Allusions In Frankenstein Research Paper

The creature from Mary Shelley's novel "Frankenstein" displays many different human qualities. Some of these qualities include: the creature's ability to learn, his capability to feel pain, his desire to be accepted, and his need for affection and sympathy. The need for affection and sympathy is something which the creature is unable to attain. This unrequited desire to be accepted causes the creature to be the victim of the novel. The creature is never given affection by human society because of his physical deformities, Dr. Frankenstein's denial to create him a mate, and the creature's violent behaviour.

In the gothic novel Frankenstein, Mary Shelley weaves an intricate web of allusions through her characters’ expedient desires for knowledge. Both the actions of Frankenstein, as well as his monster allude to John Milton’s Paradise Lost. Book eight of Milton’s story relates the tale of Satan’s temptation and Eve’s fateful hunger for knowledge. The infamous Fall of Adam and Eve introduced the knowledge of good and evil into a previously pristine world. With one swift motion sin was birthed, and the perfection of the earth was swept away, leaving pain and malevolence in its wake. The troubles of Victor Frankenstein begin with his quest for knowledge, and end where all end: death. The characters in Frankenstein are a conglomeration of those

In Frankenstein, Mary Shelley emphasizes that Frankenstein’s Monster was a sad and extremely lonely creature. At the beginning of the book, Frankenstein’s Monster tried to communicate, connect, and socialize with people; however, the whole village was terrified of him, and even his own creator ran away and left him

"It was dark when I awoke; I felt cold also, and half-frightened as it were instinctively, finding myself so desolate" (Shelley 68) For the monster it is the constant rejection and its abandonment by Frankenstein at birth that leads it to loneliness and extreme anxiety. "In all probability, the creature was reaching out, as a small child does to their mother, but his ugly appearance only frightened Victor into running away" (Coulter) The main reason for its rejection is the monster’s outward appearance. The rejection by humans in general and specifically by its creator only increases the monsters feelings of loneliness, emotional abandonment, and, as a result, anger.

Maranda Paul 5th Hour 2/29/24 Frankenstein Allusion Essay. In the novel Frankenstein, written by Mary Shelley, there are many allusions used throughout, which help the reader to understand what the creature was feeling and the complex relationship he had with his creator. In the novel, the Creature was an unnatural being, as he was brought from the dead, back to life by another human. The Creature, however, was nearly immediately abandoned by his creator, Frankenstein, as he realized how ugly his creation was, referring to him as “catastrophe”, “wretch”, and “demoniacal corpse”.

Shelley uses many different allusions in her book to show how the creature understands himself and to show his relationship with Frankenstein. One of these allusions is to Adam in the Bible. In the Bible, God created

In Mary Shelley’s novel, Frankenstein, Shelley does not shy away from the use of allusions as a way for her readers to understand the connections, situations, and motives of the two main characters in her novel. In addition to playing into the reader's understanding, she also challenges her readers to be pensive about relationships, decisions, power, authority, ambition, and companionship throughout her gothic novel.

The Creation’s allusions to Paradise Lost in Mary Shelley’s Frankenstein play a key role in defining the book’s theme of Isolation. Paradise Lost, written by John Milton, details the heavily religious story of Adam and Eve, their experiences in the Garden of Eden, and their fall from grace when they eat a forbidden fruit. The Creation and character Adam are parallel as both were created alone, and had asked solely for a mate with whom to be alone with. As The Creation states, “Like Adam, I was apparently united by no other being in existence; but his state was far different from mine in every other respect. (Shelley, 118)” Similar to Adam, he feels out of place in the world, but is abhorred by those around him, and in chapter 16, “I am alone

Because God nurtured Adam and loved him so, Adam, in return, was faithful to God and forever indebted. This relationship is an example of how creators and creations should behave and interact; situations like Frankenstein and the creature are the extreme contrast to this. When man seeks knowledge for selfish reasons, the outcome is never how it was intended to

In Frankenstein, allusions are used throughout the entire book. An allusion is an expression used to bring up an idea or thought without being direct. Mary Shelley used many allusions when writing her famous novel. I will be focusing on the following three: the Prometheus myth, “Paradise Lost”, and “The Rime of the Ancient Mariner”. Frankenstein was subtitled as “The Modern Prometheus”, and there’s a reason why.

This effect is sharpened when the monster reminds Frankenstein that he has “no Eve [to soothe his] sorrows,” like Adam did (Shelley 93). Adam was not truly alone, but the monster was. In contrast to his earlier remarks, the monster later compares himself to Satan. In doing this, he puts the onus of his own actions onto Frankenstein by saying that the monster should’ve been his “Adam, but [is] rather his fallen angel,” (Shelley 69). Using this biblical contrast of God’s first creation and Satan, Shelley suggests that it is Frankenstein’s fault that the creation turned into a monster.

How do authors add characterization to their characters through allusion? How did Mary Shelley talk about her characters in her novel Frankenstein so the reader gets a better understanding of them? She uses allusions from Milton’s Paradise Lost, “The Rime of the Ancient Mariner,” and the Promethean myth heavily to expose her characters true personalities. Mary Shelley's largest and most popular allusion is to the novel Paradise Lost. She alludes to this in chapter 10 when the monster faces his creator.

One of the main characters in Mary Shelley’s novel Frankenstein is a nameless creature created in laboratory by Victor Frankenstein and abandoned by Victor right after its birth. The creature was left alone to learn by himself, to find food, to figure out how the world works. The creature is one of a kind, but he is alone and lonely. While isolated by his appearance he becomes driven by revenge, the creature is feared by everyone it meet, he is abandoned and hated even by its creator. And this loneliness and need for companionship, which he can never have, is the reason for the change from monster by appearance to monster by action.

In Mary Shelley’s novel Frankenstein, Mary Shelley shows through Victor Frankenstein and the family who lives in the cottage their unwillingness to associate themselves with the creature based on his physical appearance. Through the novel, there are many examples that illustrate the character’s unwillingness to be with the creature. Through the process of creating the creature, Victor Frankenstein believed he was creating the most beautiful creature. Frankenstein finished the creature and immediately thought he was the most unpleasant creature he has ever seen.

From the beginning of the text, we are given an allusion that is being portrayed from the monster’s point of view from the novel Frankenstein. From the get go, the monster is reading the book and realizes that they all went in depth with emotions and basically got the monster in his feels. He was so struck by this because, this was his first real “history” book that he has come across. Everything in his eyes are being portrayed as it being a true story. As he says, “..which has fallen into my hands, as a true story.”