Alice Walker: Peeling an Essence As an African- American novelist, short–story writer, essayist, poet, critic, and editor, Alice Walker’s plethora of literary works examines many aspects of African American life as well as historical issues that are further developed by Walker’s unique point of view. Writers like Alice Walker make it possible to bring words and emotions to voices and events that are often silenced. Far from the traditional image of the artist, she has sought what amounts to a personal relationship with her readers. She has also taken positions of passionate advocacy, most notably in her campaign against ritual genital mutilation of young women, a practice still institutionalized in many parts of the world, as well as …show more content…
Alice concentrated and studied hard in school. She graduated as valedictorian from her high school and went on to attend the local Spelman College in Atlanta, Georgia. She was greatly influenced by one of her professors there named Howard Zin, who she worked closely with on civil rights rallies. She became a volunteer for registered voters of Georgia and began attending political rallies for civil rights. Zin would eventually become an influence for some of Alice Walker’s later writing. In 1963, Walker left Spelman for Sarah Lawrence College, a place housing only a handful of African American people, most of them men. This was Walker’s predecessor to participating in many civil rights demonstrations and meeting Martin Luther King at his home in recognition of her invitation to the Youth World Peace Festival in Finland (Bates, Alice Walker: A Critical Companion). 1964 was the turning point for Alice Walker. Realising that she was pregnant she contemplated suicide and slept with her razor under her pillow for three nights (Bates, Alice Walker: A Critical Companion). During the same week, Walker again turned to writing as a natural outlet for her distress. She stopped writing only to eat and sleep. Thankfully, through the help of a friend, Walker was able to attain a safe abortion. The end product of weeks of anguish was, among other things, a story entitled “To Hell with Dying” and with the help of teacher Muriel Ruykeyser this was published in
By employing themes such as psychosexual fantasies, race, gender, and violence, artist Kara Walker reconstructs and explores the history and effects of American slavery on American culture. Although being called names like notorious, revolting, anti-progressive, and shameless, she continues to be a pioneer of bringing the unspeakable aspects of American slavery that are not commonly discussed and are left out of the history books to the foreground of public discussion.
In the collection of essays titled Dust Jackets for the Niggerati (2013), Kevin Young’s seminal article “Miss Pipi’s Blue Tale” details Kara Walker’s work with the American Bureau of Freedmen, Refugees, and abandoned Lands, the office that kept records of the displaced blacks after the American Civil War, documenting the violent offenses enacted by whites upon blacks at that time. Walker’s exhibition Bureau of Refugees (2007), a series of silhouette collages in reds, greens, and blacks, draws from these historical accounts not only to call attention to the atrocities of white violence against black bodies, but also to reclaim and lend voice to a
The author is the brilliant intellect, Margaret Walker. Walker obtained her bachelors in English from Northwester University and her master’s and PhD in Creative Writing from the University of Iowa. While living in Chicago she worked with Federal Writer’s Project and was a member of the Southside Writers Group, along with Richard Wright. She eventually became a renowned professor in the department of English at Jackson State University and established several avenues for Black Studies on campus.
Alice Walker’s use of first person point of view allows us to form closer connections to the story by enabling the reader to better understand Mama’s views. The role of Mama as narrator helps us transgress through a story that when first read, seems like a fairly simple story about a Black woman, her two distinct daughters, and a quilt with an undetermined destination. Upon closer reading and analysis of the role of Mama as narrator, it is apparent that this is not just a simple tale of a Black woman, her two daughters and a quilt, but the story of Black women, their heritage, and the quilt as a symbol for that heritage and the generations of history associated with that heritage. Through Mama’s narration we will see Mama’s internal
The first time I heard “Ar'nt I a Woman?” was freshman year of high school, during our annual African-American Heritage assembly. The crowd, always restless and inattentive, chattered and snapchatted away as the speech and presenter were announced. A lanky girl shuffled on stage, folding in on herself as she walked, arrived center stage, and began to speak. As she went on, her spine straightened, her murmurs turned to phrases enunciated so clearly her tongue seemed to be working three times as hard as a normal person’s. By the end of the speech, she had the undivided attention of the audience, all holding their breath because of how passionately and honestly she presented this glimpse into life as a black woman. Both Chapter 4 of A Shining Thread of Hope by Darlene Clark Hine and Kathleen Thompson, and Sojourner Truth’s “Ar'nt I a Woman?” speech serve the same general goal: showcasing the mistreatment of African American Women by society . While Truth’s speech is from her perspective, full of rage and frustration, A Shining thread gives her experiences important context. .
Hopkins and Douglas described best what it is and was like to live in the U.S. with a Black body. Hopkins gives, in excruciating detail, numerous examples of of abuse African American men have and do face and describes the triangle of desire. Both Lorde and Cannon give compelling solutions to the liberation of African Americans or other persons of color as embodied persons, one being about eroticism, and the other combatting the two fundamental pillars of sexual identity of Black church women. It is disheartening, especially in this day and age, to continue to hear stories of oppression and repression of persons of color in the United States. Even if the form of oppression has changed over time, it is obvious that it
Alice Walker, the author of The Color Purple, focuses on the struggles of a poor and uneducated African American girl, who is verbally, physically and sexually abused by several men in her life. She feels worthless and becomes completely submissive. Her only way to express her feelings is through private letters to God. An emphasized theme in this work is that expressing one’s thoughts and emotions is essential in order to develop an inner sense of self.
The women of the late sixties, although some are older than others, in Alice Walker’s fiction that exhibit the qualities of the developing, emergent model are greatly influenced through the era of the Civil Rights Movement. Motherhood is a major theme in modern women’s literature, which examines as a sacred, powerful, and spiritual component of the woman’s life. Alice Walker does not choose Southern black women to be her major protagonists only because she is one, but because she had discovered in the tradition and history they collectively experience an understanding of oppression that has been drawn from them a willingness to reject the principle and to hold what is difficult. Walker’s most developed character, Meridian, is a person
Events in history have influenced writers’ style, and the importance in their stories. Alice Walker wrote a novel which was very much subjective by the time period of the 1940’s. There was a great deal of bigotry and tyranny during that time, particularly for Women of color. Women were mentally and physically abused and belittled by man purely because of their race and femininity. Women were considered as ignorant individuals that simply knew how to handle housework and care for the children.
Alice Malsenior Walker, an African American born into poverty, came into this world on February 9, 1944 in Eatonon, Georgia. She was the youngest child of eight children born to Willie Lee and Minnie Tallulah Walkers. Both of her parents were sharecroppers as well as expert story tellers. Things were not easy for the Walkers and Alice often witnessed her mother’s frustration of having the burden to take care of eight children with little means. Even though children of share croppers were usually made to work the fields, Alice’s mother made sure that her kids received an education. Alice was brilliant at writing poetry.
The poem, “A Woman Speaks” by Audre Lorde is a both a confessional and identity poem. She is not only addressing her internal battle and self-suffering, but also discussing the societal inequities African American women were suffering in the United States. The poem’s diction, on the surface, produces a tranquil tone to the poem. This facet of tranquility in the poem is used to express how her battle against inequity will not be fought with violence or hatred, and how she is not blaming any specific party or institution for her personal suffering. She instead plans to use the power and beauty of words to communicate the flaws of the image of women, fight against injustice and racism, and alleviate her internal despair. “A Woman Speaks” by Audre Lorde is an anthem for African American women and uses vivid imagery, ancestral references, and a call to action to connect to the reader and enact a fight against the underrepresentation of African American women.
Alice Walker is an African American essayist, novelist and poet. She is described as a “black feminist.”(Ten on Ten) Alice Walker tries to incorporate the concepts of her heritage that are absent into her essays; such things as how women should be independent and find their special talent or art to make their life better. Throughout Walker’s essay entitled “In Search of Our Mothers’ Gardens,” I determined there were three factors that aided Walker gain the concepts of her heritage which are through artistic ability, her foremothers and artistic models.
In “In Search of Our Mother’s Gardens”, Alice Walker looks to educate us on the hardships that almost all black women face when trying to express themselves through things such as art. She delves into many sociological and psychological concepts that have affected black women throughout human history. These concepts and ideologies created a realm for mass exclusion, discrimination, and oppression of many African American women, including Alice Walker’s Mother, who Alice utilizes as one of her particular examples. The writing thematically aims to show how these concepts of sexism, racism, and even classism have contributed to black women’s lack of individuality, optimism, and fulfillment for generations. The author does a tremendous job of defending and expanding upon her arguments. She has a credible background, being a black woman that produces the art of literature herself. As well as being raised by one, Walker’s first-hand experience warrants high regard. Therefore, her use of abstract and introspective language is presented clearly and convincingly. Also, her use of evidence and support from sources like Jean Toomer, Virginia Woolf, and Phillis Wheatley, all produce more validity for her stance through poems, quotes, and even experiences. All these individuals have their own accounts pertaining to the oppression of black women and their individuality. Successfully arguing that the artistry plights of black women described in “In Search of Our Mother’s Gardens” are
The essay “In Search of Our Mother’s Gardens” by contemporary American novelist Alice Walker is one that, like a flashbulb, burns an afterimage in my mind. It is an essay primarily written to inform the reader about the history of African American women in America and how their vibrant, creative spirit managed to survive in a dismal world filled with many oppressive hardships. This piece can be read, understood, and manage to conjure up many emotions within the hearts and minds of just about any audience that reads it. However, Walker targets African American women in today’s society in an effort to make them understand their heritage and appreciate what their mothers and
“Walker succeeds in marking the white female body as the degraded one, the plantation mistress serving as an embodiment of an entire system’s expropriation of the labour, especially the reproductive labour, of black women. In this instance, for this viewer, conceptualism trumps the negative stereotypes attached to the naked black female body, but another problem arises – the de-territorialisation of the ‘Hottentot Venus’ and the disappearance of Sara Baartman. Like Walker’s Camptown Ladies, Venus calls attention to uses of the eroticised black female body and its supposed hyper sexuality in the service of constructing whiteness.” Arlene R. Keizer (2011) ‘Our Posteriors, Our Posterity’: the problem of embodiment in Suzan-Lori Parks’s Venus and Kara Walker’s Camptown Ladies, Social Dynamics: A journal of African studies, 37:2, 200-212, DOI: