The moving picture was created from a desire to expand our perceptions. The motion picture industry was a necessary born from a simple format. With the advent of photography between 1816 and 1818 by Frenchman Joseph Niepce, there was a desire for movement which made cinema inevitable. The first known images were fuzzy images on mental plates. Louis Daguerre also noted as pioneer of photography; inception of film followed 50 years later.
Hollywood, the modern well oiled machine it is today started with soundless films with no story or plot. The first phase of films only focused on movement. Overtime, directors grew a desire to create stories, not just random action. Storytelling began in the early 1900s. In 1903 Edwin Porters created “The Great Train Robbery”, one of the first feature action films. Porter told a story of a robbery, chase and inevitable capture of the bad guys.
What short films are today, they were the feature films of yesterday. It was average that a film would be 5-8 minutes. With the advancement of technology films did get longer, but directecdtors could only produce one reelers. Filmmakers had to cram an entire movie on one short reel of film. With the adaption of telling stories, movies goers were mesmerized with the magic and form of film.
Only a handful of small companies outside of New York City. Well known giants like FOX and UNIVERSAL got their start in Fort Lee, New Jersey; the original Hollywood. Edison, Essenay, Pathe Brothers, Lubin,
Early films were created with audience reception in mind. Tom Gunning, author of “Cinema of Attraction,” theorizes filmmakers’ goal to create a film that gripped the audiences’ attention and amazed them – create a spectacle. Therefore, early cinema did not have a narrative structure. They were most often short films, such as those of the Lumiere Brothers, that were actualities; 40 to 50 second films that showed actualities or activities representative of everyday life, such as playing cards, drinking beer, or a moving train.
In Tom Gunning’s ‘Weaving a Narrative: Style and Economic Background in Griffith’s Biograph Films’ Gunning explores how the film industry in 1908 to 1909 became unified in terms of profitability and distribution in order to limit competition. He identifies through extensive analysis into American director D. W. Griffith’s Biograph films how they satisfy the demands and expectations of this new economic industry of film. Gunning further looks into the progression in film narrative by analysing the use of parallel editing, understanding the development of film from an exhibition to an art form, where films are capable of expressing emotions, ideas and meanings.
What makes a person tick? Why does he do the things that he does? These questions, commonly asked about criminals, are relevant when evaluating Edward Pierce’s motives behind “Great Train Robbery.” Throughout The Great Train Robbery, Pierce refused to give up his plan for an “impossible” robbery, due to his incessant need to do something that it was deemed impossible.
Throughout the four major film periods, Hollywood has always made an impact on America and the rest of the world. The four major periods of film include Silent, Classical Hollywood Cinema, New Hollywood, and the Contemporary period . Within these four major time periods for film, thirteen major genres sprouted up, each depicting the generations. The thirteen major genres of film in the united Sates are, Westerns Action, Adventure, Comedy, Crime and Gangster, Epics/Historic, War, Sci-Fi, Musical and Horror films. Even before these major genres, Hollywood, and the common video camera, artists in America created many different ways to capture the ‘moving picture’, incorporating ideas that were invented from around the world.
The creation of film first began in 1659 by a Dutch scientist named Christiaan Huygens. Huygens invented the magic lantern, which later became the slide projector. The magic lantern used a hand painted glass that was illuminated by a light source to project images through a lens. Later in 1827 the first photograph was taken, it was a view from a window at the Le Gras and was taken using a technique involving a glass plate invented by Claude Niepce. This technique however was not efficient as it took 8 hours to develop. In 1834 the Zoetrope which was an illusion toy invented by William George Horner in which pictures were put into slots and spun around and when these were viewed through a mirror the images would appear to move. The Zoetrope was later adapted by Eadwaerd Muybridge into the Zoopraxinoscope in 1878 while settling a bet on if a horse’s hooves left the ground
The first film for motion photography invented in 1885 by George Eastman and William H. Walker, which contributed to the progress of motion photography. Soon after that, the brothers Auguste, and Louis Lumiere created a hand-cranked machine called the camera operator, which could include both capture images and project still frames in the
Those who study film surely know the names of brothers Auguste and Louis Lumiére. To many film historians, these men are credited with history’s first public film screening. It is worth noticing that the Lumiére brothers were responsible for every aspect of their films. This meant that they were in charge of creating the film and getting it to the audiences. However, as the film industry evolved throughout the years, these different steps became more complex and needed to be split into three separate stages: production, distribution, and exhibition.
ABSTACT Many years ago films have entertain people. These stories have made history and also the filmmakers. Films have impact people’s imagination and the way they tell a story. Also behind film are director, music, production, and actors.
The Western times were times of legends, cowboys, train robberies, and valiant acts of courage. There are many different things you could discuss when talking about the Western era and I wanted to discuss the train robberies by comparing a film and a piece of artwork. Although both The Great Train Robbery by Edwin S Porter and “Wilcox Train Robbery” by Andy Thomas convey how the west was a place where you did what you had to do to survive.Edwin S Porter emphasizes the train robbery and how people would go to any length to get the money they needed to survive, whereas Andy Thomas emphasizes on the violence that the robbers endued on the train.
The cinematographic camera industry emerged in fact more than 100 years ago, it was only until recently that significant digital changes took place, apart from minimal technological improvements. Before the invention of digital cameras the main medium for shooting a movie was on celluloid film in which the quality of the image was very high from the beginning. However these cameras had some inconveniences. The cinematographer would have to set the lighting and frame to the directors vision and make sure that it was right. He could not see immediately if the scene was shot as desired and this caused the workflow to be very complex and time consuming which most producers would see limited. The developing, processing, transferring, editing and conforming the film normally took a day and the director along with the cinematographer would sit
In the early 1900’s, as films stated centering their focus on profit, large scale studios came onto the film scene. The studios that were discussed in the chapter were: Universal, United Artists, Paramount, Warner Bros, MGM, Fox, Columbia, and RKO. These studios employed some of the biggest names in the film world at the time. Many of these studios are still in business today, and have given prominent actors and directors their shot at fame. Universal was the first studio to move to the west coast. They produced popular films such as The
The story of the Kelly gang was the first feature film. It was made in 1906, it is an Australian film that uses no word or music. This movie was shot around the city of Melbourne the film ran for more than an hour with a reel length of 1,200 metres! It was the longest narrative film in the world! It was first presented in the Melbourne'a athenaeum hall on 26 December 1906.
He wanted to make something that "does for the eye what the phonograph does for the ear". He wasn't the first to come up with the idea of moving pictures though. Photographer Edweard Muybridge experimented with moving photographs with animals as subject. Muybridge made a visit to Edison's lab in West Orange, New Jersey and suggested they collaborate, but Edison was not interested. In 1888, Edison assembled a team to help him, and they developed the Strip Kinetograph which was basically what we now know as a film strip.
When I was a little girl, I wanted to become a film director. By the time I was ten-years-old, I had already come up with an idea of where I wanted to attend college, what I wanted to major in, what kind of movies I would make, and even what age I would most likely win an Oscar at. Even though my dreams were a bit unrealistic, my parents told me to keep my head up high and maintain the one thing behind my aspirations: determination. As I grew out of my movie director phase, I became interested in what was going on, on a global scale. Every day after school I would find my mother watching the news religiously and my curiosity drew me next to her on the couch so I could also be informed. I became very disappointed to see all of the horrible things happening in the world and I would often tell my mother about how I would come up with solutions to help those in
The modern film industry was born around the beginning of the twentieth century. On April 23rd 1896 Thomas Edition showed the first publicly-projected motion picture at Koster and Bial's Music Hall in New York City. From there the film industry had an explosive growth rate. In fact,