Analysis on Kilbourne's Argument Essay

Jean Kilbourne’s essay Two Ways a Woman Can Get Hurt is a powerful piece of work that brings the problems of the sexualization and objectification of women and children in advertising out in the open. Kilbourne states that this pornographic advertising is promoting male dominance over women, and in return promoting male violence against women. Domestic abuse and violence against women have always been a problem, but the media may be making it worse. Her audience is middle-aged and younger women who are most likely to experience male violence. She does try to include a little for a male audience, but her main focus is on strong and independent women who will understand her point about the use of degrading pornography in ads.

Kilbourne’s support for her argument relies on the Appeal to Authority she makes, citing specific ads of big time companies and businesses to demonstrate how these ads are encouraging sexual aggression and violence. She alleges that ads affect us on an unconscious level stating we’ve become immune to the fact that these ads affect us (417). At the same time, she declares ads are pornographic, since they encourage rape and sexual assault. Kilbourne maintains that all women are vulnerable because “in our culture there is widespread objectification of women’s bodies, glorification of disconnection, violence of women, and blaming of the victim” (433). It all refers back to Kilbourne’s main claim that ads depict individuals as things which encourages sexual hostility.

Upon a quick glance, the advertisement published in 2015 by Borgata Hotel Casino and Spa appears to be abundant in color, joyful and fairytale-like; at least when I first saw it a year ago. However, after reading about the different variations of objectification in advertisements I no longer see the ad as an innocent take on fairytales. Advertisements are meant to be geared to a public, or a specific public, in order to sell a product. Still, some ads showcase women as the product or at least a way to get people to purchase the product. Although any gender, culture, religion, or group can be victims of objectification in advertisements, women are mainly targeted.

Sexualizaton and objectification in the advertisements we see and the media we watch has become a very strong issue in our society. With the idea that “sex sells”, consumers don’t even realize that they’re not viewing the advertisements for what they are, but for the women (or men) that are being portrayed in a very erotic way, posed with whatever product they were hired to sell. Many articles have been written so far to challenge and assess this problem, but one written by Jean Kilbourne (1999), “”Two Ways a Woman Can Get Hurt”: Advertising and Violence” holds an extensive amount of authority. Using her personal experience with the subject, as well as studies she has conducted herself on the topic of sexualization, she talks about how the amount of sexualization in advertising affects how society views the culture and products consumers buy. She also notes that because of the quantity and prevalence of these ads, the rate of all forms of sexual assault, specifically rape (mostly towards women of all age), increase, as well as other forms of assault. It is important to examine Kilbourne’s use of rhetorical devices, such as ethos, pathos, and logos, and how effective these devices make her article. This way, it can be examined for its validity and her understanding of her own research. Kilbourne’s article is very effective through her uses of pathos and ethos, but at the same time, it loses its effectiveness through her absence of a counter-argument, as well as a lack

Have you ever picked up a magazine and browse through it for five minutes? How many pages do you think you saw in the time you had? Not many. Now, how many women you saw posing in different ways to sell a product? A lot right. From selling a hamburger to a 2016 new car a woman is portray as one more object to sell a product. We see it in newspapers, magazines, on television, the internet and it has reached to the point that wherever you look there’s a sexual advertisement. We live under a lot of advanced technology that nowadays advertising plays a huge role in our society. According to National Domestic Violence statistics state that twenty-four people per minute are victims of some type of violence by an intimate partner in the United States. Jean Kilbourne in her article “Two ways a woman can get hurt: advertising and violence” argues how these advertisements affects us, how we don’t care about it because it is seen as “normal” nowadays and how it impacts us in our daily lives. Emphasizing that its target is to dehumanize and objectify women because nothing material fulfills our needs. All this advertising going around encourages certain ways of acting and leads to misunderstandings, they are harming us more than they are helping us. Meaning that they are teaching and giving false messages to young relationships. Consequently, man and women are being misrepresented as sex symbols and tools by the media. Therefore, how all these advertisements contribute to affect

Whether we realize it or not, we are constantly surrounded by advertisements. On average, we are exposed to approximately 3,000 ads per day, through logos, billboards, and television commercials, even our choices of brands. But in today’s society, one of the most used and influential tools of advertising are women. But the unfortunate thing is that women are not just viewed as actresses in these ads but as objects for people to look at, use, abuse, and more. In her fourth installment in a line of documentaries, “Killing Us Softly 4,” Jean Kilbourne explains the influence of advertising women and popular culture, and its relationship to gender violence, sexism and racism, and eating disorders.

In “Two Ways a Woman Can get Hurt: Advertising and Violence,” the author Jean Kilbourne describes how advertising and violence is a big problem for women. Although her piece is a little scrambled, she tries to organize it with different types of advertisement. Women are seen as sex objects when it comes to advertising name brand products. Corporate representatives justify selling and marketing for a product by how a woman looks. Kilbourne explains how the media is a big influence on how men perceive women. Kilbourne tries to prove her point by bashing on advertising agencies and their motives to successfully sell a product. Kilbourne’s affirmation towards advertisements leaves you no doubt that she is against them.

It is also noticeable, that in a lot of ads women appear dominant and aggressive. They make the first move and men apparently play victims, or a "sex object", as Kilbourne noticed. Advertisements for the body spray for men, Tag, say, "WARNING, the makers of Tag Body Spray will not be held liable should your attraction to your Tag – wearing boyfriend cause you to engage in behavior that grandma may consider ‘unladylike'"; the picture is as impressive as the warning. The first thought that popped in my mind was "would only the grandma consider such behavior unladylike?" I do not think so. The second one was about the actual capability of a man to attract a woman. The real picture occurs if we reverse the subject and the object. Imagine a man on top of a woman, as it is shown in the ad, the result will be terrifying – it would look like a rape. Kilbourne says, "Although these ads are often funny, it is never a good thing for human to be objectified. However, there is a world difference between the objectification of men and that of women. The most important difference is that there is no danger for most men, whereas objectified women are always at risk," pointing out a very interesting fact: nobody would take seriously an ad where a woman abuses a man., but if reversed, it would be very realistic and true (464). Men are never concerned about daily protection,

Good evening fellow members of the Australian Media Standards Authority (AMSA) we are her to evaluate the suitability of a number of ads for our screens and magazines. A recent complaint of two ads has caused a massive contention. One of which was the vegan woman ad, even though it is not televised or shown as much in our screens and magazines. Of the two ads, the vegan woman ad needs to be removed immediately as it conveys with nudity and the sexualisation of female figures, which can be disturbing and offensive to a lot of viewers, despite this, the vegan woman ad reinforces a much deeper meaning behind it. Thus the ad also reinforces a number of gender stereotypes.

In today’s society, our bodies have become the front image in all aspect of our lives.. Healthy living styles and tips have exploded all over media across the United States. Veganism is one of the upcoming lifestyles that thousands of families around the countries have adopted into their eating habits. Beyond the health benefits of cutting out any and all animal products, veganism has become the face to animal abuse, especially in the produce, handbag, and makeup industry. Companies like People for Ethical Treatment of Animals (PETA) create projects and advertisements to encourage people to go vegan. Recently, PETA has connected with Traci Bingham,a famous TV actor, to launch a digital and poster advertisement. The advertisement displays Bingham’s naked body painted like the parts of farm factory animals used for produce in supermarkets. The advertisement “All animals have the same parts” seeks to use ethos, pathos, logos, and kairos to argue that animals such as cattle have the same body parts as people, and therefore are of equal value to human. Traci Bingham’s credibility with the sponsorship of PETA use the image of a naked woman to draw the desire of veganism to both men and women in an era of health, fitness, and equality.

The use of sexualization also reinforces a pattern of gender roles that are currently circulating throughout advertisements. More often than not, women who are used as ploys in ads are seen doing household chores like vacuuming, changing the toilet paper, or making coffee. Females are rarely ever seen in a work place, and definitely not in a powerful position. In fact, the directors of most of these ads place women below or behind the man to show who has the power in actuality. Women are seen as skinny, fragile, and immobile in high heels, while men are strong and powerful. By setting up such a strong binary between the two different groups, it is obvious that the majority of the American society will not be able to fit into these roles, and it leaves a sense of rejection for the average person. This rejection, accepted by the viewers, manifests

Advertising is one of the most popular ways to promote a product. Through advertisement the creators of these products can make millions of dollars, depending on how successful their advertisements are. But are the advertisement selling a product that will help them or are they selling violence and sex? Many ads can influence people in different ways. One of these ways is to show women as objects of rape and sexual abuse. In, “Two Ways a Woman Can Get Hurt” Kilbourne talks about how many ads use women and portray them only as sexual beings. Some of these ads can influence violence against women. Kilbourne described violence in ads, “as in pornography, usually power over another, either by physical dominance.” (269). The Dolce & Gabbana

In Jean Kilbourne’s essay, “Two Ways a Woman Can Get Hurt”: Advertising and Violence, she paints a picture of repression, abuse, and objectification of women. Kilbourne gives an eye-opening view to the way American advertisers portray women and girls. Throughout the essay she has images that depict women in compromising poses. These images are examples of how often we see women in dehumanizing positions in advertisements and how desensitized we have become. Kilbourne implores us to take the media more seriously. She is putting a microscope on society and showing that the objectification of women is acceptable.

Browsing around looking for print advertisements was a lot easier when it involved a female. Most advertisement tend to objectify, dehumanize and dismember women. Women are objectified by minimizing their body parts into objects. We constantly see it in the media where women are put or placed in sexual positions, their body parts are related to sex that is why we are viewed as sex objects. In some advertisements there is always one women and more men portraying power and control over the female. In the film Tough Guise we see Jackson Kats explain that society thinks that violent behavior from men is acceptable. We always think boys will be boys so we accept their strong attitudes. We think it is normal since men are taught to not be emotional.

Sexist ads show that society is dominated by the same masculine values that have controlled the image of women in the media for years. Sexist advertisement reinforces gender stereotypes and roles, or uses sex appeal to sell products, which degrades the overall public perception of women. The idea that sexism is such a rampant problem comes from the stereotypes that are so deeply embedded into today’s society that they almost seem to be socially acceptable, although they are nowhere near politically correct. Images that objectify women seem to be almost a staple in media and advertising: attractive women are plastered all over ads. The images perpetuate an image of the modern woman, a gender stereotype that is reinforced time and time again by the media. These images are accepted as “okay” in advertising, to depict a particular product as sexy or attractive. And if the product is sexy, so shall be the consumer. In the 1970s, groups of women initially took issue with the objectification of women in advertisements and with the limited roles in which these ads showed women. If they weren’t pin-ups, they were delicate