Analysis Of Shakespeare 's ' Taming Of The Shrew '

In the play Taming of the Shrew by William Shakespeare, Shakespeare includes several appeals of pathos, ethos and logos. In the last passage of the book, Katharina speaks out to all of the characters with a speech. Katharina describes how she has changed into a person who looks to her husband as her lord, her care taker. The characters who listened to her speech seemed impressed on how she has finally changed her rude attitude and how she obeys her husband Pertruchio’s every word.

The first comedic device used in The Taming of the Shrew is family drama. Katherina can’t find a husband she likes, and no man likes her. Bianca is her younger sister and wants to marry but can’t until Katharina does. This puts tension on their relationship and also their father’s. In this line, ““Are you so formal, sir? Well, I must wait. And watch withal, for, but I be

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

“The Taming of the Shrew” by William Shakespeare, is a very notorious play that has been rewritten and turned into multiple Hollywood films. One very popular version of the famous play is the movie directed by Mr. Franco Zeffirelli. Although most think that this version is the most accurate representation of the original play, there are still many distinct differences.

William Shakespeare's The Taming of the Shrew is an interesting story that demonstrates the patriarchal ideas of how a marriage is suppose to be according to society, what is acceptable of a woman's role in a relationship. It's a story that has many things to show for it's been remade, and remade, even slightly altered to better relate to the teenage audience.

The relationships between servants and masters closely reflect the gender relationships in Shakespeare's The Taming of the Shrew. Lucentio and Tranio's relationship as master and servant is an ideal of the Renaissance era according to "An Homily on the State of Matrimony." Tranio risks taking the place of his master because of his love for him and Lucentio always treats him with kindness and respect, almost like an equal. Though they are not involved romantically, Lucentio and Tranio fulfill these ideals better than any marriage in The Taming of the Shrew. Lucentio's relationship with Bianca reflects his role with Tranio: Bianca shows respect for Lucentio as he

In The Taming of the Shrew, the concept of love is a means of emotional manipulation, and manipulation is nothing more than a means of control between men and women. William Shakespeare critiques the patriarchal social structure by ironically employing the manipulative stance Petruchio takes towards winning Katherine as his wife by charming her with words and manipulating her psychologically, and then taming her after their marriage through legal, physical, financial, and psychological control and manipulation. Though Petruchio may think he yields power over his wife, Katherine uses obedience as a tool of manipulation and has the control of the household, as can be seen

The Katherina that gives the final speech in The Taming of the Shrew is quite a departure from the Katherina we were introduced to in Act I. This new Kate is modest, quiet and obedient. All of these qualities were not present until Act V. Such a profound personality change prompts the questions how this happened and what purpose do her changes serve?

One of the many factors that William Shakespeare implements throughout all of his comedic plays is the element of disguise and trickery. This element is shown through his works of As You Like It, Taming of the Shrew, and Twelfth Night. The primary purpose for using disguise and trickery is for deceit. The deception involved with changing characters’ identities is used for momentary gain. In the end, the concluding outcome of such deceit leads to exposure of a higher truth. The characters most closely involved with these occurrences of deceit normally acquire something about themselves by the end of the play. Disguise is additionally used to generate misunderstandings, internal conflict between the characters, and the comedic component of the play.

In the Shakespearian play: The Taming of the Shrew, deception is one of the major concepts. A tangled web is created in the play through deception of character behavior and the change between clothing and class. Most of the deception in the play have particular motives behind them and create dramatic irony. Shakespeare has used dramatic irony to create a comedic play.

Marriage is presented in Shakespeare?s play The Taming of the Shrew, in a complex manner allowing readers to view the play literally as a brutal taming or ironically as a subversive manifesto. Yet, Shakespeare intends to present marriage to be full of mutual love where neither male nor female dominate but compliment each other thriving together in a loved filled relationship. The portrayal of a deep understanding, which exists in an analogical relationship and the gentle transformation, which occurs in marriage, clearly outlines marriage in the play to be a celebration of a mutual love relationship within the patriarchal foundations of society.

Perhaps the theme that is most recurrent in William Shakespeare's plays is that of filial relationships, specifically the relationship between daughter and father. This particular dynamic has allowed Shakespeare to create complex female characters that come into conflict with their fathers over issues ranging from marriage to independence. At the same time, the dramatist exposes his audience to the struggles women face when attempting to assert themselves in a misogynistic world. Through the daughter-father dyads portrayed in The Taming of the Shrew and A Midsummer Night's Dream, Shakespeare highlights the effects that gender constraints have on female characters while simultaneously drawing attention to the sharp contrast between both relationships.

“The Taming of the Shrew” by the famous play-writer, Shakespeare, examines the qualities of a poor father. Many actions of Baptista such as arranging marriages for his daughters without consulting them is acceptable because of the time period the play takes place in. However, this does not justify his discrimination and cruelty towards his two daughters. With that being said, Baptista displays the faults in parenthood. His favouritism towards Bianca, his obliviousness to his surroundings, and his lack of emotional support, all emphasize the idea that Baptista has been a very poor father.

The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.

In Shakespeare's comedy, The Taming of the Shrew, Shakespeare has a woman as one of the story's main characters. Katherine Minola (Kate) is off the wall, and kinda crazy. Because of her actions, the “male centered world” around her doesn't know what to do with her.