Analysis Of Silent No More: Using Your Voice To End Violence Against Women

Pitts discusses the severity a women's thought process after being sexually assaulted. He compares it to the slight interruption in the perpetrators life. She was a "free women" but now she is fearful after the

At some point in their life, every person has been told to “walk in somebody else’s shoes” because they need to be aware of the struggles that other people face, but it is often tough for people to understand things outside of the scope of their own practical knowledge. In her memoir, Lucky, Alice Sebold suffers from this same problem. Throughout the course of her narrative, Sebold thinks of her experience as something that is accessible to be understood by outsiders; in addition to this, Sebold paints her reactions and experiences as a model that she can apply to other victims of sexual assault. Even though Sebold’s story is one of strength in the face of horrible occurrences, her lack of acknowledgement in regards the ways in which other people’s consciousness and coping mechanisms differ from her own makes it far more difficult to sympathize with her than it should be considering the content of her memoir. Evidence of her closed world understanding can be seen from the beginning of the memoir, when she reports her sexual assault to the police (Sebold, 3), later in the narrative, when other people react to her experiences and related feelings (Sebold 146), and finally, and perhaps most significantly, when her close friend Lila undergoes a sexual assault (Sebold 220).

As Alice was going through major hell during the rape and even after the rape, it seemed as it was not taken seriously by others. Alice describes her pain, fears, and many problems that came along the way when it came for fighting for herself and the after effect of the rape. Being a rape victim was not easy, and Alice showed many signals that she needed more than just comfort, but sadly many of them failed to provide that for her.

A trait that stands out in the book is the symptom of bodily memories. In Melinda’s case, during a frog dissection in her science class, she remembers the opening up and even says, “She doesn’t say a word. She is already dead. A scream starts in my gut – I can feel the cut, smell the dirt, feel the leaves in my hair.” (81). One of the other symptoms that Melinda has is self-harm. The first time that this is shown in the book, Melinda says this, “I open up a paper clip and scratch it across the inside of my left wrist. Pitiful. If a suicide attempt is a cry for help, then what is this? A whimper, a peep?” (87). Melinda also has a hard time talking to her parents about the rape to which she says, “How can I talk to them about that night? How can I start?” (72). Some victims recover from such a traumatic experience, while others don’t and live a lifetime of depression and must undergo intense therapy. In Melinda’s case, she finds redemption by talking to her parents and the guidance counselor, and putting her faith into her teachers, friends, and her art project at school. Because rape can affect anybody anywhere, everyone should be aware of the circumstances, and how to deal with it.

She wants the audience to feel as innocent as she did in the beginning, as shameful and disgusted in the middle, and as nostalgic in the end of her article. In the beginning, she creates the image of what she looks like, “… [b]ell bottom jeans and blue peasant blouses and striped knit shirts that clung to my breasts, ” (Wilkinson). By doing so, readers can vividly imagine what she looks like and feel more attached and involved in the story she is creating. In the middle she takes us through all the times she was sexually abused and by using imagery, she makes the reader feel as beaten down and scared as she was. For example, she creates an image of the church where her first sexual assault occurred, “At the entrance to the church was a small vestibule with two white doors. Behind the doors was a dangling rope attached to the church bell,” (Wilkinson). She goes on to build the tension with her words like “groped,” “accident,” “hiding,” and “secret,” (Wilkinson). These make the reader more and more uncomfortable as she describes her experiences, which was the point, to make the reader feel some semblance of what she did. In the end, she describes her older and present self, looking through old pictures: “ Sometimes in old photographs, I see glimpses of that young woman. Corners of my mouth turned down. Staring into the camera with empty eyes where joy should

It is also known that domestic violence usually increases in frequency and intensity. Research has shown that about 2 to 4 million women will experience some kind of domestic violence each year in the United States, and about 23% to 34% of women will experience domestic violence in their lifetimes. This aggression towards women results in physical injuries, physical health problems, psychological disturbance, and, in some cases, death.

Throughout history, women have continuously found themselves as the subjects of oppression. Although the treatment of women has drastically changed over time, women are still exposed to much of the violence that exists today. Per the National Organization for Women, “young women, low-income women and some minorities are disproportionately victims of domestic violence and rape” (National Organization for Women, 2016). Women-centered violence is highly prevalent and reoccurring all over the world, even in our local communities. Individuals may be hesitant to consider just how much violence against women affects their communities.

The author when expressing an opinion will keep it towards the end of a paragraph as a transition into the next point. When explaining how men did not comment on the issues of the evening, she transitions by explaining that for them it was “…business as usual,” (Gilbert). When expressing her concern for the lack of commentary from the men, Gilbert continuously expresses how “..they will be doing all this by themselves.” Her attitude towards the subject is clear, it is alarming how not much regard towards the problem of sexual assault. Her piece is organised to illustrate the antithesis of men’s lack of awareness to the controversies and how women were continuously shedding light on

Once again, she is directing the blame towards herself as a subject in the rape when she was the victim. The perpetrator has not only attacked her with a sexualized assault but has wormed his way into her mind to the point of

After being treated cruelly by her older sisters, “the young girl was patient and kept her gentle heart and went gladly about her work.” (Cyrus Macmillan, 112). The girl is, in a sense, not allowed to be angry for all the horrible things that were done to her. She instead gives the impression that internalizing all the things that do not make her seem gentle is the ideal thing to do. In North American media, women are emotional beings, but most negatively when something bad has been done to them. Like when they come forward claiming sexual assault, they are shunned and not allowed to be angry or upset. They are forced to internalize such feelings because they are then seen as irrational. This teaches young girls that it is better to hide when bad things are happening, otherwise, they will be humiliated. To hide in silence in order to save face. This is further emphasized when the young girl goes to Strong Wind, for “as she passed along the road all

With approximately 1.3 million women being victimized by an intimate partner each year and one in every four women experiencing domestic violence at some point in her life-time, domestic violence, also referred to as intimate partner violence Even after decades of increased activism and raised awareness by government agencies, the public and many nonprofit organizations, domestic violence still remains a serious problem within the United States.

The taboo towards speaking out about the issue is implemented with the line “Rape is a coward hiding its face in the makeup of silence…grows best in the shadows of taboo” exploring the idea that the silence around the issue is perpetuating the continual of rape. This personification highlights the harm implemented on victims when rape is ignored, making the act of rape culture to worsen as perpetrators believe they can get away with

According to statistics found by the National Coalition Against Domestic Violence, Every nine seconds a woman is abused by her husband or intimate partner. At least 1 in every 4 women and 1 in every 9 men have been beaten, coerced into sex or otherwise abused in their lifetime. Most often the abuser is one of their own family. Domestic violence is a problem that somehow affects every one of us in this room at some time and is actually the leading cause of injury to women -- more than car accidents, muggings and rapes combined.

“Every year, in the United States there are over 3 million incidents of reported domestic violence. Every year, 4,000 victims of domestic violence are killed.” (Domestic Violence: Disturbing Facts about Domestic Violence). Domestic violence is a crime that is not just committed in the United States, but worldwide. This crime is committed every day, every hour, every minute, and every second. Anybody can be a victim or the abuser. This can happen to any child, man or woman. This is a horrific crime. Women are more likely to be the victim in domestic violence than men. “Forty-five percent of all violent attacks against female victims 12 years old and older by multiple

1 in 3 women have been victims of some form of physical violence by an intimate partner within their lifetime