Allusions In The Iliad

In death’s atrocity, Achilles and the Athenians turn towards their self-interests in hopes to regain control and dignity. Achilles withdraws from the army in hopes they will recognize his worth, thus restoring honor to him. The Greeks “were stricken with unendurable grief” yet his “proud spirit” kept him from letting go of his anger. (Il. 9.4, 259). His inability to understand his mortality and resulting lack of philotēs “pitched countless souls of heroes into Hades’ dark” (Il. 1.3-4). Falling into fits of self-pity, Achilles is unable to recognize others’ sufferings, even of his own people. He complains to his mother that Agamemnon “has taken away [his] prize and dishonored” him and playing a lyre by the shore, away from the war displaying death’s reality (Il. 1.370). In his isolating mēnis, Achilles hardens into an apathetic death-like figure. Similarly, the Athenians begin to lack pity as their city turned towards “unprecedented lawlessness,… acts of self-indulgence,” and immorality during the plague (HPW 2.53). The Athenians even abandon their own people in fear of falling ill as well. Their civilization reveals it shallow-nature as they result to only considering present desires as honorable. In the face

The Iliad: Book VI is about the continued war for Troy but Homer focuses a lot of the book on Hector, Prince of Troy. The Achaeans were overwhelming the Trojans so they were forced back into their city. The Trojans were weakened so the Achaeans took full advantage and slaughtered as many as they could. However, the Trojans anticipated this weakness and Hector asked his mother to pray to Athena for the army. Meanwhile Paris, Hector’s brother, had withdrawn from battle because of the grief he caused. But his soon to be wife Helen and Hector convince him to return to battle. Just before they head into battle Hector pays a visit to his wife and child to say goodbye for maybe the last time. His wife is convinced that he is near his death and mourns. Hector then meets Paris on the way to the city gate and they prepare to fight.

Rage. The very first word of The Iliad brings with it a sense of violence in itself. When one hears the word ‘rage’, the following thought is one of aggression, of anger, of almost animalistic hatred. Yes, hatred, for one cannot have rage without it. The opening scene has the ironic hero- ironic in the sense that most would not classify him as a hero in the

Hector’s pride caused him to be clouded with negative thoughts in his quest for revenge as he brutally slaughtered the Trojans and excessively tortured Hector. Nevertheless, Priam’s sorrow causes Achilles to empathize since he could imagine what it would be like if his father had to go through a similar situation like Priam. This change of heart causes Achilles to forgo hatred in exchange for compassion. Although Achilles shows flaws in his character, his heroism even in the brink of death along with this transformative change as a person demonstrates the cultural expectations of strong leadership in terms of taking physical and emotional qualities into strong consideration.

Charles Frazier’s Cold Mountain largely an allusion to Homer’s The Odyssey through the character's traits and hero’s journey. Although the characters have similar elements, the ending of each story is different.

The Odyssey by Homer is a literary classic that presents many themes about the natures of both man and god. Although the characters of the book display characteristics relatable to those of the people today, one of the most prevalent differences between the two eras and their people is the intense violence that takes place throughout the entirety of the epic. This violence serves several functions in the work as a whole. The violence that is enacted upon the characters of The Odyssey serve as a device to convey the Greek cultural value of reverence of the gods and as a method for the author to create nuances to his characters.

Throughout Virgil’s Aeneid, there are characters such as Anchises, Creusa, and Dido, whose deaths are relatable to the deaths of heroes in works the audience would be familiar with such as the Odyssey, the Iliad, and The Oresteia. However, Priam’s death differs as being relatable to the deaths of other heroes and by Virgil’s over-dramatization of Priam’s death through incorporating a snake metaphor as well as with the excessive abuse Priam faced on his way to the altar. In other ancient literary works such as the Odyssey, the Iliad, and The Oresteia, the use of a snake references serves to indicate important plot elements. Analyzing the use of the snake metaphor surrounding Priam’s death suggests that comparing the snakes between book two and book five highlight the change of fortune for the Trojans and Aeneas, on their journey to Italy.

A critical element of classical tragedy is gruesome, gruelling, and often heart wrenching deaths of characters, regardless of whether or not they are central figures to the plot as a whole. The first example of this found within in Book II of Virgil’s “Aeneid’ is the encounter with Hector’s ghost. A once great hero of the Trojan race is belittled into a grim description: “his beard was filthy, his hair matted with blood”. Whilst the murder of Hector is not the main focus within the ‘Aeneid’, nor even within Book II, it is still a greatly tragic death due to the vulgar actions of Achilles. In fact, Hector still retains the appearance induced by his gruesome death, further adding to the tragic nature of his death. Another example of tragic death within Book II of ‘The Aeneid’ is that of Priam – the old king of Troy. He is slain by the cruel Pyrrhus, after witnessing the murder of his own son: “defiling a fathers face with the murder of his own son”. Not only is that event in itself tragic, but also Pyrrhus then dragged Priam “through pools of his own son’s blood” to an altar at which he was killed. This event within Book II exemplifies the tragic nature of heroic deaths for a multitude of reasons. The first is the obvious cruel nature of death within a great battle. During this time period it was a common occurrence for young men to head off into battle in order to defend their own nation. However, Priam was an old man, and for him to die in battle is a tragic occurrence in

Grief can play with one’s mind twisting and manipulating one to not be the same person they used to be, while grief can also change one for the better. In the book, Ransom, by David Malouf, Hector kills Achilles’ friend, Patroclus, so Achilles kills Hector. Priam wants to see his son one last time so he makes a plan to get to him. Somax takes Priam on a carriage to go find his son Hector. They have some troubles along the way, but they eventually get to Priam’s son. Priam brings Hector back to Troy and Hector is buried. In Ransom by David Malouf, the author teaches the reader the power of grief through the experiences of Priam and Achilles. Grief can be a controlling force, it can cause and individual to change as a person, and grief can strongly influence one’s actions.

Priam invokes a pity in Achilles that insights the end of the gods plan for Achilles, which the gods construct. Apollo states to Priam, “You go in and clasp his knees, and beseech him in the name of his father and mother and his son, to touch his heart” (Homer 358). In this simple action, Achilles connects to Priam on an emotional level. This human connection allows Achilles to realize the blindness of his anger, so Hector was able to go home. As Achilles’ rage passes, Achilles’ fate becomes finalized. The finalization of Achilles; fate solely occurs due to the influential actions of the gods and their creation of an emotional ploy to make Achilles relate to Priam and give up his

Homer's two central heroes, Odysseus and Achilles, are in many ways differing manifestations of the same themes. While Achilles' character is almost utterly consistent in his rage, pride, and near divinity, Odysseus' character is difficult to pin down to a single moral; though perhaps more human than Achilles, he remains more difficult to understand. Nevertheless, both heroes are defined not by their appearances, nor by the impressions they leave upon the minds of those around them, nor even so much by the words they speak, but almost entirely by their actions. Action is what drives the plot of both the Iliad and the Odyssey, and action is what holds the characters together. In this respect, the theme of humanity

“…Apollo knocked the helmet off his head and under his horse’s hooves it tumbled… / Disaster seized him—his fine legs buckling—he stood there, senseless… / Hector… came rushing into him right across the lines and rammed his spearshaft home, stabbing deep in the bowels…” (Homer, 438-439) Patroclus’ death is devastating to the Achaean armies’ morale and, more central to the story, it further disrupts Achilles’ already unbalanced sophrosyne. The torment that Achilles endures here epitomizes the human condition.

Lay your commands on others, don’t order me about, for I do not think I shall obey you anymore” (Homer, 10). Again, pride can be defined differently; arrogant, like Achilles, or like Hector, full of dignity and self-worth. Though Hector still has character flaws, arrogance is not one of them. Furthermore, because of the fact that Hector fights in his homeland, Homer is able to fully illustrate the pride he has for Troy and his family. Unlike Achilles, Hector praises and respects the gods, asking them to watch over his son. “O Zeus and all ye heavenly gods! Grant this my son be as notable among our people as I am, and let him be as strong” (Homer 93).

When you read the Iliad you really can notice the contrast between Hector and Achilles. Hector is a man who loves his child and wife and who can forget war when a little child cries. Andromache and Hector are instantly humanized in a way that no other character is in the Iliad except Achilles throughout and Priam at the very end. Their personalities and how they live their

In this essay I will be discussing the significance of Achilles and King Priam’s relationship throughout the film of Troy, and will be doing this through evaluating the contrast of values within their relationship, discussing their significance to the story of Troy and furthermore explaining the director 's purpose