Death is a difficult topic for most people to discuss. Even those in the medical profession, such as doctors and surgeons, have a tough time discussing the prospect of death with patients. In Atul Gawande’s Being Mortal, Gawande delves into what really matters as life comes to an end, new ways of helping the elderly enjoy their waning days, and the role of doctors and medicine in curing diseases and dealing with patients. Sheri Fink, a reporter for the New York Times, reviewed this book on November 6, 2014 for The New York Times Sunday Book Review in “Atul Gawande’s ‘Being Mortal’”. She thinks Being Mortal is a “valuable contribution to the growing literature on aging, death, and dying”, and does a good job of introducing the topic of …show more content…
However, there are some points in which we differ on. For example, Fink writes, “If that sounds vague, Gawande has plenty of engaging and nuanced stories to leave the reader with a good sense of what he means”. In reference to Gawande’s comments on the job of doctors as enabling well-being, Fink argues that the included stories help to explain his argument. I agree with Fink’s statement, but I also think that it goes beyond that. Gawande includes anecdotes on nearly all of his topics, from the dilemma of doctor and patient conversation regarding treatment to the ordeals of the elderly in adjusting to nursing homes. These anecdotes are essential to each topic he discusses, providing a visual image to the reader and giving Gawande credibility at the same time by using real life examples. Gawande’s arguments would not be as effective without the stories he provides as support.
The different places senior citizens live in is widely discussed in the first part of Being Mortal. Nursing homes are one of the most common places for seniors to end up. Based on Gawande’s descriptions and anecdotes on nursing home life, it seems that there is no autonomy when living in a nursing home. Gawande ponders current methods of handling the elderly in the following quote: “How did we wind up in a world where the only choices for the very old seem to be either going down with the volcano or yielding all control over our lives?” (68). In this quote, Gawande refers to
Part One: In the documentary "Being Mortal" by Atul Gawande talks about the death of patients and how it 's a surprise to a large amount of the patients. He also explains the fear in the medical field, and as a doctor your suppose to help people and cure them, that you 're supposed to give them a better shot and if it later doesn 't go they way you expected,the doctors start to tell themselves what went wrong or what happen everything was going so well. Gawande talks about how he wants to learn more about how to communicate with patients and telling them that they have a certain weeks, days or months left. For example, He talks about one of his patients that he had, her name was Sarah and had stage 4 lung cancer was young and just had a
As I searched for an editorial to write on, the Op-Ed, “What Our Cells Teach Us About a ‘Natural’ Death,” immediately caught my eye. It may have been due to recent events that left death on my mind, or the alien combination of ‘natural’ and ‘death’. Nonetheless, Warraich’s piece snagged my attention. His article provides an interesting interpretation of death and human relations towards the sore subject, and gives a sound argument to support it.
For many patients with incurable illnesses around the world, the time to stop particular treatments is an ongoing argument. Atul Gawande, a surgeon and staff writer for The New York Times, has been following this debate since his medical practice and strives to inform the public on how to handle mortality. In his article, The Best Possible Day, Gawande employs an anecdote, Ethos, and a eulogy to encourage the audience to consider adjusting a sick person’s care according to how they feel.
His voice suggests to readers that he knew that even as a doctor, they can make mistakes which lead to part two and into the plot of Gawande describing the errors other doctors have made. For example, He talked about a general surgeon and how he foolishly “left a large metal instrument in a patient’s abdomen, where it tore through the bowel and the wall of the bladder” (507). Another involved a cancer surgeon mistakenly biopsying a woman’s breast and one where a cardiac surgeon skipped “a small but key step during a heart-valve operation, thereby killing the patient” (507). The second part contained a number of incidents in which doctors and surgeons have conjured mistakes that either left patients in the hands of more exceptional doctors or
Atul Gawande is a surgeon at Brigham and Women’s Hospital, a well-known writer in the New York Times, a public health innovator and most relevantly the author of Being Mortal: Medicine and What Matters in the End. Being Mortal has many messages being conveyed to the readers with the most important being our story to tell at the end of life. Everyone’s life will end, some will go too soon and some will live a long life. No matter how long a life lasts, we all want to be able to say we’ve done something with our lives, a meaningful story to tell. In this book, Gawande describes one of the most challenging parts of his career in medicine.
The rituals of medicine allow doctors to evade death by concentrating on the treatments of dying patients to spend as little time as possible with them. Doctors won’t even mention death, instead discussing the cases in the context of objective data. They focus more on the medical aspect of the patient and use it as an excuse, rather than show compassion and stay with a patient during their last few moments of life. Chapter 5 1. M and M stands for Morbidity and Mortality.
In the film “Being Mortal,” by Atul Gawande, it documents the focus on advance planning of the end of life. His book is known to be on the bestseller lists, and continues to influence and educate family and friends who go through critical life changing situations. Under these life or death circumstances, people have a difficult time dealing with it and have no clue what to do next. This film portrays how to overcome that barrier, the proper steps into hospice care, and valuing that person’s decision about their life.
Atul Gawande’s book Being Mortal: Medicine and What Matters in the End presses on an extremely difficult subject: death. Gawande talks about the need to confront death and not ignore it by taking steps in having a meaningful and satisfying end. Readers say that Gawande does demand a lot from people and the book is eye opening but it does not have a guide to having a better end in life. I agree that Gawande is demanding a lot but people still to listen to him but I think Gawande does give a guide to having a more satisfying end to life though not simply.
well. I used this article to help describe patient’s feelings towards discussing the end of their life. Since patients are likely to feel down after making decisions about their death, they should have a chance to feel uplifted by being introduced to religions and the afterlife.
Death is one of the most avoided topics because of the finality that comes with it and the fear of the unknown after death. However, there are quite a number of authors such as AtulGawande, Elisabeth Kubler-ross and Ira Byock who have attempted to go ahead and deal with death as a topic and other connected topics.Each of these authors have delved into one of the most revered topics that is death including related topics that come with it such as the dying process itself. Ira Byock’s Dying well: Peace and possibilities at the end of life is a book that looks at the moment prior to death when an individual is terminally sick and is at the point of death. A
Being Mortal a book by Doctor Atul Gawande expresses beliefs obtaining humans around the world in all societies and how they can better themselves by accepting and living with the idea of illness, old age, and most importantly death. In Being Mortal Gawande proposed the idea that modern medicine has done more harm than good. By writing about powerful experiments and personal stories Gawande invites the idea of death and how today’s idea of death and aging should be learned from. In the introduction of his memoir, Gawande clearly delivers the purpose of his book, Gawande states, “This is a book about the modern experience of mortality-about what it’s like to be creatures who age and die, how medicine has changed the experience and how it hasn’t,
Furthermore, these presumptions were not entirely correct. Although, my patients were in their late 70s, with limited mobility, reduced cognizance, and from lower socioeconomical class backgrounds, I did not contemplate the actual humanistic qualities of my patients. I completely neglected to acknowledge the unique lives I was about to enter. Alternatively, looking back with some disappointment, I was not able to conduct a deep, meaningful conversation about the implications of death. I predicted I would discuss different views of death and dying, but this subject is much more personal than I imagined. In conjunction, I did not encounter a bitter attitude from my patients, as I predicted. However, both my patients’ conditions determined their willingness to engage upon each visit. Sometimes patients were too tired to hold a conversation, often overwhelmed by questions about their lives. During one visit I asked my patient about his hobbies when he was younger. He proceeded to discuss the wonderful recreational vehicle cross-country trips he and his wife would take. This led to sorrow about the loss of his wife, dog, and inability to conduct the trips in the future. Aside from the unpredictable interactions themselves, I did not forecast how my patient’s conditions would dictate our visits together.
Essay #2 draft #2 “The need for food has birthed cuisine. The need for shelter has given rise to architecture. The need for cover, fashion...since dying is a necessary part of life, what might we create with this fact?” Dr. Miller asked a solemn crowd. He had spent the last 15 minutes sharing the suffering he experienced and sees in his patients every day, and now he challenged them to redesign the way society approaches end of life care.
It has often been said that death is the only thing that truly unites the human race. While not a particularly pleasant thing to talk about, it is true. In 2016's Oscar Award nominated short Extremis, the issue of mortality is confronted head-on at an ICU as doctors, families, and patients make end-of-life decisions.
Chuck Palahniuk known as the author of “fight club” writes a personal non-fiction essay called “Escort” to narrate his experience of working in a hospice. His narration inspire me to think about the life. Some people have healthy body, but they don’t realize that. Those people feel bored with their works, and they are lack of satisfaction with their lives. Negative emotions are filled in their heart and they don't recognize that having a healthy body would be the happiest thing in the world. On the other side, some people are facing death and have a very strong desire of live longer. They hope can stay in the world longer in order to enjoy more in the world. Only these people know how weak and valuable life is. In the essay “Escort,” Palahniuk