Analysis of Van Gogh’s Agony In “Van Gogh’s Agony”, Lauren Soth proposes the argument that Starry Night by artist Vincent Van Gogh is more than just a landscape created from direct observation, but a nontraditional outlet for Van Gogh’s repressed religious beliefs that could not be expressed through traditional Christian imagery. However, Soth presents little convincing evidence from sources both primary and secondary to support this theory. Although some of the evidence may support his thesis, readers are quickly forced to doubt his knowledge. Throughout the paper, Soth presents information that contradicts the theories and information he provides, questions his own arguments, and is very quick to make conclusions and over analyze the artwork. Although Soth does provide a couple points that seem to work in supporting his thesis, these are overshadowed by the time spent focusing on trivial matters. Soth’s thesis in this paper is essentially that Starry Night is both Van Gogh’s representation of the biblical scene Agony in the Garden -- when Jesus prays to God after the Last Supper acknowledging his impending betrayal-- as well as Van Gogh’s physical agony and nostalgia. He argues that Van Gogh created the piece through a mixture of observation and imagination as a consolation piece for the artist to seek religion through means other than traditional Christian imagery. Carlo Dolci’s version of Agony in the Garden is referenced in particular (311). Soth’s physical
Gordon Bennet’s 1998 painting “Outsider” is a work heavily influenced by the artist’s sense of alienation as an aboriginal artist in a Eurocentric society, whilst referencing imagery and themes found in Vincent Van Gogh’s “The Starry Night” (1889) and “Vincent’s Bedroom in Arles” (1888). “Outsider” presents the image of “a decapitated Aboriginal figure standing over Vincent van Gogh’s bed, with red paint streaming skywards to join with the vortex of Vincent’s starry night” . Though created 100 years after Van Gogh’s works, Bennett was able to successfully draw on similar themes to elements of the original paintings, whilst also presenting his own stance on contemporary issues and struggles with identity.
Vincent Van Gogh is one of the most infamous and influential artists of all time. When I saw that Van Gogh’s painting “Olive Trees With Yellow Sky and Sun” was on display at the Minneapolis Institute of Art, I knew I had to choose it for this paper. Before doing the research for this assignment, I didn’t know much about Vincent Van Gogh, but the fact that pretty much everyone knows his name and recognizes him as a huge part of art history, it made me naturally really curious about him.
Van Gogh felt believed that paintings were conceived in the imagination. He felt like a failure trying to findhis style. Van Gogh painted from nature and working in series. He thought of “A Starry Night” as a religious journey, as like a map, we follow the stars to our death. He was immensely immersed in religion with disillusion not far behind at this time in his life. He believed in life after death andwanted his paintings to show some religious depth. He talked extensively of existing in anotherdimension and used the sky as that
Van Gogh got excited over the look of these trees and painted them. Some of his paintings of the trees represented life, others represented how he felt about Christ in Gethsemane, and others represented a combination of both of these things. An example of an art piece that had a lot to do with religion was Olive Trees with Alpilles in the Background (Fig. 6). This piece was painted with Christ in Gethsemane in mind. He wanted to create a piece that used a more purer and serence sense of nature without using religious imagery. With this piece “he wanted to show it was possible to paint the meaning of Christ in the Garden of Olives, the garden of Gethsemane where Christ prayed the night before his crucifixion, without aiming straight for the historical Garden of Gethsemane.” Vincent had done religious paintings before, he actually painted Christ in the arden of Olives twice before, but both times he decided not to paint the images of Christ since, as he said in a letter to his brother Theo, he did not want to “do figures of such importance without a model.” Van Gogh actually had begun to avoid doing religious work around this time for both aesthetic and moral reasons. Van Gogh had rejected what he believed to be his parents’ narrow religionious views and went for a much different view, one where life itself almost didn’t seem to matter of have purpose, something close to Nihilism. Vincent instead tried to find meaning in the cycles of nature and how they related to the
The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing this paper.
A great artist once wrote, “If you hear a voice within you say 'you cannot paint,' then by all means paint, and that voice will be silenced”. This artist was Vincent van Gogh, soon to be an appraised artist known all around the world for his works, such as Starry Night. He is one of the very first artists of the post-impressionist style than is now adored in every continent. However, there is much more to the man than one painting. Creating a full timeline that stretches beyond Gogh’s life, this paper will discuss the life of Vincent van Gogh and the impression he made on the world.
“Every production of an artist should be the expression of an adventure of his soul,” said William Maugham, a British playwright from the 19th century. Vincent Van Gogh, an artist who is considered by many one of the most inspirational artists in history, was no stranger to depicting his struggles in life or feelings in his work. Van Gogh’s piece Starry Night, designed in the year 1889, shows this to be true in that it was the result of his experiences in an asylum that encouraged this piece. Despite this work has being so well known, many critics and observers of the piece have differing views on what he was trying to communicate through it. Two prime examples of this can be seen by the views expressed in the poems entitled, “Vincent” and “The Starry Night”, written by Don McClean and Anne Sexton, respectively. While the poem “Vincent”, has a depressing tone to it, “The Starry Night”, by Anne Sexton, depicts Starry Night as having a more lively mood, which more accurately represents that of the painting, by Vincent Van Gogh.
Emily Dickinson was a poet of the 19th century. Failure to fit in is expressed in the poem “I’m Nobody! Who are You?”. The theme of being a misfit is seen throughout the poem. The theme is similar to Paul Dunbar’s “We Wear the Mask”. Dunbar’s poem gives a voice to those who try to fit in but cannot. The theme of both poems is similar, but the tone of the poems is completely different due to the different perspectives of the speakers.
Perhaps he had come to Arles for the sun and for him, it was an immense joy to live in such bright bedroom, bursting with colors. What is also fascinating about this piece of art is how the painter highlights the simplicity of his bedroom through the medium of color: « the pale lilac walls, the floor of an old brown, the chairs and bed chrome yellow, the blood red cover, the orange little table and the blue basin”, as the painter describes it. Van Gogh asserted that he wanted to express a complete rest by handling all these different shades2. The color black, which could be evocating a certain form of anguish, is almost nonexistent in this painting. Only the frame of the mirror and windows is black. We wonder if this could mean that Van Gogh was afraid of his future and afraid to face up to reality.
One of Vincent Van Gogh’s most world renowned paintings is his landscape oil painting Starry Night. The painting displays a small town underneath an unusual yet still extremely beautiful night sky. In this night sky, Van Gogh utilizes an array of colors that blend well together in order to enhance the sky as a whole. The town is clearly a small one due to the amount of buildings that are present in the painting itself. In this small town most of the buildings have lights on which symbolize life in a community. Another visual in Starry Night is the mountain like figures that appear in the background of the illustrious painting. Several things contribute to the beauty of Van Gogh’s painting which are the painting’s function, context, style, and design. Van Gogh’s utilization of these elements help bring further emphasis to his work in Starry Night.
This masterpiece was painted by Van Gogh in 1889 while he was receiving treatment in Saint-Paul-de-Mausole, a mental asylum. The beautiful painting that many people have come to love today was never appreciated during its own time. Various art critics thought that the large brush strokes Van Gogh had made in Starry Night seemed “messy” and “childlike”. The strokes also convinced people that Van Gogh was truly crazy and that he was not as talented as other artists. Yet the pencil thick lines are what made the painting look hyper-realistic and eye-catching. They have a calming, consistent effect on people whose eyes want to follow the swirls and lines. The brush strokes that Van Gogh added more texture, detail, and blended the colors easily to one another in Starry Night. The realistic details make it feel as if the painting is trying to get a message across to the public. With every line that Vincent van Gogh had made he put as much feelings into them as he did with effort.
The people back in the 19th century really didn’t accept Van Gaogh’s truthful and emotionally morbid way of expressing the way of art is to himself. It finally was seen as art through the people’s eyes. This set a stage of art that is now known as Expressionism. It is best characterized by the use of symbols and a style that expresses the artist’s inner feelings about his subject. His style of painting is exemplified by a projection of the painter’s inner experience onto the canvas he paints on. Van Gogh’s paintings are done with his feelings that goes on in his life. (Mark Harden’s Artchive)
Vincent Van Gogh was formed by his social, cultural and historical context. This is expressed clearly in the underlying stories of both paintings, Starry Night, 1889 and Self-Portrait with Bandaged Ear, 1889. Both of these paintings portray a narrative relating to Van Gogh significantly as he emotionally connects to the subject in each painting. Van Gogh’s aim of these subjective works was to express meaning through colour and express the painting to a more personal emotion for the viewer. Van Gogh belonged to a small style of Post Impressionism which was a reaction against Impressionism and their formality.
When I first saw Vincent van Gogh’s painting of The Starry Night, I was immediately drawn to the peaceful luminescent stars emanating outward like vibrant yellow halos into the captivating striking blue sky. I felt a sense of calm and tranquility as the bright orange moon shone intently over the serene village below. The sprawling mountain range, grassy hills and fields of wheat intensified this feeling as a soft wind swept through the countryside. Under the immense stars and vibrant night sky, the people of the village sleep soundly in their cottages. This painting exudes an overwhelming feeling of calmness and peace in my mind.
Vincent Van Gogh is a well-known artist to people because of one of his paintings, The Starry Night. Van Gogh has painted many other pieces during his lifetime including one that is currently on display at the Minnesota Institute of Art, Olive Trees. This painting is part of a series of olive tree paintings consisting of a total 18 pieces of art. The one at the Minnesota Institute of Art was painted November of 1889 and is known as “Olive Trees with Yellow Sky and Sun”. Through a contextual analysis of this piece a lot can be discovered about its meaning. When this piece is compared to other artwork by Van Gogh even more fascinating details emerge about this piece of art.