Analysis Of Sophocles ' Antigone, Creon, The King Of Thebes

After Antigone is brought forth and accepts the punishment of her burying her brother, Creon sends her away. At this time, Ismene steps up to defend Antigone and tries to get creon to realize that Antigone is his son’s future bride. Creon answers by saying, “There are other field just as fertile” (26). In this quote, he displays that he cares for neither Antigone, nor his son, Haemon. . He explains that there are other women around that could be just as a promising wife as Antigone. He exemplifies the theme of pride here, by putting that everyone gets replaced and that he does not put his son’s life first. Power, a theme that is primarily exemplified by Creon, appears multiple times throughout his dialogue. While discussing Antigone’s punishment with Haemon, Creon says, “This city will tell me how I ought to rule it?” (40). In this quote, Creon represents the theme of power. He is trying to show Haemon that HE is the king of Thebes and that no one will tell him how to rule, especially the citizens. In relation to present time, there are countless politicians that share the same characteristics as Creon, someone who takes their power for granted and will use it to take advantage of everyone.

To be able to examine Creon and whether or not he has a high or low ethos in Sophocles’ famous play “Antigone”,we must first consider the effectiveness of his or her use of rhetorical devices. Aristotle’s definition of ethos is: “Persuasion is achieved by the speaker’s personal character when the speech is so spoken as to make us think him credible.” In most cases, the play may have begun with Creon having high ethos since he is the king of Thebes and is very mature. For example, when the Chorus quotes, “Such is your pleasure, Creon son of Menoeceus, touching this city’s foes and its friends; and you have power….”(128).

The play Antigone, written by Sophocles, is a tragedy about Antigone, who defies the king’s order of her brother’s burial after. She shows her strength by using morality and the laws from the gods, not Creon. He is the new king, who became hungry for power and was being obstinate to everyone that wanted to just do what is open-minded. However, characters like Haemon, acts as a foil character to him and wants to do what’s right and just, brings out Creon’s tragic flaws of stubborness, and advances the plot with his conflicts relating to the king.

In the Greek tragedy Antigone, Sophocles writes that Creon has risen to power after the fall of Oedipus and has initiated new laws. When he is first introduced, Creon is represented as a strong leader who will not accept defiance, saying “...now I hold sole power and the throne…” (173-174). Sophocles wrote him at this part of the play as being an extreme leader through his actions, saying “...in this city he [Polyneices] shall be neither buried nor mourned…” (207-280) and declaring the necessity of who should do what. Additionally, Creon uses many statements regarding obedience

In Sophocles’ play, Antigone, there are numerous types of conflicts, which serve to enhance the plot events. The most notable and surprising of these conflicts is the conflict between father and son, focusing on the argument between Creon and his son Haemon. This fiery conflict enhances the events leading to Antigone’s burial and also reveals Creon’s true view of how he will rule Thebes. Therefore, analyzing Creon’s relationship with Haemon suggests how Creon will rule over Thebes.

​The legitimacy of a state or political leader has often been questioned in many different countries throughout the years. In Antigone one can question the legitimacy to rule of Creon. In different instances throughout Antigone, it is evident that many of Creon’s subjects obey his laws and demands because of fear, not because they believe his orders and laws are justified. For example, Antigone’s sister Isemene refused to help Antigone with the burial in fear of being captured and killed by Creon (Sophocles, p. 3). In another instance, the Sentry obeys Creon’s order to find and capture the one who disobeyed him, Antigone, in order to save himself from the wrath of Creon (Sophocles, p. 13). Creon instills fear in his subjects in order to obtain

In Antigone, Sophocles characterizes Creon as a prideful and stubborn individual, who strives to gain power over others, especially the gods. Despite his own son threatening to commit suicide, Creon does not recognize his hubris as his fatal flaw until the very end. One significant power struggle in the play Antigone, is the conflict between Creon and his son, Haimon, who is engaged to Antigone. Creon uses his permanent place as ruler, to decide that Polyneices should not be properly buried, because he is a traitor to their kingdom. Not only is he gravely wrong, he is not swayed by anyone’s opinion, even his own son’s.

Tragedy always involves human suffering, but not everyone who suffers is a Tragic Hero. According to Aristotle, there are five basic criteria that must be met for a character to be considered a Tragic Hero. Aristotle’s ideas about tragedy were recorded in his book of literacy theory titled Poetics. In it he has a great deal to say about the structure, purpose and intended effect of tragedy. His ideas have been adopted, disputed, expanded, and discussed for several centuries. In this essay, I will examine these criteria in regards to Antigone’s Creon, King of Thebes.

Hero. Hero comes from the greek word heros meaning “A person who faces adversity, or demonstrates courage, in the face of danger.” Growing up we have always read stories about heroes coming to save the day; for instance, Captain America. Being that our whole lives we were mostly exposed to heroism, have you ever asked yourself what is the opposite of a hero? A villain is the opposite of a hero, but their is another opposite form of a hero; a tragic hero. A Tragic hero is “A literary character who makes a judgment error that inevitably leads to his/her own destruction” (“Tragic hero as defined by Aristotle”). For instance, in the play written by Sophocles Antigone, the tragic hero is Creon. Creon who is Antigone’s

Antigone is a tragic play written by Sophocles in about 441b.c. The play is a continuation of the curse put upon the household of Oedipus Rex. Sophocles actually wrote this play before he wrote Oedipus, but it follows Oedipus in chronological order. The story of Antigone begins after the departure of Oedipus, the king of Thebes, into self-exile. Oedipus’ two sons, Eteocles and Polyneices, were left to rule over Thebes. An argument over rights to power forces Polynices to leave Thebes. Some time passes and Polynices returns with the army from Argos and attempts to overthrow his brother. The two brothers fight and kill one another and the war ends. Creon, the uncle of the two

Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition, Creon is the tragic hero of Antigone.

Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.

Tyranny and immorality are key notions presented in Antigone when referring to justice. In this play, Creon is presented to be a tyrannical and irrational ruler, while Antigone rejects this system and ultimate dies because of it. Creon views leadership in a selfish, immoral manner. When speaking to his son about his rule, he states, “The state is his who rules it, so ‘tis held”

John Lennon said, “Part of me suspects that I’m a loser, and the other part of me thinks I’m God Almighty.” Hubris, or excessive pride, was one of the biggest themes in Ancient Greek culture. It has what killed heroes, and destroyed villains in mythology and even real life. In the play Antigone, written by Sophocles, I share the battle that Creon has regarding a conflict of personal character, which leads to the deaths of others caused by his tremendously large ego.

The central conflict in Antigone poses a moral question. Does Creon have the authority to forbid Antigone to follow the will of the gods? To Antigone, the will of the gods is more important than following the law of the state. To Creon, maintaining stability in Thebes outweighs the wishes of a young woman. Both parties have valid reasons for their choices. However, not enough information is at hand. More research must be done; the only way to accurately determine the answer to the question posed is to determine the social context in which the play takes place. Several aspects of Ancient Greek culture must