Amusing Ourselves To Death Summary

In Amusing Ourselves to Death, Postman uses an abundant amount of logos to argue his claim. The more that is read, the more difficult it is to dismiss his information. This is because of the consistent use of evidence presented in the form of logos. The entire book is incorporated with facts, statistics, dates, and general logical arguments. In chapter six, Postman stresses how television does not allow for the processing of thoughts. He states, “I should like to illustrate this point by offering the case of the eighty-minute discussion provided by the ABC network on November 20, 1983, following its controversial movie The Day After” (88). The discussion was broadcasted on television with intentions to have valued informational content, but failed miserably according to Postman. He argued this in a logical manner. The discussion lacked deep conversation and the speakers spoke in generalities, as the show did not allow an adequate amount of time. This is a great use of logos because it

Neil postman was a jack of all trades, he was an American Author, an educator at New York University, media theorist, and cultural critic. (PressThink 1) In 1985 Neil Postman published a book called Amusing Ourselves to Death: Public Discourage in the Age of show Business. The book provides a look at what happens when politics, journalism, education and even religion become subject to the demands of entertainment. In his book Amusing Ourselves to Death Postman says that the content of a culture is contained in its communication, and that the content of communication is affected by the medium of communication. In other words, Postman is saying that a culture is defined by its connection of people, and the connection of people is afflicted by technology. Sherry Turkle is another author that has written a book called Alone Together published in January 2011. Sherry Turkle is an award winning professor at the Massachusetts Institute of Technology where she focuses her research on human technology interaction. Alone Together is the results of Turkle’s nearly fifteen year exploration of our lives with technology, she describes new unsettling relationships between friends, family, parents and children, and new instabilities in how we understand privacy and community. There is a third author named Julia Angwin that has developed a book that connects with Postman’s argument. Julia Angwin is an award winning investigative journalist at a news organization called ProPublica. (About)

    The form of communication created by the television is not only a part of how our modern society communicates, but is has changed public discourse to the point that it has completely redefined it, argued Neil Postman in his convincing book Amusing Ourselves to Death. He viewed this as very harmful, and additionally so because our society is ignorant of it as they quickly becomes engulfed in its epistemology. When faced with the question about whether the television shapes or reflects culture, Postman pointed out that it is no longer applicable because "television has gradually become our culture" (79). What kind of culture is this? Postman warned that it is one in which we

Even though corruption has always occurred amongst the human race, it was not as bearing on a person's everyday life until media made it possible for them to be communicated at a faster pace. In this chapter Postman explains how we have turned from the "Age of Typography" to the "Age of Television" and how the young require all communication to be in the form of entertainment (p.8). He implies that our form of speaking works through "media-metaphors" which do not tell us what the world is like, but instead tells us what it is like without telling us anything. They limit and regulate what the world must be (p.10).

Neil Postman is deeply worried about what technology can do to a culture or, more importantly, what technology can undo in a culture.  In the case of television, Postman believes that, by happily surrendering ourselves to it, Americans are losing the ability to conduct and participate in meaningful, rational public discourse and public affairs.  Or, to put it another way, TV is undoing public discourse and, as the title of his book Amusing Ourselves to Death suggests, we are willing accomplices.

All throughout history we have used metaphors to describe people, places, events and emotions; so it is perfectly fitting to describe the mediums with which we project our ideas as a metaphor as well. This is Neil Postman 's basis for his book Amusing Ourselves to Death: Public Discourse in the Age of Show Business. Television and other media outlets have conditioned us to accept entertainment in every aspect of life; but most of all it masks the state of public affairs and politics. Through his book, Postman begs that we recognize the ways in which media shapes our lives and how we can use them to serve us instead of hurt us. Broken into two parts, Amusing Ourselves to Death focuses on a historical analysis of media, then discusses the television media-metaphor in more detail. Postman examines how media has infected every aspect of public discourse by prizing entertainment as the standard of truth.

Neil Postman writes, Amusing Ourselves to Death to address a television-based epistemology pollutes public communication and its surrounding landscape, not that it pollutes everything. The book was produced in 1984 in a time where television was an emerging epidemic and other forms of communication that today have taken flight, didn’t exist. It is directed to people who have let television drag them away from their Focus and attention to comprehend as they have lost the ability to bring forth your own knowledge and find meaning. Postman’s purpose to spread the word of this discourse and inform them of how much society is being set back due to the over indulging of television

Noel Murray, a writer in TheWeek.com, published a nonfiction article on February 15, 2017 called, “TV’s Callous Neglect of Working - Class America”. Murray wrote this article to convey the fact that television series now don’t exemplify the realness of how most people live. To exhibit his views he uses a powerful structure, metaphors and oxymorons. Murray’s reveal that television does no unite us as one since the shows don’t even display the real daily life one may live. Murray establishes a informal tone for young adults watching television.

“Television is providing some sort of compensation for the social atomization that it itself has contributed to , and thus , all the simulated conviviality , while being a pleasant “dream,” is “pure wish fulfillment,” indeed, rather “phony,” and, perhaps, sad”(315).

In 1985, when Neil Postman penned, Amusing Ourselves to Death, CNN, and the twenty-four-hour news cycle existed in its infancy and televangelism was still unscathed by the Jim Baker and Jimmy Swaggart scandals. A B-movie actor sat in the Oval Office. Conceivably most importantly, television, the love child of the photograph and the telegraph, had reached maturity to become fully entrenched in American culture after thirty some years (p. 100). Newscasters, preachers, and politicians had become celebrities. The information presented on the tube was deficient in meaningful content and lacked context. Nevertheless, the public’s level of amusement rode high. Television’s capacity to manipulate public persona and information on the news, in religion, and in politics creates a vaudeville atmosphere on these modes of public discourse.

Television has played an integral role in the American home for so long that people wouldn’t know which direction to face their couches without it. For decades it has brought families together for a few hours of shared enjoyment at the end of the day, and given co-workers something to talk about at the water cooler to distract them from the dull tasks that lay ahead of them. TV has capitalized on this ability to distract its mass of viewers from their everyday lives. Content was never really the main purpose of television – its purpose was to produce shows that would attract the largest audiences, and to increase the amount of advertisements seen by a highly consumerist culture. In its attempt to appeal to the mainstream, it has, in a very

1.) Of this week’s reading the articles, The Medium is the Metaphor the author and Media as epistemology by Neil Postman draw on the fact that present American culture is entirely devoted to entertainment and today’s media-metaphor shift has led much of our public discourse to become nonsense when it does not sever its sole purpose to entertain. Postman also went on to explain on what he means by the term epistemology with the help of some words from epistemology.

Postman (1987) claims that television is an evil that destroys the purpose and complexities of public discourse. He argues that important issues are oversimplified and drowned in a sea of irrelevance. Chaffee and Metzger (2001) confirm this assumption by remarking the evolution of print and radio into television and television into new media. Establishing the similarities between Postman’s chief complaints about the television medium and the new media then rearing its ugly head. Chaffee and Metzger indicate the shift in the denotations of mass, media, and communication. With technological advancements, it is impossible to ignore the new media and its impact on modern culture.

People very often debate whether technology is good or bad. Many people believe that technology can only cause harm to their lives and society, while many others strongly defend the technologies which have made their lives much more leisurely and enriching than it could have been several hundred years ago. In my opinion, both of these views are correct to an extent, but I also believe that what should be examined is not whether technology in its self is good or bad, but rather how we as humans use it.For decades now, television has been accused of contributing to the dissolution of the American family and the destruction of the minds of those who watch it. However, although the TV has been involved in this, the problem roots not with

The book begins with Neil Postman describing how the way we communicate, whether it is orally or through written material, has an effect on how we interpret our world. He then goes more specifically into how television has changed our culture. Postman’s intention for writing this book is to “show that a great media-metaphor shift has taken place in America, with the result that the content of much of our public discourse has become dangerous nonsense”(16). There is no problem with television being used as a form of entertainment, but when entertainment takes over serious issues, it may become dangerous. I agree with this to some extent; I think that there are current events that need to be taken seriously, but some audiences may need that comic