Analyzing The Death Of Polonius In Shakespeare's Hamlet '

Cleverly, Hamlet decides to feign madness before the King and the court as a way for others to ignore him, so he may construct his plan of revenge for his father’s death. What is interesting is that he initially does not set out to kill Claudius the current king, which suggests that he is troubled on whether or not the apparition he spoke with is truly his father telling the truth. He deceptively uses Ophelia as a messenger to the King to describe his initial count of being mad. This causes the King, Polonius, and Ophelia to spy on Hamlet. When putting on a production to see whether Claudius is truly guilty of being the murder Lord Hamlet states, “that he must be idle” which suggest that his madness is feigned. With Claudius being deemed guilty, Hamlet knows what he must do. Interestingly, Hamlet is unable to kill Claudius the first time when he gets a chance since he did not want to send Claudius to heaven. The level of distress of Hamlet is apparent when he sees his mother after passing Claudius praying to God. Getrude calls for help and a noise is heard behind a curtain. Without thinking Hamlet slays Polonius; the person behind the curtain. This is a very controversial moment for this

Granted those are quite different goals but Cardullo also comments that Polonius is also delaying action when speaks to the other characters which emphasizes on the overall theme of inaction. By presenting a secondary inaction that can be compared to Hamlet’s inaction in turn emphasizes Hamlet indecision on actual action. It also in a way foreshadows the end. Polonius merely has an inability to speak eloquently and he is the first to die. Inaction and procrastination kills, and it leads to Hamlet’s death as well. But their contrasting inaction have another

First they think that Hamlet is lovesick over Polonius' daughter, Ophelia, but after the king spies on Hamlet and Ophelia in conversation, he comes to the conclusion that Hamlet is mad, a threat to his rule, and must be sent to England to be executed.  This is a sign of the king's uneasiness over the mettle of Hamlet's anger which is directed towards him.  The last thing that Claudius wants is for Hamlet to be unhappy with him, in fear that Hamlet will overthrow him, discover the murder, or possibly kill him.  The king becomes increasingly nervous as time passes, making him a bit paranoid over Hamlet.

The present King, Claudius, is questioning Hamlet’s odd behaviour because he feels Hamlet’s new and strange behaviour could be harmful to him and his position. So he asks Polonius, the Lord Chamberlain, to spy on Hamlet to resolve the matter. While hiding behind an arras in Gertrude’s room to listen to the dialogue between Ophelia and Hamlet, he reveals his location by calling out for help, Hamlet realizing there is someone behind the tapestry and suspecting it to be Claudius withdraws his sword and stabs the hidden Polonius resulting in polonius’s death, which assisted in ophelia going mad, and also Laertes, Polonius’s son seeking revenge on hamlet, which makes Hamlet’s quest for honour and certainty even harder to complete.

He, wanting to determine why Hamlet has been acting mad, decides to spy on him when he is with Queen Gertrude. When talking to Gertrude before Hamlet has entered, Polonius states, "He will come straight. Look you lay home to him. / Tell him his pranks have been too broad to bear with / And that your Grace hath screened and stood between / Much heat and him. I'll silence me even here. / Pray you, be round with him" (III.iv.1-7). Hearing Hamlet coming, Polonius hides behind a tapestry. Hamlet enters and is rude to his mother. He tells her that she has offended King Hamlet by marrying Claudius. When Gertrude asks Hamlet if he has forgotten who she is, he replies with "No, by the rood, not so. / You are the Queen, your husband's brother's wife, / And (would it were not so) you are my mother" (III.iv.19-21). Hamlet then tells his mother to sit, and that he is going to hold up a mirror so she can see who she truly is. When Gertrude asks Hamlet if he is going to murder her, Polonius cries out for help from behind the tapestry. This leads to Hamlet thinking that Claudius is the one hiding, so he thrusts his sword into the tapestry, killing Polonius. Polonius' death leads to many further struggles between characters. When his children, Ophelia and Laertes, hear the news of their father's death, they do not take it well. Ophelia goes mad. She begins singing songs about her father's death - "He is dead and gone, lady, / He is dead and

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

Claudius is only acting out what Hamlet secretly wants to do, take his father’s place as his mother’s lover. This would explain why Hamlet puts off the revenge instead of carrying it out immediately after seeing his father’s ghost. It would also provide a reason for Hamlet’s later insanity.

     In the closet scene, Hamlet kills Polonius, thinking it is Claudius behind the curtain. When Hamlet goes to his mother to talk, Polonius is hiding behind the curtain and eavesdropping on their conversation. Polonius wants to prove that Hamlet’s behavior is based on Ophelia’s rejection of Hamlet’s love. Hamlet hears him behind the curtain and stabs him, thinking he is Claudius. This is an important turning point in the play, because this is the first time that Hamlet has taken action towards avenging his father’s death. Even though he has killed the wrong person, he has finally done something other than philosophize about retribution and murder. This scene also shows how Hamlet has changed as a character. Logically, it isn’t possible that it is Claudius behind the curtain, because Hamlet has just seen Claudius repenting for his sins and praying in

Delaying, Hamlet continues to avoid murdering Claudius. After hesitating to kill Claudius, Hamlet flees to his mother’s room. Polonius hides in Gertrude’s room while Hamlet is speaking with his mother, but Hamlet soon catches on and murders Polonius. Shocked, Gertrude confronts Hamlet about the murder, but Hamlet retaliates by asserting, "A bloody deed! almost as bad, good

Hamlet kills Polonius and Gertrude becomes scared as to what is going to happen with Hamlet. Claudius betrays her trust by taking advantage of it and takes matter into his own hands. Claudius solution to the problem is to have Hamlet sent to England, where he is going to be safe from the law and will not have to deal with any consequences for his actions. " O Gertrude, come away! The sun no sooner shall the mountains touch. But we will ship him hence, and this vile deed. We must, with all out majesty and skill, Both countenance and excuse" (4.1.28-32). Claudius makes Gertrude believe he is setting this up because he wants to protect Hamlet. But even though the audience knows the real reason as to why he is doing this. He is sending Hamlet to England to be killed. " By letters congruing to that effect, The present death of Hamlet" (4.3.66-67).

Promising to no longer be distracted, he positions his responsibility to his father foremost in his mind. Additionally, he regards his father’s wishes as a “commandment” , further showing his duty as a son to obey his father. To reiterate, Hamlet takes responsibility for his father when he kills Polonius believing him to be Claudius. Gertrude summons Hamlet to her room to tell him that the play which depicted Claudius’ hand in King Hamlets death offended King Claudius. While Hamlet tells Gertrude, she is offending his father by marring Claudius, he notices a disturbance behind the curtain. Believing that Claudius is behind the curtain, Hamlet blindly stabs the curtain, killing Polonius. Though Hamlet takes responsibility for his father by attempting to kill Claudius thus avenging King Hamlet, Hamlet’s judgement is evidently impaired, causing his actions to be rash and uncalculated as it had been previously.

Polonius seemly hear all these vulgar and misogynistic rants and becomes ever more convinced that Hamlet is mad. He never rests easily until he ends up behind yet another arras, scheming, yet this time in Gertrude’s room and gets himself killed. The act of betrayal, by both Polonius and Gertrude has far-reaching consequences; Polonius is killed by Hamlet, Ophelia becomes mad and Laertes demands vengeance. Polonius’s betrayal disgusts Hamlet and he can only but refer to him as ‘a foolish prating knave’ and his mistreatment of his body when he says he will ‘lug his guts in the neighbour room’ can equally be taken as his disgust towards him.

Hamlet's rant to persuade her that Claudius is a bad man and the murderer of his father depicts his disrespect to his mother. For instance, he tells her, "You go not till I set you up a glass / Where you may see the inmost part of you." (III.iv.20-21) He is threatening his own mother! Later, he addresses her as "thou wretched, rash, intruding fool" (III.iv.32) Even though Gertrude's lust for Claudius aggravates him, Hamlet fails to show even the most fundamental respect to his superior. The relationship is full of disloyalty and distrust from Gertrude's part. First, she appeases, "Be thou assured... I have no life to breathe what thou hast said to me." (III.iv.201-203) It is assumed that she will listen to Hamlet and stay away from Claudius. However, in the next act, she displays her true loyalty to her husband, telling him that Hamlet is "in this brainish apprehension kills / The unseen good old man." (IV.I.12-13) This is partially contributed by her observations of her son talking to a ghost that she doesn't see. Polonius' death causes her to think Hamlet is dangerous, further driving the two apart. Her distrust to her son harms him by further solidifying Claudius' plan to execute him in England because the king sees him as a threat to the throne who is capable of killing. In the end, Hamlet and Gertrude's relationship take a bittersweet ending.

Hamlet puts off avenging his father’s death because of his severe Oedipus complex. Hamlet did not kill Claudius until his mother had already died. This is a sign that Hamlet did not want to hurt his mother because of the sexual feelings he had for her. Hamlet felt that killing Claudius would hurt his mother too much, and he could not do that to her. Hamlet wants to save Gertrude form Claudius because of his feelings for her, his incestual feelings, not maternal ones. Subconsciously the queen knows the effect she has on her son. Gertrude tries to play off that fact that’s she knows about Hamlet’s feeling several times in the play. Gertrude is very fond of her son and wants to protect him however she can. This can be seen in the play, many times even up to when Gertrude is about to die. She tries to save Hamlet from drinking the poison himself. She also decided not to tell Claudius that Hamlet knows what Claudius has done.

After killing Polonius, Hamlet feel no guilt at all, he acts indifferently. The audience can evidence how appearances and reality come back into play when Queen Gertrude cries out, “O, what a rash and bloody deed is this” (Act 3, scene 4, page 106). Hamlet, responds without repentance, “A bloody deed – almost as bad, good mother, as kill a king, and marry with his brother.” (Act 3, scene 4, page 106). After this statement made by Hamlet, there is a twist in the scene. Instead of the scene being centered towards the death of Polonius, it becomes centered towards Hamlet’s obsession and hatred towards his mother for betraying him and his father by the rapid and opportune marriage to