Amar Chitra Katha Essay

There is a great variety of characters in the novel, Indian Horse, by Richard Wagamese. Readers can clearly see the differentiating personalities, traits and behaviours among each character in the novel. This entices audience members to continue reading, to further explore the vast development of the characters, both static or dynamic.

A myth is described as a traditional or legendary story. Common types of myths, Shakespearian, Biblical, and Folk/ Fairy tale.

Epics and legends show important values and traits that certain cultures, ethnic groups and even religions find important.

: Using the story characteristics listed across the top, mark the characteristics that apply to each genre. When your analysis is complete, compare the different gINSTRUCTIONAL PROCEDURE

I believe the approach of Kilachand Honors College allows students to challenge themselves and connect information they learn in classes to gain a higher understanding of the material and the world around them. The intention of this approach is to break down imagined barriers between subjects in order to use interdisciplinary knowledge to solve problems. I also believe this approach is meant to encourage students to not only be great researchers but also great writers and academics. The approach of Kilachand Honors College is exactly why I wish to be a member of it. I've felt something lacking in my education to date and I know I'll be able to find it in Kilachand.

The graphic novel is a book that tells the story about the childhood of an Iranian girl named Marji, while instantaneously attempting to display what the Iranian people are like in

An epic is an extensive narrative poem celebrating the feats of a legendary or traditional hero. There are several main characteristics that make up an epic as a literary genre. First is that, it contains an epic hero, its hero searches for immortality (but doesn't find it physically, only through fame), it delivers an historical message, it is a long poem that tells a story, and the gods or other supernatural beings are interested and involved. The Epic of Gilgamesh is classified as an epic because it fits all the characteristics of an epic as a literary genre.

As a child, one is brought up with stories such as Hercules, Jack and Jill, or even Cinderella. These stories are lined with an underling message to teach our children the different between right and wrong. However; before our time, many people would gather around to tell what were considered tall tales or epic adventures. Epic stories are quite different from tall tales, epics are stories in which take a course over a long length of time such as years rather than days.

An epic is a long, episodic narrative poem that recounts the adventures of a historical or mystical hero. Episodic narratives have a larger story broken down into closely connected, but individual and separate sections. Some important qualities that distinguish an epic are unrealistic antagonists, the Gods and Goddesses playing important roles, and a story involving the re-establishment of a proper leader. “The Odyssey”, by Homer, is an epic because Odysseus (the hero) faces supernatural antagonists, the gods and goddesses play an important role, and Odysseus is being restored as a rightful leader.

An epic is an extended narrative poem in elevated or dignified language, celebrating the feats of a legendary or traditional hero.   The main characteristics of an epic as a literary genre is that it is a long poem that tells a story, it contains an epic hero, its hero searches for immortality (but doesn't find it physically, only through fame), gods or other supernatural beings are interested and involved, and it delivers an historical message.  The Epic of Gilgamesh is classified as an epic because it fits all the characteristics of an epic as a literary genre.

This paper attempts to examine the fictional projections of Indian girls, to see how they emerge in ideological terms. Their journeys from self-alienation to self-adjustment, their childhood struggles against the hypocrisies and monstrosities of the grown-up world, eventually demolishing the unjust male constructed citadels of power that hinder their progress- are the highlighted issues. The point of comparison between the two novels focused on here is the journey of Rahel in The God of Small Things and Sai in The Inheritance from a lonely childhood to a tragic adulthood passing through a struggle with the complex forces of patriarchal society. Both the novels portray the imaginativeness, inventiveness, independence, rebelliousness, wide-eyed wonder and innocence associated with these young girls.

What is a hero? We all have our own ideas as to what makes a hero, whether they be a superhero, a war hero, or a personal idol. The one thing these heroes all have in common is that they are all respected and looked up to for something they have done. In Marjane Satrapi’s Persepolis, there are many heroes. The graphic novel is Satrapi’s autobiography of her childhood in Iran, during and after the Islamic revolution. Throughout her novel Persepolis, Marjane Satrapi utilizes powerful graphic and textual elements on pages 61 and 146 to show how Marji’s original optimistic and whimsical belief about heroes changes as she realizes that there is pain and suffering behind every hero.

Many padams (narrative pieces) depicted the love story of a nayak (hero) and a nayika (heroine). In most cases, the nayak was in the form of Lord Krishna, or Shiva or any other mythological hero. While Shiva was said to be serious, Krishna was full of pathos and love. Thus, the choreographies mainly concentrated on Sringara rasa (love).

Tripathi had initially decided to write a book on the philosophy of evil, but having been discouraged by his family members; he decided to write a book on Shiva, one of the Hindu Gods. He decided to make a foundation of his story on a fundamental idea that all Gods were once human beings; it was their endeavors in the human life that made them Gods. After completing The Immortals of Meluha, Tripathi faced rejection from many publication houses. Ultimately when his agent decided to publish the book himself, Tripathi embarked on a promotional campaign. It included posting a live-action video on YouTube, and making the first chapter of the book available as a free digital download, to tempt readers.

It is a very personal, candid, and touching account of her life although it is just the first volume. The second volume, published in Punjabi and Hindi as Koorha Kabara, has not yet been translated into