African-Americans In Hollywood

“The success of ‘Black Panther’ has also been heralded as a strong and unequivocal message to Hollywood, where filmmakers and actors say they have long wrestled with preconceived notions that movies with predominantly black and female characters are financial risks and don’t fare well on the global market” (Izadi). Even though typically minority movies do not do well on the global market, the recent release of “Black Panther” has caused lots of people to join in on the idea of minority dominated movies which suggests that this idea is near its tipping point because there is nearly enough people who are beginning to want to see these movies produced because of the difference in the type of characters. “It’s a movie about what it means to be black in both America and Africa—and, more broadly, in the world. Rather than dodge complicated themes about race and identity, the film grapples head-on with the issues affecting modern-day black life” (Smith). The effect of the director choosing to deal with the issue of minorities in movies head on has caused a spike in the attention of movies like “Black Panther.”

Stereotypes and generalizations about African Americans and their culture have evolved within American society dating back to the colonial years of settlement, particularly after slavery became a racial institution that was heritable. However in the clips we watched and from my own viewing of the movie Carmen Jones the movie explains two media stereotyped roles present in films with black characters, the black jezebel and the integrationist hero. Their representations of these roles have many implications on how their characters interact with each other and other characters throughout the film and the outcome of the film’s plot. For a number of years in American film, one could find two black stereotypical presences, the integrationist hero, who dominated the screen for a time, and the black jezebel, also present in many films. Hollywood made movies that featured the well liked,

American actor Anthony Mackie once said “There are a lot of limitations and stigmas that are placed on young actors, specifically young black actors.” You have probably seen black male actors play the leading role of a drug addict, drug dealer, abusive husband or a even a thief. Although they do get a chance to be displayed on the media, they more often than ever are represented or viewed as the antagonist. Why? Because they are set up according to certain limitations in which they must obey. The lack of accurate representation on black actors in the media today is the result of prejudice and racism occurring in society. Racism and prejudice which are demonstrated in the films directed by Spike Lee, Do the Right Thing and Jungle Fever.

In today’s movies after all the integration and quest to level out the superiority, the social dominance of the white folks is still present in the film industry. For example, in the movie The Bodyguard, Whitney Huston and Kevin Costner live together in perfect harmony, despite their racial differences. In todays movies when they want to show tension between the races the Africans Americans are generally grouped with criminal behavior while on the

Black women have never “had it easy” or “had it made” when it comes to the entertainment business. Hollywood has always been white-washed when it comes to the direction they wanted to go in terms of actors for their movies. Most roles that are casted are for white women and men, and the black actors/actresses are given whatever is left. It is truly not fair at all. When black women are given the opportunity to embody a traditionally white role, they are nothing short of phenomenal. This makes one wonder why they are still given supporting roles. African-American women have struggled to gain promising roles in Hollywood, which has hurt their acting careers and affected their lives.

Redefining Black Film by Mark A. Reid is the book I’ve selected for the mid-term reading report. This book is an eye opener learning experience as well as a beginning guide to understanding African American film, filmmaking, actor/actress and directors. Mark A. Reid discussed the challenges and obstacles African Americans faced during the turn of the century up and through the civil rights movement of the Sixties including the focus on feminism in black cultural production . Redefining Black Film fits in the history of filmmaking as it relates to the ground breaking movements of African Americans in film as well as production process. The acceptance by white society of African Americans in film was a major part of this book as African American

According to Tukachinsky, Mastro, and Yarchi, prior to 1930, the role of Blacks on screen were seen involving mostly in criminality and idleness (540). That role still persists until the present, with Blacks usually have to withstand to “longstanding and unfavorable media stereotypes including sexually provocative females and aggressive male thugs” (Tukachinsky 540). 1970’s movies such as The Mack, Black Caesar and Coffy have reinforced this stereotypic image of the black community. The

In the early 20’s, things like the Civil War were still being discussed. Society wanted African American to stay in their place, so they were given roles such as criminals, servants, and other negative roles. Society wanted to keep the social order. Most roles that were played by African Americans were played in an all black casted film. In movies like this, Blacks were given more positive and diverse roles.

The case is that if you believe that there is no racism in Hollywood, then you have already been influenced by it. The small racial representation can continue to affect our future generations, this means your future children. We as the viewers need to make our voices heard by demonstrating that a film of color can be as successful as a predominantly white film. Therefore, I encourage you to go watch films that portray a person of color in a positive way and consist of actors of color; we need to exceed the box-office, since in the end a large impulse of any business is to have a large income and show the Oscars that actors of color are also very talented and deserve at least a

Often in many films that undermine African Americans, they are depicted as thief's, murders, or unintelligent. These images are used to show that African Americans are unlike their white counterparts. According to Friedman, "This formulation undermines the racially and sexually based violence toward African Americans, wiping out the memory of rape, castration, and lynching of slaves that occurred in the past" (Friedman). The development of African American films, or films that truly put African Americans in any type of positive light did not really start to occur until the 1970's or 1980's. Before then films were often negative in spirit. Paula Massood describes the Hollywood depictions of African Americans in the previous era as, "failing to recognize the sociopolitical changes in the American landscape. African American characters most often appeared within a southern setting, largely ignoring the black city space and culture that figured in the lives and the imaginations of a vast majority of African Americans" (Massood). However, in the following years the development and progression of African American films was able to be seen.

In most films, African Americans are also shown in a stereotypical manner that promotes notions of moral inferiority. When it comes to the terms of movie characters shown by race African Americans use more vulgar profanity than whites. African Americans are also being physically violent and restrained than whites. The despite history of African Americans in television, there has been improvement in some of the television and movie roles and portrayals. Improvement in media roles still needs to accurately reflect our diverse roles in society.

Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were

Throughout the history of motion pictures, prejudice directors have used film to control how the general public views certain demographics of people. In particular, the black community has historically been viewed in a negative light. Stereotypes were created through literature and film that still affect African Americans. Directors and writers would create relatable stories and attach demeaning traits to black people that have qualities in common with Black Americans. This would force readers and viewers to subconsciously attach these stereotypes black people. Examples of these stereotypes can be found in Uncle Tom’s Cabin and The Birth of a Nation. Derogatory terms such as “Bucks,” “Toms,” “Coons,” and “Mulattos”, have put African

Introduction In the twenty-first century, black representation in popular culture has become more prevalent than before. Before this, there was a low amount of black actors and stories about black people. The only stories that had existed were those of servitude. Now African Americans have more images to look up to, or so audiences are supposed to believe.

According to Wilkerson, “From the beginning, television, the image mill for the mainstream has not known what to do with black characters. It has struggled, as has the country, to find a place for them that white Americans could find comforting and digestible from the safe distance of their living rooms. Reality had nothing to do with it.” The media has portrayed black characters as nothing more than, buffoons, hustlers, pimps, and prostitutes.