Trimalchio, showcased in the most complete work of Petronius’ Dinner With Trimalchio, in the Satyricon profess many aspects of the rich and famous, where Jordan Belfort from Scorsese’s The Wolf of Wall Street embodies the rising fame and fortune of Wall Street. Trimalchio and Belfort both have comparatively similar characteristics that run in unison with each other throughout their respective roles.
Both Trimalchio and Belfort came from what was considered lower class families, and eventually gained such vast amounts of riches they obtained the mentality that everything could be bought. The wives of Trimalchio and Belfort were of low class standards until they met their husbands, where they were bought over by their husband’s fame and fortune, and ultimately stayed with them because of their wealth. Throughout their journeys both Trimalchio and Belfort took their wealth for granted, they built their lives around their wealth, and the uncertainty of life took its toll on both men. Both characters displayed great amounts of vulgarity not only through their language, but their actions as well. The story is only the surface; the characters are the true representation of two different time periods colliding to produce such stories that represent parallel characteristics. Trimalchio’s past was very different to what he became to be, it wasn’t all fame and fortune, but instead Trimalchio was born into slavery where he was considered the lowest of all classes. Trimalchio
Throughout the movie, Brian goes through the Identity Foreclosure, Identity Moratorium and Identity Achievement statues of James Marcia’s identity statuses theory. When Brian lives up to his obedient, “Good Citizen,” nerd image, he’s in the Identity Foreclosure status since he unquestioningly adopts his parents’ and society's visions, values and roles. He follows rules, questions rebelliousness and allows others to view him as weak for being a geek. Then, he transitions into an Identity Moratorium status where he delays his commitment to being the Brain and explores “alternative ideologies” and sides to himself when he smokes weed and connects to the troubles and philosophies of the rest of the Breakfast Club (Weiten, 457). Finally, at the end of the movie, Brian achieves the Identity Achievement status where he grows closer to a sense of identity and direction after “thinking through alternative possibilities,” or hanging out with the rest of the Breakfast Club (Weiten, 457). After being accepted by others, Brian builds his self-esteem and values his life despite his failures once and for all.
A central theme within Ruth Ozeki’s My Year of Meats is the idea of authenticity. It appears in the very core of the show My American Wife!, where the goal is to find “authentic,” “attractive” wives with attractive families and lifestyles so that BEEF-EX can make meat look appealing to Japanese viewers. However, many characters in the book have different views on what authenticity means, and the definitive definition is never revealed by Ozeki. In fact, My American Wife!, the authentic reality show, is one of the least realistic parts of the entire book and a reflection on the lack of authenticity in today’s reality TV shows. Although authenticity is projected as subjective, as My Year of Meats shows us, one will find nothing “real” or “genuine” about reality TV, which is negatively impacting our society.
Trimalchio hosts’ a farewell dinner which is a dinner given to gladiators who were about to face wild beasts in the arena. Trimalchio is a Semitic name based on the word for “prince” and he is a high living individual. However, a well-born Roman reader would not approve of his attitudes and behavior. You get a good sense of what Trimalchio is like early on in the story when he is in the middle of talking to Menelaus and snaps his fingers for a slave to bring him a pot. When the slave brings the pot to Trimalchio he peed in it, asked for water and then used the slave’s hair to dry his hands. (19) Trimalchio had many slaves, some of their jobs were miniscule(petty) that it consisted of them standing near the dining room door and saying
In their rise from obscurity to fame, Frederick Douglass and Benjamin Franklin had lowly starts to their respective journeys. Both men were born to a humble beginning without much opportunity for climbing the ladder to reach a higher status. Comparably, Franklin had the more favorable life, however. His was a merchant-class family with parents that cared for their children, but since Benjamin was the fifteenth of seventeen offspring, he frequently had to rely on his own devices
Imagine a coming across a once in a lifetime chance to try and change a person’s perspective by simply being yourself. Dinner at Beatriz is exactly a chance such as that, and engages an audience to not only consider the character’s actions, but also their own. The film premiered on the 16th of June 2017, and coupled with the polarizing politics of America’s government, it was an excellent time to produce such a movie. Directed by Miguel Arteta, best known for his production of Chuck and Buck and a few episodes of American Horror Story, Beatriz at Dinner is a film that is both impacting and current movie. Beatriz, played by Salma Hayek, is a lower-middle class immigrant from México who specializes in alternative medicinal healing. From little details, like the few bumper stickers on her car and the way she looks at others, one can tell that she cares a great deal for the environment and the human race. In the film she is called over to a higher class house to give a massage to a wealthy house wife, played by Cathy Briton. Her car breaks down and she is suddenly plummeted into an elitist world of corruption and selfishness, and the biggest conflict for Beatriz is to find the humanity inside Doug Strutt, played by John Lithgow.
While culture is prevalent in everyone 's lives, the way that culture is interpreted can drastically vary depending upon the generation a person grew up in. In both Madeleine Thien 's “Simple Recipes” and Kazuo Ishiguro 's “A Family Supper” the way in which the children view culture is significantly different from their parents views. While the children in each story grew up in different countries, the similarities between the children and their families are strikingly similar. The cultural views of the father and son in each story leads them in separate ways, which ultimately causes major rifts within the families and creates significant tension between father and son. The fathers in each story are authority figures to their children. Although the level of authority each father has over their children is drastically different due to the age of their children, it is clear both fathers demand a certain level of respect from them. The suppers in each story, while seemingly insignificant at first, actually carry a much deeper meaning. The suppers play a large role in how each story plays out. Although there are differences in regards to how each story conveys the message of cultural divide, the point remains the same. Culture is always evolving, and while this is generally viewed as a success for society, if those involved do not have a firm grasp on what is changing, it can lead to disagreements within society and in some cases disagreements within
The Breakfast Club is a film that exhibits many dynamics within society which are then displayed throughout school systems. Throughout watching this, I was able to relate some of these sociological groups to my own experiences within high school and analyze sociological elements and themes within the film.
What’s Eating Gilbert Grape, a motion picture released in 1993 and directed by Lasse Hallström, follows the life of Gilbert Grape (Johnny Depp) and his younger brother Arnie (Leonardo DiCaprio), a mentally disabled 17 year old. Their mother, Bonnie (Darlene Cates), is morbidly obese and has been home-bound for the past seven years following the suicide of her husband. After their father died, Gilbert became the main caregiver and provider for Arnie, their two sisters Amy and Ellen, and their mother. As they grew up, Gilbert quickly became Arnie’s role-model, and the two now share a special bond. The brothers work together at the local grocery store, are often found playing hide and seek, and have a special tradition where they watch the campers drive through their small town of Endora, Iowa every year. This year while watching the campers, a traveler named Becky (Juliette Lewis) caught Gilbert’s eye, and he has trouble keeping up with a new love interest and Arnie’s constant mischief.
Rita Doves poem "Chocolate" has many different kind of literary elements in it. It is an
In the story In Praise of Fast Food the author is arguing how much better industrialized food is then natural food. Most believe eating natural is the way to go and processed foods is not good for the body. To our ancestors natural foods were not good. “Natural often tastes bad. Fresh meat was rank, and tough, fresh fruits incredibly sour, fresh vegetables bitter.”(Laudan 332) Our ancestors had it much harder than what we do today. Food is now more convenient leaving us more time and giving us more options then what our ancestors had.
The movie I chose for this paper is titled Frankie & Alice. The main character, played by Halle Berry, was named Frankie. Frankie had a history of traumatic events that took place as she was growing up which resulted in her being diagnosed with dissociative identity disorder. Frankie was unaware that she had any type of disorder until she was picked up by police and chose to receive treatment instead of going to jail. The paper includes a synopsis of the movie, along with an analysis of the symptoms Frankie’s character experienced to lead to her diagnosis. Also included are evidences about dissociative identity disorder and what may lead to its diagnoses in an individual. Prevalence of the diagnoses along with treatment selections for the diagnoses is also discussed.
The merchant of Venice is a drama and romantic play, by William Shakespeare. Regarding the test for the suitors and the final part of the book, the author is inspired by a fourteenth-century Italian novel of Giovanni Fiorentino, called “Il Giannetto”, (Bullough, 1957). The merchant of Venice is believed to have been written between 1596 and 1598. It is contained on the First Folio, in the contents of Comedies, sharing certain aspects with others plays. That one traditionally ends with the positive return to order expected from the genre, it also has some characteristics of a tragedy, in particular with regard to the punishment and the oppression that are suffered to Shylock Jew. The peculiarity is the title of this book, “The Merchant of Venice”, in fact, it refers to the character Antonio, and not Shylock, a moneylender, which has a pivotal role in this play. One possible reason is that by calling “The Merchant of Venice”, Shakespeare wanted to focus the attention of the readers, on the
Brian Johnson, or the “Brain,” in the movie The Breakfast Club, possess thought processes evident in Piaget’s Formal Operational Period stage in his theory of cognitive development. During Piaget’s Formal Operational Period, people begin to “apply their mental operations to abstract concepts in addition to concrete objects;” their thinking is hypothetical, systematic, reflective and logical (Weiten, 448). Brian asks himself existential questions like “Who do I think I am? Who are you? Who are you?” as he brainstorms Mr. Vernon’s assignment for the students in detention; these thoughts are abstract. His thought processes are also logical since he’s extremely intelligent; being part of the math, Latin and physics club requires some advanced thinking skills. Additionally, he understands how concrete applications like engineering stem from abstract concepts like Trigonometry. He also reasoned that if he took a class like Shop that “dopes” take, he could pass that class easily to maintain his GPA; such reasoning requires complex thinking. Finally, his thinking is reflective, especially when he ponders the permanence of the Breakfast Club’s friendship and describes how he steps outside himself to analyze what he sees. Unfortunately, when he observes himself, he’s highly critical and despises his “true” self; he possess a highly negative view of himself, labeling himself a failure, eventually leading to suicidal thoughts and actions.
From the day Tita entered the world, her fate was sealed with the De la Garza’s family tradition, which lead to the cause of her pain and suffering from the hands of her mother, Mama Elena. Tita and Mama Elena’s estranged relationship was oppressed with complications from Tita’s premature birth and the sudden death of her father, which caused Mama Elena to reject her nurturing nature and discard bonding with Tita. Although Tita’s emotions would leave her in a weakened mind state, her determination towards breaking the brutal convention, she is faced with, would begin to display her strength, through her visualization of a fulfilled life without the criticism of Mama Elena. While
Throughout essay “In the Kitchen,” Henry Louis Gates Junior recalls a time when he and his friends and family constantly tried to straighten their African American “kinky” hair. They did this to try to fit in with white people. The writer is using his personal experience as an African American straightening his hair to show how black people felt about assimilating into white society. It was very difficult for blacks to fit in with white people but he remembers how this difficult time brought the black community together.