Analysis Of Peter Walsh's Mrs. Dalloway

From across the room, I felt his eyes upon me. Louis had us seated at a table near a window overlooking the slow flowing muddy river. Myles Laveau sat across the room, his dinner companion’s back was toward the room and to me- I was seething with a need to view her face. Why was I feeling this way, he was not mine… I had no right to be angry. I had Louis to my left and Boudreaux to my right, but wanted what was out of reach- at least for the moment. I knew I could have him again; Myles Laveau affected me the same way the flame-haired woman had, but unlike her, he made himself available. The simplest touch from him sent quivers through my pleasure place; just the touch of his eyes upon me had me quivering with desire for him, and

Throughout her essay, Woolf never once describes to us her immediate surroundings. By describing only what is outside, Woolf isolates herself from the rest of the world, instead of embracing it as Dillard did. She is chiefly concerned with describing where she isn't. Her focus is on the world outside of her window. She describes the field that is being plowed, the black, net-like flock of birds flying together. These images engender a rather unpleasant feeling of dreariness.

Annie Dillard’s effective use of language and style reflect and further the opinions she voices within “Pilgrim at Tinker Creek”. She knows how to reel the audience in and then strengthens her points with such detailed descriptions of every little thing. A common theme throughout this classic is about seeing and gaining the ability to be able to see things for their beauty and what they really are. Dillard also wants her audience to see the things that are usually not noticeable or sometimes even taken for granted. Things such as objects, events and creatures, Dillard does a great job at making the words on the pages jump out and come to life. She first points out the tomcat. She vividly describes how this big bloody-pawed tomcat would lay

On one level, sectioning the novella in terms of prose and poetry serves an organizational purpose. To this end, it is easy to identify where the day ends and the dreams begin. Yet, what’s perhaps more striking is how this organization posits prose and poetry in an opposition as you would day and night. With the exception of the male poet that enters the narrative, prose belongs in the day, poetry: night. What’s more: the prose and poetry sections differ in content as much as they do in structure. While the prose sections are characterized by material concerns (appointments, money, social status), the poetry sections explore a deeper meaning and passion that isn’t present amidst the prose. This is perhaps so much so that when Cecily does start to feel something “strange and inexplicable” (41), she does not recognize it in her waking life. In this way, Pavlova also posits what poetry and prose represent in opposition – the “incorporeal region” (52) and the stuffy, outer world Cecily is brought up in. The majority of the novella reinforces the divorce between these two spheres by taking on the general structure of prose in the waking life and poetry within Cecily’s dreams.

The ongoing relationship between the literary movements of modernism and post-modernism is encompassed by the intertextual relationships between Stephen Daldry’s “The Hours” and Virginia Woolf’s “Mrs Dalloway”. These relationships communicate the inadequacy of previous writings to convey trauma, cultural crisis and the deep fragmentation within their respective societies. The immediate context of these social dialogues creates a clear division between each text, however the intertextual similarities between minor and major characters create an effective parallel to traverse decades, years, months and days. This is in order to assess the lasting impacts of society on an individual’s desire to escape either physically or metaphorically.

  Clarissa Dalloway, the central character in Virginia Woolf's Mrs. Dalloway, is a complex figure whose relations with other women reveal as much about her personality as do her own musings. By focusing at length on several characters, all of whom are in some way connected to Clarissa, Woolf expertly portrays the ways females interact: sometimes drawing upon one another for things which they cannot get from men; other times, turning on each other out of jealousy and insecurity.

There are several possible stresses in Woolf’s life that may be contributing to her depression. One is the stress and isolation Woolf feels living in the suburb of Richmond. Although her husband states that they made to move in an attempt to relieve Woolf’s depression, Woolf herself states that if given the choice between Richmond and death, she would choose death. Another possible stressor in Woolf’s life is the task of writing a novel. Yet another stressor could be difficulties in Woolf’s interpersonal relationships. Woolf expresses that “even crazy people like to be asked [to parties].” Whether Woolf’s interpersonal difficulties contribute to her depression or are a result of it is unclear, however. An additional stressor may be the incestuous relationship Woolf has with her sister. We may not speculate upon a history of abuse in Woolf’s childhood but the nature of Woolf’s relationship with her sister goes against cultural norms of acceptable sexual behaviour at the time, being both incestuous and homosexual. In addition, although some people may not feel distressed at the existence of extramarital feelings for someone, many do. This abnormal relationship may be distressing to

Throughout her life, novelist Virginia Woolf suffered with mental illness, and she ultimately ended her life at age 59. As art often imitates life, it is not surprising that characters in Woolf’s works also struggle with mental illness. One of her novels, Mrs. Dalloway, recounts a day in the life of Clarissa Dalloway, a high society woman living in London, and those who run in her circle. As the novel progresses the reader sees one of the characters, Septimus, struggle with post-traumatic stress disorder brought on by serving in war. At the end of the story, he commits suicide. While there is no explicit articulation of any other character suffering from mental illness in the novel, Septimus is not alone. Through her thoughts and actions, we can deduce that Clarissa also endures mental and emotional suffering. Though Clarissa does not actually attempt to end her life in the novel, her mental and emotional suffering lead her to exhibit suicidal tendencies. To prove this, I will examine Clarissa’s thoughts and actions from a psychological perspective.

Post World War I London society was characterized by a flow of new luxuries available to the wealthy and unemployment throughout the lower classes. Fascinated by the rapidly growing hierarchal social class system, Virginia Woolf, a young writer living in London at the time, sought to criticize it and reveal the corruption which lay beneath its surface. Mrs. Dalloway, Woolf’s fourth novel, was born in 1925 out of this desire precisely. A recurring focus in many of Woolf’s major novels is the individual and his or her conscious perceptions of daily life. Throughout Mrs. Dalloway, Woolf uses this technique, known as a “stream-of-consciousness,” to trace the thoughts of Clarissa Dalloway and Septimus Warren Smith during one day in London five years after the Great War. It is exactly this narrative technique which allows Woolf to compare the lives of these two characters which belong to different social classes to argue that social placement has a negative effect on one’s life and psychological being.

War is an important theme in Mrs. Dalloway (1925), a post World War I text. While on the one hand there is the focus on Mrs. Dalloway’s domestic life and her ‘party consciousness’, on the other there are ideas of masculinity and “patriotic zeal that stupefy marching boys into a stiff yet staring corpse and perniciously public-spirited doctors” , and the sense of war reverberates in the entire text. Woolf’s treatment of the Great War is different from the normative way in which the War is talked about in the post world war I texts. She includes in her text no first hand glimpse of battlefield, instead gives a detached description. This makes it more incisive because she delineates the after effects in personal ordinary lives. Judith

In the novel Mrs Dalloway, Woolf conveys her perspective, as she finely examines and critiques the traditional gender roles of women in a changing post-war society. Woolf characterisation of Clarissa Dalloway in a non linear structure, presents a critical portrayal of the existing class structure through modernist’s eyes. Titling her novel as Mrs Dalloway presents Clarissa’s marriage as a central focus of her life, drawing attention to how a women’s identity is defined by marriage. Despite the changing role of women throughout the 1920s, for married women life was the same post war. Clarissa experiences ‘the oddest sense of being herself invisible…that is being Mrs Dalloway…this being Richard Dalloway,”

‘Mrs. Dalloway’, by Virginia Woolf is a derivative text of ‘The Hours’, written by Michael Cunningham. The novels both share an important theme of mental health. The circumstances of mental health are commonly sympathetic, and empathetic. The characters Septimus and Clarissa in ‘Mrs. Dalloway’ and Richard, Laura Brown, and Virginia Woolf in ‘The Hours’ show the strongest symbols for this theme. Most of the problems and treatments these characters face are in direct result of the age they live in. Both novels express a relationship between era, illnesses and treatments.

They fail to express to the outside what it is exactly that they feel inside. The problem of expression is one of the reasons the characters fail at communicating with each other. It is central to the character of Clarissa Dalloway who feels isolated in many ways as “She had a perpetual sense...of being out, out, far out to sea, and alone” (Woolf 7). She enjoys her marriage to Richard although sometimes thinking whether it would have been a better choice to marry Peter Walsh. As she contemplates her relationship with Richard, she admits to lacking “something central” in their marriage: the feelings of attraction that are “a sudden revelation, a tinge like a blush” like “an inner meaning almost expressed”(Woolf 26) but she believes that "in marriage a little licence, a little independence there must be between people...which Richard gave her, and she him…But with Peter everything had to be shared; everything gone into. And it was intolerable" (Woolf 6). This shows how important privacy is to Clarissa and the importance it takes in her relationship with others. Peter himself described Clarissa as having a “coldness” and “woodenness” about her that creates an overall “impenetrability” (Woolf 50). Unlike Peter who wanted to know all about Clarissa, all her inner thoughts, Richard gives her the necessary space because he believes that

Throughout Mrs. Dalloway, Virginia Woolf uses the characters Clarissa and Lucrezia not only to further the plot of the story but to make a profound statement about the role of wives in both society and their marriages. While these women are subjected to differing experiences in their marriages, there is one common thread that unites each of their marriages: oppression. These women drive the story of Mrs. Dalloway and provide meaning and reason in the lives of the men in the story; however, these women are slowly but surely forced to forsake their own ambitions in order to act in accordance with the social standards set in place by marriage for women. For women outside of many modern cultures, marriage has been a necessity for a woman’s safety and security, and it required her to give up her freedom and passions and subjected her to an oppressed lifestyle. Ultimately, through the wives in Mrs. Dalloway, Woolf communicates that marriage is an institution where in women are forced to suppress their individual desires and passions in order to serve their husband and further his own ambitions as first priority.

Clarissa and Septimus both feel trapped in their lives and oppressed by the people around them, which leads to them find ways in which they can escape the negative world around them. Clarissa is described to the reader as having “a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very dangerous to live even one day” (Woolf, 17). Even as Clarissa walks down a crowded street the sense of loneliness controls her mind. Societal oppression of loneliness makes her feel distant from the rest of society. She describes herself as, “no longer being Clarissa, but simply Mrs. Dalloway” (Woolf, 11). Clarissa has lost a sense of herself and feels as though she no longer fits in. However, her parties serve as an escape from the outside world, which helps to explain why she loves