Angela Vicario Essay

Two months before the beginning of the 21st century, Melanie Pillaca-Gutierrez was born in South Florida. She grew up in a sunny suburban community and attended Park Trails Elementary as the only latina in her kindergarten class. At five years old, she was oblivious to the stares she received for the color of her skin or the language she spoke with her parents. Short years after that, she became passionate and vocal against the discrimination and lack of representation her people faced.

The narrator describes her in the quotation, "Angela Vicario was the prettiest of the four, and my mother said that she had been born like the great queens of history, with the umbilical cord wrapped around her neck, But she has helpless air and a poverty of spirit that augured an uncertain future for her" (Marquez

Angela was forced to marry Bayardo San Roman ever since he asked her to marry her. It never gave Angela the chance to know Bayardo San Roman. On page 20 it states, “It was Angela Vicario who didn't want to marry him.” She clearly did not love Bayardo, and did not want to marry him. Angela’s mother, Pura Vicario said, "Love can be learned too." Pura wants her daughter to marry Bayardo, and learn to love him.

Mia Hamm and Michelle Akers are the best female soccer players of all time because they are top scorers, they have the most awards, they are both well-known players.

Marquez decides that as faithful creatures dogs have no say in the matters pertaining to their owner and as such are forced to follow every command, even death. No objections are made within the house of the rationality of the task and thereby the task is carried out with upmost importance as seen by the word ‘immediately’. Marquez also uses the word ‘order’ to display that women are higher in the hierarchy of dominance as they are the ones giving the orders; the word also entails that giving the power to women will create ‘order’ in society. The word ‘order’ is then closely followed by the word ‘silent’ which is associated with calmness and serenity. In this manner, Marquez indicates that the resolution created by the women creates a harmonious balance that pacifies society. The parallel of Placida and Angela is established when the reader notices the pattern of the commands. Both Placida and Angela gave orders to either explicitly kill Santiago, or metaphorically kill Santiago through the use of symbolism. The significance of Santiago lies within his dominance on society, as he is the most influential figure within the

Angela simply named Santiago Nasar as her lover but there was no other evidence besides her word to back that statement up. The narrator explained that "most of those who could have done something to prevent the crime and did not console themselves with the pretext that affairs of honor are sacred monopolies, giving access only to those who are part of the drama" (114). If the medieval idea that death brings honor is true, then it is safe to say Santiago Nasar died without honor for he did not know the reason for his death was. The Vicarios were poor Hispanics and the Nasars were rich Arabs, so social and racial tension was clear.

The women reassuringly reply to her saying, “‘The only thing they believe is what they see on the sheet’” (Marquez 42). Here the author develops Angela’s character as a very persuable young girl who believes that she can easily fool her future husband on her wedding night. Angela Vicario is gullible and naive. Not being a virgin before wedding is very shameful in the hispanic society, yet she tells the two women about not being a virgin a few days before her wedding. The women are older, have a lot of experience, and they have been married for a long time as well. Angela, In contrast, is very new to these tricks and so, can not make herself trick her husband into believing that she is a virgin. Angela tells her brothers that Santiago is her lover when they ask her for answers; Angela lies, as later on in the novella, the author states that Santiago is, in fact, innocent. Angela can also be considered a selfish person, because to save her lover, she blames everything on Santiago. Angela saves her true lover by saying Santiago Nasar’s name, but she does not confront to her true lover and ask him for help. It is safe to say that Angela loses her virginity to someone who does not love her, due to the fact that, her true lover does not make himself known to her family or the town. Seeing that Angela’s true lover does not come to rescue Angela when she is being beaten by her

The reader will also discern the scores of parallels able to be drawn between Santiago and Jesus Christ, making Santiago a literary ‘Christ-figure’. Both were somewhat outcast, in Santiago’s case because he was not a native Columbian. This makes it easier for the town to allow Santiago’s death, and make him the scapegoat. The town’s unwillingness to save Santiago is similar to the Jews choosing to have Jesus killed rather than a murderer. In both cases, those who had the chance to save the innocent man felt terrible afterwards. Jesus had foretold his own death, and although Santiago was blissfully unaware of his demise until it befell him, the narrator states ‘never was there a death more foretold.’ In dying for the sake of Angela Vicario’s honour, Santiago is sacrificed for the sins of others, which was also Jesus’ purpose in dying. In addition, the seven fatal wounds Santiago suffers probably represent the Seven Deadly sins.

Throughout the novel Angela Vicario proves the unfair nature of women's roles through the loss of her virginity. It is shown when Angela Vicario is being criticized harshly for losing her virginity to Santiago Nassar when it's not even looked upon whether or not you are a virgin if you are a man. When Angela Vicario says, '" The only thing I prayed to god for was to give the courage to kill myself," Angela Vicario told me. "But he didn't give it to me."' (22) Marquez gives us insight on how the Latin American Society values a woman. In this case it is valued more than the woman's life. Which is why Angela Vicario was thinking about taking her own life instead of dealing with the criticism. Because she feels as if her life isn't worth living because of what others think of

Angela is described as the prettiest of her four sisters and was considered well-named by Bayardo San Roman, who had admitted that it was the first impression of her name that had really caught his attention and was one of the main reasons he chose to marry her after taking just one look at her from afar. Her first name, Angela means “angel” (messenger of God) and her last name, Vicario is an actual last name in Spanish which means “a vicar” (a member of the church who exercises a range of pastoral responsibilities and is usually a representative of the Bishop). This is all quite ironic because Angela is not a virgin and thus, not pure. Her confession caused her brothers, Pedro and Pablo to seek revenge by terminating the man that had taken her virginity, which results in a violent tragedy which is not holy or righteous in any way. The death of Santiago Nasar had caused the brothers to face a lot of misery, only due to the order of their sister, Angela Vicario. By exhibiting this, Gabriel Garcia Marquez shows the hidden power of women that only Angela had in the Columbian society at that time.

We learned that she does not love him nor did she wanted to marry him and the only way that would have happen is if she was not a virgin. She fake, she lost her virginity in society where virginity was highly valued. She was never alone. She go everywhere with her sisters or mother, work from home and she only talk to other women and had distrust of men and their intentions “No one would have thought, or did anyone say, Angela Vicario wasn't a virgin”. (37). Angale was destine to not have Bayardo as her husband until Santiago Nasar died because he was fated to be killed by the Victoire twins and the only that could have happened if something important was at stake and at this time virginty was very important to abtain honor in the society. The fact of the matter is she did not chose to be not a virgine but fate was planned which is beyond her control. In addition, when the twins demand the name of her lover or the man who took her virginity “She looked for it in the shadows, she found it at first sight among the many…” (47). This quote illustrate that she did not gave much thought to who took her virginty but said what came to her mind which fate is responsible. Basically Marquez wants the reader to make the connection that fate uses people or absurdity to achieve it’s purpose. Likewise, Angela had the option to fake her virginity but refuses to do it “They taught her old wives tricks to feign her

Angela takes “only the time necessary to say the name” (47) and arguably Santiago has been chosen simply by random fate; any male’s name would suffice, suggesting in a patriarchal society valuing a women strictly for virginity, all males share the blame. Angela’s appearance versus her reality is complex because while she has undeniably corrupt qualities, an admirable goodness shines through; the narrator acknowledges

                Pedro and Pablo Vicario, being the ones who held the knives that murdered him, are the direct cause of Santiago

The narrator's sister who isn’t even involved in the murder and isn’t present at all during the events, even understands why they killed him, even though feels mournful for him. "I felt that I was the one who was going to die," my sister said. "But no matter how much they tossed the story back and forth, no one could explain to me how poor Santiago Nasar ended up being involved in such a mix-up." The only thing they knew for sure was that Angela Vicario's brothers were waiting for him to kill him. (Chapter 1 Page 38).

Pedro and Pablo Vicario killed Santiago Nasar for one reason- it was up to them to restore their sister’s honor by killing the man who took it away. The night of Angela’s wedding, her new husband, Bayardo San Roman, finds out that she is not a virgin. Soon after he returns her to her home, and her mother beats her and makes her answer the question of who was the one who took her innocence. Angela, in a daze, says the name ‘Santiago Nasar’. Her brothers then set out to kill him, to, at least, restore some of their family’s now marred reputation. The whole town seems to automatically understand the reasoning behind their plans. Clotilde Armenta, a shopkeeper, even says, “the horrible duty that’s fallen on them” (Marquez 57). By describing the act as a duty, the author implies the murder of Santiago is necessary. The fact that