Throughout everyday dealings, society illustrate certain events as coming from a God or involvement of God’s plan. Everyday people have demanding decisions to make and it is not left up to the all mighty higher power to decide. Humans cannot sit around blaming them saying why god why! Instead stop to think is it really the Gods fault or as humans are we really stupid enough to believe God really spited people. Exactly what the Greek and Trojans thought to. In the Iliad, Homer paints the God’s as an excuse for the Greek and Trojans bad behavior throughout the many encounters with the Gods and mortals, such as the Affair involving Married Queen Helen and Cowardly Prince, Paris son of Priam, Bad Decisions made by the same Cowardly Prince, Paris and the Ferocious King Menelaus, and the epic War between the Mighty Trojan Hector and Wild Ravage Beast Achilles from Greece, and the fly-by-night of Priam to Retrieve his son 's body from the Argives.
First, the chaos of the affair started when Priam son Paris takes a long journey across the ocean to a foreign Greek city governed by King Menelaus and takes Paris in as a guest, unfortunately enough King Menelaus has to attend a funeral during Paris stay in Greece, leaving the Lady Charmer Paris time to swoop in and steals the Kings wife and sail with her back to the great walls of Troy. As the Greeks come sailing across the sea to obtain what right fully belongs to Menelaus and with Paris hiding Helen inside the walls of Troy, when
The Iliad: Book VI is about the continued war for Troy but Homer focuses a lot of the book on Hector, Prince of Troy. The Achaeans were overwhelming the Trojans so they were forced back into their city. The Trojans were weakened so the Achaeans took full advantage and slaughtered as many as they could. However, the Trojans anticipated this weakness and Hector asked his mother to pray to Athena for the army. Meanwhile Paris, Hector’s brother, had withdrawn from battle because of the grief he caused. But his soon to be wife Helen and Hector convince him to return to battle. Just before they head into battle Hector pays a visit to his wife and child to say goodbye for maybe the last time. His wife is convinced that he is near his death and mourns. Hector then meets Paris on the way to the city gate and they prepare to fight.
In the “Odyssey”, Odysseus goes through obstacles throughout the book that a normal man couldn’t subside. One example is in book 9, his main obstacle that he is trying to face is to escape from being held hostage in a cave by a Cyclops better known as Polyphemus. Odysseus is a archetypal hero, he is also a role model, with an ambition to get to his homeland Ithaca. He goes through resisting temptation and using his intellect and physical strength to get him there, no matter the obstacle nor the negative flaws that he faces. Odysseus put himself and his men in that situation by being curious and wanting to know what kind of land his ship and the winds led him to. This was selfish of him because it cost him some of his men, but a leader and hero has to play that role and some lives will be dealt with on the way. Odysseus says, “The rest of you will stay here while I go with my ship and crew on reconnaissance. I want to find out what those men are like, Wild savages with no sense of right or wrong Or hospitable folk who fear the gods” (Homer 429). Saying this quote alone makes Odysseus a humble man due to the fact that not even a piece of land is going to slow him down on his journey back home.
The character Ulysses Everett McGill from “O Brother, Where art thou?” is a worthy representation of Odysseus from the “Odyssey”. Ulysses Everett McGill, or Everett, was the main character of the movie who was trying to get back home. Odysseus was a king and warrior who spent 20 years away from home due to obstacles and distractions. Both characters share many personality traits and events that make the movie a modern adaption of the epic poem
In the Epic, “The Odyssey", spoken by Homer, conveys a heroic tale of an epic hero named, Odysseus, who faces many challenges as he sails to get home. One of the tasks Odysseus faces is, "The Sirens", who challenge Odysseus 's will power. Another challenge Odysseus encounters is, “The Cyclops", who torments and slaughters some of Odysseus 's men due to his curiosity. One of the hardest threats he had to confront was, “The Land of Dead" which tested his self-restraint, and revealed his human weaknesses of sorrow. The Epic Hero, Odysseus, struggles with many challenges such as, the taunting Sirens, the brutish and cruel Cyclops, and one of the arduous territories Odysseus has ever crossed, The Land of the Dead.
Homer’s epic, The Iliad, highlights the influence and jurisdiction that beauty provides. The prizes and glory a man accumulates from war measure his power, while beauty measures a woman’s power. Since conquering a woman is the ultimate prize to a man, her beauty represents ultimate power. Though the beauty of mortal women has the power to turn men against each other, mortal women have no influence over this power and are instead objectified by men. Immortal women, however, have authority over their beauty and are able to control men with their power. Helen, on the other hand, though mortal, has the beauty of a goddess. Yet, Helen is bound by her fate to Paris, making her power obsolete. By presenting Helen’s hopeless power and supplying the reader with insight on her suffering through her thoughts, Helen is portrayed as a tragic hero.
Violence in Literature can take any form, whether it be natural disaster like and earthquake or a human based disaster like war (Campbell). In Homer’s The Odyssey both types are found… whether it’s Odysseus’s hardships like making it home or dealing with the wrath of the god Poseidon. Every violent scene has its own reasons, some are more reasonable than others. For instance, the gods were angered by the disobedience of the mortals, this is more reasonable than the killing of the Cyclops. While we always relate violence to men and the gods, women also had their moments of rage, but their initial violence wasn’t necessarily due to anger. Moreover, violence in The Odyssey is based on jealousy, territorial rights, and last getting revenge. Overall violence is what makes The Odyssey so intriguing.
In ancient Greek culture the gods were seen as taking a very active role in the development and course of human history. The entire Olympian pantheon, as well as many other less important divinities, meddles in human affairs to no end. The people of the many city-states that composed Greece firmly believed that every aberration from normalcy was due to an act of the gods. Homer, the author of The Iliad, coined the prevalent religious beliefs of the time in his epic poems, showing the gods as temperamental and willful, meddlesome and dynamic. Homer’s entire poem is replete with instances of divine intervention in mortal lives, and no single major occurrence comes to pass unless it is the will of one of the many Olympian gods. Few major decisions are made without consulting the gods first, and the handful of instances in which one leader or another takes initiative almost always fails miserably. Life, according to the Greeks, is almost entirely rooted in their religion, as there is a god or goddess governing every aspect of the universe, and also because the gods so actively involve themselves in the everyday lives of mortals.
Paris catches his eye on King Menelaus wife, Helen. They both really love each other and they don’t want to leave each other so Helen goes to Troy with Paris. Paris tells his brother and Hector thinks that he has ruined the peace between Troy and Sparta. As King Menelaus finds out that Helen has left him he immediately gets his army ready to go over to Troy and fight to get back Helen. Achilles is very eager to fight to get Helen back to Sparta. He is internally…..
The Iliad is an epic tale of war and hero’s within the Greek way of life. A
“As is the generation of leaves, so is that of humanity. The wind scatters the leaves on the ground, but the live timber burgeons with leaves again in the season of spring returning. So one generation of men will grow while another dies” (6.146-50)
Paris is offered Helen by Aphrodite, and so he takes Helen as his wife from Menelaus. Paris may not have known that taking Helen would have resulted in the Trojan War; however, he still accepted Helen as a bribe, making him an extremely greedy person. After seeing all the bloodshed and lives at the hands of Paris, he should’ve realized that he needed to return Helen. Anyone with the lowest sense of morality would realize that the right thing to do is to return Helen. Paris was lucky enough to be saved by Aphrodite after he was nearly killed by Menelaus. In the last few lines of Book 3 it is clear how the people feel about Paris and what Paris needs to do:
Central to any study of the humanities is the human condition – our nature, which has historically shown that it is equally capable of both good and evil deeds – and the problem that arises from it; specifically, why do humans suffer? Many philosophies and religions have their own account for this aspect of humanity, and we find that what the accounts have in common is each explains the human condition in terms that are similar to how that institution of thought explains the true nature of reality.
The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.
Throughout The Iliad, an epic poem written by Homer, there were numerous warriors and other characters that could be looked upon as heroes; some of these heroes included Achilles, Ajax, Diomedes, Hector, and Glaucus. All of these individuals were heroes because of their remarkable mental and physical strength: they were courageous and were better fighters in war than other ordinary men. The trade of battle was a way of life to the Greeks back in Homer’s time. Children were raised to become great servicemen to their country, and warriors lived to fight for and defend their nation with pride and valor. The heroic code was a strict morality that dealt with matters relating to honor and integrity in battle.
The Iliad ranks as one of the most important and most influential works in terms of world literatures since its establishment. Between the underlying standard to which the Iliad offers us as audience members, along with the plethora of writers that have followed in the footsteps to which Homer’s Iliad paved, the impact that the Iliad has played is remarkable in itself. While the Iliad can be credited for much of present day literature we study today, Hollywood can be created for the plethora of world-class films and replication of iconic works of literature over its time as well. Wolfgang Petersons Troy is a prime example of a world-renowned poetic being transformed into a Hollywood production. While the 2004 American epic adventure war film, Troy was a huge hit in the box office, and full of world-class actors such as Brad Pitt and Orlando Bloom; it does lack many critical events and characters that play a key role in Homer’s Iliad.