“Drown” by Junot Diaz. Riverhead Books, 375 Hudson St, New York, New York. 1996. 1-208.
Every immigrant has a personal story, pains and joys, fears and victories, and Junot Díaz portrays much of his own story of immigrant life in “Drown”, a collection of 10 short stories. In each of his stories Diaz uses a first-person narrator who is observing others to speak on issues in the Hispanic community. Each story is related, but is a separate picture, each with its own title. The novel does not follow a traditional story arc but rather each story captures a moment in time. Diaz tells of the barrios of the Dominican Republic and the struggling urban communities of New Jersey.
This collection of stories begins when the narrator Yunior and his brother Rafa who are 8 and 12, are sent to live with their uncle for the summer so their mother can work. Their father abandoned them when Yunior was 4 and their family lives in poverty, sometimes having to forgo food for clothes and other necessities. Their mother works sometimes 14 hour shifts, at a local chocolate factory while their grandfather watches them. When Yunior is 9 his father returns from the United States to bring them back. They live in an apartment and set up a new community in New Jersey. Although they still live in poverty, they do not want for food or other basic necessities. The stories then jump forward years to when Yunior is in high school and living with his mother. He works and helps pay the rent and other bills
Junot Diaz was born in the Dominican Republic and immigrated with his family to New Jersey, where a collection of his short stories are based from. Out of that collection is a short story “Fiesta, 1980”, which was featured in The Best American Short Stories, 1997. This story is told from the perspective of an adolescent boy, who lives in the Bronx of northern New Jersey with his family. He is having trouble understanding why things are the way they are in his family. Diaz shows Yunior’s character through his cultures, his interaction with his family, and his bitterness toward his father.
Junot Díaz, unlike most authors, has an ability to tell his stories without the use of large, descriptive passages. With only a few words he can immerse his readers into the environment of his stories, such as the subject work, Drown. Whether in a comfortable suburb or a decrepit neighborhood, Junot Diaz is skilled in producing active scenes with minimal words in his piece Drown. As Barbara Stewart writes about Junot’s work in Outsider with a Voice, “The New Jersey of which [Junot] writes is the one he knows: a place of blue-collar towns and Latino immigrants, of tostones (mashed fried plantains) and malls and roads where ‘beer bottles grow out of the weeds like squashes’” (New York Times, 8 Dec. 1996). I agree with Stewart’s assertion that, “[Junot] writes about the [place] he knows” because of his rich environmental descriptions, and the way he uses this information to provide context within Drown. Díaz uses his language to immerse the reader into his works. One chapter within Drown that illustrates this well is “Aurora”, a chapter centered on the life of drug dealer Lucero and his romantic endeavors with a questionable woman named Aurora. Díaz uses his careful word choice to illustrate the story setting, to provide context clues, and to provide a deeper meaning to the text in “Aurora”.
As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with
Junot Díaz’s Drown: A Struggle for Cultural Identity Against an Unjust Society Junot Díaz’s Drown is a compelling and surprising set of short stories, each affecting the reader in a different way, but all making an impression. These stories follow a variety of characters, often depicting the experience of the immigrant experience in the United States. Many themes are present throughout this collection of stories, including a struggle for cultural identity, belonging, love, and loss. According to Lizabeth Paravisini-Gebert (2000), “Drown chronicles the human cost
However, because it will use examples to organize and describe information seeking a conclusion on the identity formation of undocumented immigrants it is qualitative. I will seek key and specific examples in which Reyna Grande’s personal experience is reflected on her fictional novel. The way in which the novel differentiates from the memoir is also of great importance because these differences highlight something that the author wants to emphasize or hide. Across a Hundred Mountains narrates the fictional story of the immigration of a young girl while The Distance Between Us: A Memoir retells the real experiences of Reyna Grande. Through the identification of the similarities and differences of the memoir and the novel it will highlight the ways in which Grande uses fiction to explain real life experiences that are difficult to
The character and intelligence of a person is truly shown when he or she is forced to face reality. This is clearly established in “The Swimmer”, a story about a man thrown off his high horse. The story starts with Neddy Merrill and his group of wealthy socialites conversing at the Westerhazys’ house. Flashing back to his Olympic days, Neddy decides to swim through bodies of water to reach his house. He calls this trail the “Lucinda River” and with a lot of effort, as he isn’t as fast as he was in his prime years, he reaches his house, only to find it empty and devoid of his wife and daughters. John Cheever cleverly brings together a seemingly random series of events and combines them. His writing style is best explained by his own words when he says “Fiction is art and art is the triumph over chaos.” In his award-winning short story, “The Swimmer”, John Cheever uses symbolism, imagery, and characterization to establish a seemingly silly and childish tone that evolves into a somber and realistic mood.
Novelist, Pablo Medina, in his short story, “Arrival:1960”, describes Medina as a 12-year-old boy moving to New York from Cuba in hopes of discovering further freedom and opportunity. In Medina’s story, he initially arrives in New York with a pure perspective that life will only improve from there. However, young Medina soon learns the reality of race in America. By telling his story from first person point of view, Medina reveals how it feels to be viewed and stereotyped when one is a different race in the United States.
This story reflects the story of a Dominican family’s life in New York after they were force to flee from their homeland. The family discovers their father’s involvement in a plot to over through the country’s leaders. This Pura Belpre awarded book reflects a cultural experience for portraying the author’s outstanding work.
Drown; a compilation of short stories, by Junot Diaz portrays the integration of fiction and truth. Yunior, narrator, as he tells his stories, he exaggerates and jumps from one period of his life to another. The characters of the story can relate to many young adults. Their experiences and the journeys of their lives are what most Hispanic teenagers go through. The 10 different stories explain the different themes shown throughout the book. The Hispanic community faces many problems and Diaz states a couple of them; gender immigration, violence, drugs, family, cultural identity, and the Latin experience.
Winning the National Book Award in 1958 for his debut novel The Wapshot Chronicle, John Cheever was highly acclaimed as a novelist, but he may be best remembered for his array of short stories. In the words of the acclaimed novelist Philip Roth, Cheever was an “enchanted realist” who had “as rich and distinctive [voice] as any of the leading voices of postwar American literature.” This ‘voice’ was in full display Cheever’s stories, especially in “The Swimmer,” which is about a man named Neddy Merrill who embarks on a ‘voyage’ to swim across the whole county in the fictionalized Bullet Park. In this upper-middle class suburbia, pool parties are the custom and drinking is a popular pastime, especially for the story’s protagonist.
Cristina Henriquez’, The Book of Unknown Americans, folows the story of a family of immigants adjusting to their new life in the United States of America. The Rivera family finds themselves living within a comunity of other immigrants from all over South America also hoping to find a better life in a new country. This book explores the hardships and injustices each character faces while in their home country as well as withina foreign one, the United States. Themes of community, identity, globalization, and migration are prevalent throughout the book, but one that stood out most was belonging. In each chacters viewpoint, Henriquez explores their feelings of the yearning they have to belong in a community so different than the one that they are used to.
Danticat recounts nonfictional experiences from personal accounts and those of intimate distance in a family torn between utter desperation and the endeavor to survive from a depraved Haitian background in prospects of a better future and peace. Immigration for the characters emerges as a matter of need and urgency driven by political and poverty challenges. As the US provides a promise of hope, the Haitian immigrants face a different society that has a flawed contextualization of human rights. Immigrant life is therefore depicted as one ridden with pain and passion of survival and better prospects. There is also the burden of broken family ties and a daily life in a society that accommodates oppression and inequality in the very policies designed to protect "human rights". This paper focuses on how the plight of
Jose Antonio Vargas, a Pulitzer Prize winning author, shares his life-long journey as an undocumented immigrant in his text, “My Life as an Undocumented Immigrant.” As the title suggests, Vargas attempts to convey to his audience, who likely never has and never will experience anything similar to what he has, what it is like to live as an immigrant in the United States of America. Skillfully, Vargas details the perfect number of personal stories to reach the emotional side of his audience, which is anyone who is not an immigrant. Through the use of his personal accounts Vargas is able to effectively communicate that immigrants are humans too while simultaneously proving his credibility, as he has experience and a vast amount of knowledge
Americanah is a story immigration, of Ifemelu's feelings of foreignness even after 13 years in the US and a successful career, of Obinze's fears of deportation and how it finally came true. The characters experience are exemplary tales of immigrants' experience going into developed countries, or just simply the experience of living in a foreign country for the first time in one's life. The cultural shocks are demonstrated beautifully, especially the frustration over Ifemelu's depression and the feeling of inferiority by illegal immigrants.
The narrator in this story is a young man who grew up in poverty. The story is told in past tense and it begins in medias res, but throughout the story there are flashbacks to the young man’s childhood. These flashbacks helps the reader to understand the young man’s inner thoughts, and allows the reader to characterize the main character.