Ann Petry: Racism At Work

To engage a large audience, Staples appeals to readers with his use to two different points of views throughout the essay: societal views and black views. Staples tries to connect with the readers by giving examples of unconscious thoughts that run through the minds of most people when in the same situation as the “white women.” In his opening sentence, Staples calls the women a “victim.” In her own eyes, she herself was “victim” due to the influence of generalized stereotypes presented in our culture. She becomes quick to judge based on Staples appearance: his skin tone. Because of his color, his every action becomes nothing but threats and anxiety on the women. “She casted a back worried glance. To her, the youngish black- broad six feet two inches with a beard and billowing hair, both hands shoved into the pockets of a

Certain elements of the story help the reader to understand the purpose of the this short story. The setting in the deep south of Memphis Tennessee plays an essential role in reinforcing racial inequality during the 1950s. The 1950s was a time of segregation. In fact, specifically in the state of Tennessee, the Jim Crow Laws were being implemented. These laws included segregation in schools, transportation, marriages, and public accommodations. Thus, racism was not only acceptable and legal, but expected in American culture. Additionally, Walker’s characters, The deacon and Traynor’s fans, reinforce the theme of the racism and exploitation. The deacon refers to African Americans as “you people” and “colored” (Walker). From the outset, the deacon exploits Gracie Mae by offering her a measly five hundred dollars for not just the recording rights, but for all of the records she made of the song. When Gracie Mae tries to get additional money for the purchase of her records, the deacon replies with a disparaging, “What white man—and don’t even need to mention colored—would give you more?” (Walker).

Octavia Butler’s Kindred is a compelling novel in and of itself. It incorporates the thrill of science fiction, the truth of historical fiction, and the power of a neo-slave narrative to create an unforgettable story. However, Kindred is also impressive on the front of literary techniques and style. A large part of what makes the novel so fascinating is its consistent use of parallelism. In particular, the major parallel between Dana’s experience as a black woman in antebellum America and 20th century America gives the plot depth by debunking the notion that the future is exclusively progressive in comparison to the past. In Kindred, the literary device of parallelism relates Dana’s experience as a black woman in the 19th century and the 20th century on the bases of education, gender, and race, all of which show that the two time periods in

Glenda Gilmore, in her essay “Forging Interracial Links in the Jim Crow South,” attempts to tackle the charged concepts of feminism and race relations during the infamous Jim Crow era. Her analysis focuses on both the life and character of a black woman named Charlotte Hawkins Brown, a highly influential member of the community of Greensboro, North Carolina. Brown defied the odds given her gender and race and rose to a prominent place in society through carefully calculated interracial relations. Gilmore argues that in rising above what was expected of her as a black woman, Brown was forced to diminish her own struggles as a black woman, and act to placate

Alice McIntyre talks about how whites view racism in many different examples and stories of white talk. McIntyre defines white talk throughout the reading, “Talk that serves to insulate white people from examining their/our individual and collective roles in the perpetuation of racism. It is a result of whites talking uncritically with/to other whites all the while, resisting critique and massaging each other’s racist attitude, beliefs, and actions” (McIntyre, 45-46). McIntyre talks about the themes that were discussions of white talk: “(1) How the participants constructed differences from “the Other,” (2) how they reconstructed myths about white and people of color, and (3) how they privileged their own feelings and affect over the lived

Although the Civil Rights Act of 1964 ended legal Jim Crow, the perpetuation of prejudice, institutional racism, and discrimination towards African Americans continued. The tolling effects of this social paradox on the African American community are manifested within the works of Ann Petry, an African American writer whose short stories reflect her own perspective on the results of discrimination. The short stories, The New Mirror and In Darkness and Confusion conjunctively display the negative psychological consequences linked to racism, such as loss of personal identity, social reflectiveness, insecurity, anxiety/paranoia, weakened family bonds, and violent outbreaks.

Ann Petry 's novella, "In Darkness and Confusion," explicitly exhibits the ramifications of being a poverty stricken African American in Harlem, New York – via the conscious of the extremely contemplative William Jones. In this short story, readers are allowed to experience William’s anxiety about residing in a slum ridden neighborhood, working at a barely paying job, and the mental health of his deployed son. In journeying alongside William throughout the weekend, sharing his past disappointments and disillusionments as well as his hopes and dreams, the reader is able to discern his feelings of mass frustration. In walking in the shoes of William Jones, it becomes evident how the entire Black community might be overwhelmed by circumstances which indubitably inspired and provided rationale for an urban black rebellion.

“Man of All Work” by Richard Wright takes place in the 1950’s in the rural south right before the events of the Civil Rights Movement that further shaped America for all races. We follow one man named Carl who takes his wife’s name and clothing for a day to interview for a domestic job meant for woman for the Fairchild family. This short story further displays the difficult race relations in the South during this time, as well as the lack of respect that the whites had for African Americans. Through the Fairchilds’ oblivion of Lucy’s true gender in ‘Man of All Work”, Wright demonstrates the lack of compassion had by the White Supremacists toward African-Americans via a lack of observation of characteristics and through their lack of

Many tragic events happen in this short story that allows the reader to create an assumption for an underlying theme of racism. John Baldwin has a way of telling the story of Sonny’s drug problem as a tragic reality of the African American experience. The reader has to depict textual evidence to prove how the lifestyle and Harlem has affected almost everything. The narrator describes Harlem as “... some place I didn’t want to go. I certainly didn’t want to know how it felt. It filled everything, the people, the houses, the music, the dark, quicksilver barmaid, with menace; and this menace was their reality” (Baldwin 60). Another key part in this story is when the narrator and Sonny’s mother is telling the story of a deceased uncle. The mother explains how dad’s brother was drunk crossing the road and got hit by a car full of drunk white men. Baldwin specifically puts emphasis on the word “white” to describe the men for a comparison to the culture of dad and his brother.

In Octavia Butler’s novel, Kindred, she challenges humanity, moralities, and racism. By sending Dana through time, it highlighted the similarities and differences between characters and symbolic meanings. The theme of this novel is answering the question to “what if” a black woman, raised with rights, had to endure slavery? What tactics would she use in order to survive? Many people cannot imagine the agonies slavery has caused, not only to blacks, but everyone including loss of freedom, family, loved ones and self. The interracial couples in the novel, Dana and Kevin; Alice and Rufus, symbolize a larger issue of segregation that divides of our nation. The antagonist, Rufus, changed throughout his life as Dana tried to teach him

There are numerous works of literature that recount a story- a story from which inspiration flourishes, providing a source of liberating motivation to its audience, or a story that simply aspires to touch the hearts and souls of all of those who read it. One of the most prevalent themes in historical types of these kinds of literature is racism. In America specifically, African Americans endured racism heavily, especially in the South, and did not gain equal rights until the 1960s. In her renowned book The Color Purple, Alice Walker narrates the journey of an African American woman, Celie Johnson (Harris), who experiences racism, sexism, and enduring hardships throughout the course of her life; nonetheless, through the help of friends and

The movie, The Help, is based on the book written by Kathryn Stockett. It was released in 2011 and directed by Tate Taylor (Taylor, 2017). The Help is set in Jackson, Mississippi in the 1960’s, and it is about the experiences black women had as maids for white families. These women decided to risk it all and tell their stories in an effort to show what is was really like for them (Taylor, 2011). The Help illustrates how these women fought racism and prejudice by becoming unified with one another. This paper will address how prejudice, discrimination, stereotyping, and inequality affect the characters and their relationships in the story.

As an African-American I have been in numerous situations when I felt uncomfortable in the workplace because of race. Institutional racism tends to be a bit more covert, however during socialization in the workplace it is easier to see the more overt manifestations. A recent example that comes to mind for me is sitting with a group of coworkers and discussing current events in the news. We were a group of about 8 people sitting together. I was the only minority in the group. I was not in tune with the conversation and was checking messages on my phone and only joined the conversation when a coworker said to me, “How do you feel about this Kymona? Even your people can’t possibly agree with this!” At the time I felt embarrassed, slightly angry

In “That Evening Sun,” William Faulkner uses only thousands of words to recreate the old, cruel doctrine of racial discrimination in the South America. The whole story is told by a young boy, and it analyses the miserable life of a poor black woman, Nancy, from a naïve child’s perspective. The words in the story are simple but straightforward. Faulkner makes this story strange but unique by leaving no special relationship between the young narrator and the black woman, so the narrator is pushing the entire story with his truest descriptions and most direct portrays. This objective way of narration highlights the black woman’s tragic fate that is brought by the unfair society. Under the child’s simple narration, there are darkness and misery lying under the mask.

Between 1970 and 1981, Walker published two collections of short stories. Her first novel, The Third Life of Grange Copeland (1970) pointedly criticizes African American gender relationship and underscores the debilitating social and economic oppression suffered by African Americans in the segregated south. Unable to overcome the accumulation of debt inherent in the sharecropping system and considered less than human by his white superiors, Grange Copland vents his father’s brutality upon his own wife and children. In this novel Walker highlights personal accountability for one’s action and stresses the inviolability of the soul despite oppression and prejudice.