The topic that was covered over these past few weeks has been about the borders in Central America, Mexico, and the United States. For class we read Ted Conover’s Coyotes: A Journey Through the Secret World of America’s Illegal Aliens, Tracey Andrews’ Negotiating survival: undocumented Mexican immigrant women in the Pacific Northwest, and Gordon Hanson’s Illegal Migration from Mexico to the United States. We have also seen the film El Norte directed by Gregory Nava, the documentary De Nadie directed by Tin Dirdamal, and another documentary called Mojados which was directed by Tommy Davis. Although the films and readings were about the same issues they each portrayed the issue in different ways. For example the readings gave a lot more insight to the logistical aspects of the border issue, while the films gave more of an emotional insight to the issue. El Norte is a film focuses on a brother and sister that are basically forced to migrate to the United States because their village was being destroyed by the Guatemalan army. The film shows all the hardships that Rosa and Enrique had to surpass in order to get to Los Angeles were they still remained to struggle. Since the film shows the two’s individual stories, the audience becomes attached to these two characters which promotes emotions. The film is meant to bring the audience to the realization that immigrants are suffering, it make them connect to the story personally. A lot of the moments within the film are depressing,
In the novel Enrique’s Journey, Sonia Nazario demonstrates the onerous journey of illegal immigrants. Sonia Nazario aims for the readers to make them understand what most of the immigrants go through during their journey to the United States. By appealing to ethos and pathos throughout the book, Sonia Nazario portrays the path that Enrique undergoes to reunite with his mother.
By Charles H. Harris III and Louis R. Sadler (Albuquerque: Univ. of New Mexico, 2007. Print.)
Immigration is a complex and multifaceted issue that faces the US. In his film, Sin Nombre (2009), director Cary Fukunaga aims to juxtaposition the issue of immigration with the issue of gang violence in Mexico, and show the difficulties immigrants face by giving his audience an insider’s perspective into the experience of immigrating to the United States from Honduras. He does this through a variety of characters; most notably Willie and Sayra. Fukunaga did extensive research on life in the Mara Salvatrucha gang and the process of immigrating to America, in order to make his film realistic and authentic. The result is a movie that not only shows immigration in a way that evokes empathy and enforces the humanity of immigrants in the viewer’s mind, but also gives the viewer a look into the realities of being in a gang. Through the use of strong characters, powerful dialogue and vivid imagery, Fukunaga uses pathos to put a human face to the issue of immigration, logos to inform and give his audience context about the issues the film addresses, and ethos to establish his credibility and make the film believable.
“Negocios”, a story from Junot Díaz’s drown, provides an indepth look into the life of an immigrant from the Dominican Republic trying to make a life for him and his family in the United States. Ramon is constantly faced with difficult challenges but he shows an amazing amount of determination to achieve his goal of providing his family with a better life.
During the Mexican-American War the border moved, but the people didn’t. History has shown us that no matter how thick the border might be Latino Americans have a strong connection to their culture and roots; instead of assimilating, Mexicans live between two worlds. The film, Ballad of Gregorio Cortez gave us a perspective of two cultures; “Two cultures- the Anglo and the Mexican- lived side by side in state of tension and fear” . Cortez is running for his life as he heads north, while the Anglo believe that because of his Mexican ethnicity, he would travel south to Mexico. Throughout the film there were cultural tensions and misunderstandings; language plays an important part of someone’s identity, and for many Latino Americans Spanish is their first language. The Ballad of Gregorio Cortez also shows us that language plays an important role, and can cause confusion between two different groups. For example, Anglos refer to a male
The movie “El Norte “is the one of the most successful and influential movies to represent the immigrants state. Director Gregory Nava’s gives the story of Guatemalan siblings Rosa and Enrique’s journey in a melodramatic way. The movie is divided to three main parts, Guatemala, Mexico and United States. The story of Rosa and Enrique’s shows us community, the power of language and culture in different countries.
Enrique’s journey from Honduras to the U.S. unveils the innate loyalty of a loving child to their mother and presents the dangers that a migrant faces on the road with consistent angst; nevertheless, it supports the idea that compassion shown by some strangers can boost the retreating confidence within a person. In Sonia Nazario’s “Enrique’s Journey,” he seeks the beacon of light that all migrants hope to encounter; “El Norte.” Like many children before him, it is the answer to the problems of a hard life. While being hunted down “like animals” leading to “seven futile attempts,” he is
You can see how Maria’s El Salvador is empty of people, full only of romantic ideas. Jose Luis’s image of El Salvador, in contrast, totally invokes manufactured weapons; violence. Maria’s “self-projection elides Jose Luis’s difference” and illustrates “how easy it is for the North American characters, including the big-hearted María, to consume a sensationalized, romanticized, or demonized version of the Salvadoran or Chicana in their midst” (Lomas 2006, 361). Marta Caminero-Santangelo writes: “The main thrust of the narrative of Mother Tongue ... continually ... destabilize[s] the grounds for ... a fantasy of connectedness by emphasizing the ways in which [Maria’s] experience as a Mexican American and José Luis’s experiences as a Salvadoran have created fundamentally different subjects” (Caminero-Santangelo 2001, 198). Similarly, Dalia Kandiyoti points out how Maria’s interactions with José Luis present her false assumptions concerning the supposed “seamlessness of the Latino-Latin American connection” (Kandiyoti 2004, 422). So the continual misinterpretations of José Luis and who he really is and has been through on Maria’s part really show how very far away her experiences as a middle-class, U.S.-born Chicana are from those of her Salvadoran lover. This tension and resistance continues throughout their relationship.
The book ‘Labor and Legality: An Ethnography of a Mexican Immigrant Network’ by Ruth Gomberg-Munoz explains the hardships that surround the Mexican immigrant network. Over the years the ‘undocumented’ workers coming to America from Mexico has increased which has gained the attention of the American government and the media, as it is ‘illegal behavior’. Gomberg-Munoz attempts to create an understanding of the lives of these workers by telling individual’s personal stories. The author reports the workers undocumented lives rather than reviewing their status as this is already covered in society. The author’s main topic revolves around the principle that undocumented workers strive to improve their quality of life by finding employment in the United States (Gomberg-Munoz 9). Gomberg Munoz also presents the daily struggles the works face daily, and how these struggles “deprives them of meaningful choice and agency” which effects their opportunity and futures (Gomberg-Munoz 9). This ethnography shows their social identities through work, the reasons why their position is illegal and how they live their everyday lives under the circumstances.
The film expresses the loss of social relations and traditions of Enrique and Rosa’s Indian culture in Los Angeles. The movie portrays Enrique and Rosa as good and the Mexicans or Chicanos as evil. Is this good versus evil portal accurate? The Coyotes, the Chicanos, and Enrique and Rosa are all making decisions due to economic factors and their social status. Yes, Enrique and Rosa come from a strong Indian culture but they are breaking the law by illegally coming to America. The Coyotes seem to have no loyalty but they have limited options to make money and have no understanding of the importance of family and community. The director, Nava, introduces each episode in short segments that may limit the viewer’s opportunity to reflect upon the social reality of Guatemala, Tijuana, and the economic opportunity of an illegal immigrant in the United States. Can Enrique and Rosa obtain the same economic freedom as American citizens? Throughout the film there is an idea of the North as being the promise land. In the first and second episode of the film the north seems of nothing but happiness. In
El Norte was released in 1983 and set in the middle of Guatemalan civil war. It was directed by Gregory Nava and produced by Anna Thomas. The major theme of this movie is the struggle of young siblings to find a better life in another country as immigrants. The movie is divided into three parts: when the two siblings, Enrique and Rosa flee from their homeland because of a raged war, their attempts to cross Mexico illegally, and arrived in the United States of America, where most people think it’s a “promised land”. The main point of this movie is not the end, but the journey itself. Immigration is one of the most heated and controversial issues until now. By watching this movie, we can see the different perspective from the immigrants.
Into the beautiful North, by Luis Alberto Urea, is telling a story of a nineteen year old girl called Nayeli who is encourage by the movie “The Magnificent Seven” to go to the United States with her three best friends. Their mission was to cross the border and recruit seven men to save their town, Tres Camarones, from the bandidos. But she also wanted to bring her dad back home. He and the rest of the men of Tres Camarones went to the United States looking for jobs to sustain their family. The author wants to show how undeveloped Mexican towns such as Tres camarones can cause poverty, lidding to one of the biggest topic now days which is immigration. Immigration is a cruel and hard path caused by
Hispanic-American population in the United states is dramatically increasing as a result of immigration patterns and increase birthrate of the ones already residing in the the United States. The movie Selena is an example of Latino family residing in the country who wants to fulfill the “American Dream”. Isolation and discrimination of Hispanic-Americans particularly Mexican family has also been illustrated in the movie. Despite social class stratification, Selena’s family try to breakthrough to the English-speaking audience mainstream to be accepted. In this film, the father is characterized as the head of the family - dominant, strong, aggressive, invulnerable, and superior. Portrayal of tight-knit family values and interdependence is seen in this movie, as well.
Recently, I read a story of “A Coyote Columbus Story” by King. The story included history, the discovery of island by Columbus. However, this was written in different point of view, not similar to general history books. He was described as an invader from the other island, rather than a hero who explored the new land. From First nation people’s eyes, Columbus must have been a foreigner who stole everything from their land. His characteristic was told to be rude and disrespectful. Why does it contain different story comparing history books? Why is Columbus described as an invader? I realized story depended on who is writing the story. I started thinking about how history books were written, and furthermore, considered why novels were written.
I wanted to look at how he transitioned from one country to another. I also looked at if he felt in racial tension or hostility as an immigrant in the south. I also focused on the concept of community in the US compared to Guatemalan community.