he provides the reader with a glimpse into an eighteenth century odyssey, and first hand account to the trading communities along the coast of West Africa. This trade not only transported people, but the exchange of ideas is also present across and around the Atlantic. The novel tells the story of two young men from Nigeria who are from an elite slave trading family. These men were captured by Europeans and sold into slavery until they were ultimately released back to their homeland. The Two Princes of Calabar offers insight into the complexities that existed in the transracial Atlantic world of the eighteenth century through the themes of privilege, gender bias, and the mistreatment of the enslaved.

Even works of literature that intend to have a good message can be interpreted and read the wrong way. The novella, Oroonoko written by Aphra Behn, is a great example of this. Oroonoko is the story of the Royal Slave. It is written in the perspective of a white colonial woman in the eighteenth century. I found the novella to have a lot of subtle racial undertones despite the fact that during that time it was seen as an anti-slavery novel.(1) There have been debates on whether this novella is pro-slavery or anti-slavery? While reading, I decided that it was neither, but more so a novella from a revolutionist point of view.

As Europeans discovered other cultures during the Age of Exploration, travelers returned with knowledge of new religious, political, and economic systems. Aphra Behn’s seventeenth-century travel narrative, Oroonoko, describes the life of Oroonoko, an African prince and slave in Surinam, while contrasting the cruelty of the Europeans with the morality of the Africans and natives of Surinam. Thomas More’s sixteenth-century Utopia displays his subtle criticism of English society behind the words of his character Raphael Hythloday, who travels the world and explores the rationality of Utopia. These authors criticize many of the conventions of their time periods through their characters’ explorations into new ideas and territories. In Oroonoko and Utopia, nature and reason lead the natives’ governments and societies instead of the corruption of the wealthy and noble Europeans.

Aphra Behn presents us with an extensive parody in her novel Oroonoko: a complete slave narrative, depicting the enslavement of both man and woman. She uses historical fact as well as semi-anthropologically accurate setting to reveal the truth in her words. Historically speaking, women were slaves for centuries before the white man enslaved the black man. Women were bartered and sold into marriage, abuses and forced to work under the watchful eyes of her husband. Aphra Behn demonstrates this though Imoinda’s character development, or lack thereof. The fact that this is considered a “historically” accurate text validates the reality of the issue