Stories have attained people’s attention by being classified as a comedy, romance, suspense, etc., but what hustles readers to the end is the reason why they picked a story that is more commercial fiction or literary fiction. Commercial fiction drives readers away from the real world, while literary fiction deepens the reader’s awareness of life. “The Destructors” by Graham Greene is a short story that stresses the tension between social classes following the aftermath of World War II. This realistic fiction grasps historical context to reveal the purpose of the destruction of a house. The Wormsley Common Gang’s new recruit, Trevor “T.” proposes to destroy Old Misery’s house during the time Old Misery is out for Bank Holiday. As soon as the gang agrees with T.’s proposal, the action takes place, but before it is completely destroyed Old Misery comes back. Old Misery’s unexpected arrival leads to some slight changes. At the end a truck driver destroys the house by driving his truck from the car lot. “The Destructors” is a piece of literary fiction because it utilizes a complex character, develops suspense with the character’s actions, and conveys a serious theme through the use of symbolism. The reader is introduced to the complexity of Trevor’s character through his actions. The reader first learns that Trevor belongs to the upper class whom does not care about the differences of the social class system since he is the newest gang recruit of one the poorest sections of
The short stories “Harrison Bergeron” by Kurt Vonnegut, “The Scarlet Ibis” by James Hurst, and “Marigolds” by Eugenia W. Collier, are all meaningfully connected through peices and feelings that are felt while reading the stories. Each is unique, but they have the same point behind them. All three of the ‘main’ characters in these stories have all destroyed something. Rather it be important to them or someone else.
In the short story “The Town Dump”, by Wallace Stegner, the reader is introduced to a collection of memories of the author when he was younger. Stegner focused on one specific place where most of his learning and memories come from, a town dump. Initially, the readers of this piece might have a negative conjecture of the dump. However, Stegner’s descriptive techniques provide a unique perspective of the dump through the lens of a young version of himself. The techniques that allow the author to transform how the reader views the dump include paradox and semantic cohesion.
The Black Wall Street, Harlem Renaissance, Great Migration, and Great Depression are all period that came in mind, while reading this novel. To begin, the novel presented aspects of The Great Depression and Great Migration because it represented African American people escaping from the poverty, segregation, racism, violence, and lack of job opportunities they were exposed to in the South by migrating to the North. The novel itself represents The Harlem Renaissance because it was written when importance of literature during the time period for the African American people and the Black experience was growing. To continue, the Brothers throughout the novel were reminded of their class and race, which made them constantly aware of who they were and where they came from. This can be related to modern day Black men who experience poverty because they ar
Dr. Bledsoe is extremely enraged because he I shocked that the narrator refused to lie to Mr. Norton and took him to the slum, I which the uneducated black people reside, thus showing Mr. Norton a different type of black person, one which brings shame to the college in the eyes of Dr. Bledsoe.
The first time that my characterisation is important in distinguishing class distinction is when it is found out that Robbie was one of John Tallis’ cases of showing off to society. John funds Robbie’s education and treats him as a son but as we really know “he was a hobby of Jack’s, living proof of some levelling principle he had perused through the years” (Pg. 151). Whenever he spoke about Robbie it was with a touch of self-righteous clearance. This is the first time that Robbie’s case foreshadows his future and where he stands in society. The scene where Robbie is suspected of rape instead of Paul is when the reader gets an image of the importance between Paul and Robbie. This is the beginning of the climax and where the issue begins. Due to Paul’s position and wealth, it foreshadows the future ahead for Robbie and eliminates and suspicion against Paul. When Robbie is sent to prison, Paul instantly becomes out of suspicion, and has his freedom. Robbie was framed as a “sex maniac” (Pg.119) who needs to be controlled. The outcome of my ideas teaches that class distinction cloud’s people’s perspectives. It proves that the poor are always guilty, and the rich innocent. So, through my characterisation of Paul and Robbie, it highlights the importance of class distinction between victim and
The theme of “The Destructors” is the difference between classes in post-World War II London. The characters in “The Destructors” are twelve gang members who destroy a beautiful old house. The house represents the upper class society that was still present in this setting. One
This gives the audience many altered ways that they, personally, can interpret the play from. Allowing for many different opinions on a single passage whether they may be relevant or not. Out of many different perspectives, Marxist, has an important part within the play, separating the ‘upper’ and ‘lower’ classes, creating a divide between the stereotype white people and the archetypal black culture. This perspective plays a vital role, beginning at the very start of the play right through till the closing stages. It sets the scene, making the divide between the two ‘different’ cultures, in which over the course of the play, slowly gets bridged with the uncovering of the forgotten stories, told by the Aboriginal Ex-servicemen. Bringing men closer together through the hard times that they had endured together. As the text starts, it begins with an easy to spot, element of Marxism, pushed by the white Vs Black component in the early stages of the book, with name calling and bullying. As the text continues, the element of Marxism is still present but less obvious, with the uncovering of lost and untold stories which bring the segregation between the two cultures of white and black, stereotype and archetype to an
This book is about two black children, Layfette and Pharaoh, who grow up in inner city Chicago. They are faced with racism and hardships because of their race and social class. They have different ways of coping, but are better at facing the worst the city has to offer than are many of the other young black children who live around them. During the story the boys are faced with many adversities that stem from the social system. They are faced with gangs, drugs and Chicago housing. However, they also must face their own inner demons that may lead to either of them giving up and giving in to the corruption of the inner city. One of the major turning points in the story is when Layfette gets arrested for vandalizing a car, even though he says he did not. He gets released and is gets off with probation and 100 hours of community service. After this incident the author gets both kids in to a private school where Pharaoh thrives and starts to make good grades instead of daydreaming. Unfortunately Layfette could not handle the pressure and returns to public school. During this time Rickey starts running drugs for one of the local gangs. He is later arrested for carrying a butcher knife. The CHA finally cleans out the horrendous mess in the Henry Horner basements and reclaims the buildings from the gangs. Dawn and Demetrius finally get an
In "The Adventures of Huckleberry Finn," Mark Twain uses satire to mock many different aspects of the modern world. Throughout his trip down the Mississippi, and even prior to leaving St. Petersburg, Huck encounters a variety of people and situations that are designed to scoff at the American people. Twain employs satire in order to criticize human behavior in society, demonstrating societal hypocrisy and just how easily people conform to mob mentality.
From the start the novel is laden with the pressures that the main characters are exposed to due to their social inequality, unlikeness in their heredity, dissimilarity in their most distinctive character traits, differences in their aspirations and inequality in their endowments, let alone the increasingly fierce opposition that the characters are facing from modern post-war bourgeois society.
In the second half of the book, the narrator loses his optimism and naivety and in place finds anger, frustration, and passion. Eventually the narrator ends up joining a social equality movement called the
The One-Child policy is not being enforced like it would have been in ancient China. During the Qin Dynasty Laws were carried in a stricter manner. For example Qin Shi Huangdi killed Daoist and Confucian scholars the burned their books because they would not change their ideology. However, in modern days such an act would not be tolerated by anyone and now instead of killing the people who broke the rule they are forced to get an abortion or sterilization.
The first example of society behavior is used through the story of a late thirties white man name Benhard Goetz who shoots four black youths on a subway cart in New York. This anecdote is significant to the novel because it takes place in the mid-80s where society is pointed by drugs, and violent brutality wreaks havoc through the city of New York. Leaving his Manhattan apartment, Goetz hops on the subway and notices four African American youths “horsing around,” and “acting rowdy.” According to the story, Troy Canty, one of the boys, asked Goetz for five dollars. Out of instinct James another one of the boys, “gestured toward a suspicious-looking bulge in his pocket, as if he had a gun in there.”
As long as there has been war, those involved have managed to get their story out. This can be a method of coping with choices made or a way to deal with atrocities that have been witnessed. It can also be a means of telling the story of war for those that may have a keen interest in it. Regardless of the reason, a few themes have been a reoccurrence throughout. In ‘A Long Way Gone,’ ‘Slaughterhouse-Five,’ and ‘Novel without a Name,’ three narrators take the readers through their memories of war and destruction ending in survival and revelation. The common revelation of these stories is one of regret. Each of these books begins with the main character as an innocent, patriotic soldier or civilian and ends in either the loss of innocence and regret of choices only to be compensated with as a dire warning to those that may read it. These books are in fact antiwar stories meant not to detest patriotism or pride for one’s country or way of life, but to detest the conditions that lead to one being so simpleminded to kill another for it. The firebombing of Dresden, the mass execution of innocent civilians in Sierra Leone and a generation of people lost to the gruesome and outlandish way of life of communism and Marxism should be enough to convince anyone. These stories serve as another perspective for the not-so-easily convinced.
Lastly, Jack forms relations with the new outside world, and consequently he further explores his role within society. According to a specialist, Jack’s limited exposure to the world will create a barrier towards interaction with the community and environment. “‘Like a newborn in many ways, despite his remarkably accelerated literacy and