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Ambiguity In Dubious Battle

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Ambiguity is defined as “the quality of being open to more than one interpretation.” In fiction, it leads readers to consider various conclusions and provokes them to go beyond the text itself. In Dubious Battle exemplifies this. John Steinbeck ensures that every character, every conflict, and every theme incorporates some form of ambiguity. Not only does this provoke the reader to think beyond the socio-economic problems directly expressed within the text, but it also sparks questions regarding the main purpose of writing the novel. Steinbeck achieves this by giving insight regarding the ambiguous nature of the characters themselves. For example, it is never clear who the protagonist is due to the vague nature of both Mac and Jim. …show more content…

Doc perfectly characterizes this by suggesting that Mac is an “actor” (66). Mac, quickly rebuts by stating that his “speech has a kind of feel to it,” to imply he does not “try to do it” (66). Nonetheless, by implementing Mac within certain important scenes of the stories, Steinbeck always gives the impression that Mac is the master orchestrator at every turn, and further showing that he would sacrifice anyone to reach his ambitions. As a result, his ambiguous nature is essential to follow in order to foreshadow any new development that occurs throughout the plot line. Any individual would follow Mac’s lead because of how he framed himself to be an altruistic person. Moreover, his ability to dictate both London and Dakin throughout the story demonstrates his ability to lead behind the scenes. All of these examples suggest how Mac is the protagonist within the story and he was the central character to analyze and understand. This was the thought process that carries through until the shift of balance in power between Mac and Jim. Mac’s “body and muscles shuddered,” after he had beaten the kid to send a message regarding tampering with the strike (214). He invokes violence once again in order to rile up the workers, but this time, it struck something inside of him, leaving his face “pale and grey” (214). He and London were both taken by what transpires, but the one individual who saw it as “a

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