A Streetcar Named Desire Catherine's Madness

The streetcar Named Desire is a very complex and engaging book with 3 different themes, desire and fate,death and madness. I chose to be Blanche DuBois in scene 8 and scene 10 as it sets the theme,madness.Like the other major themes of the play - desire and fate, and death - madness too was Tennessee ‘Williams’s obsession. His sister Rose’s strange behaviour which had long been a source of anxiety to her parents, later took the form of violent sexual fantasies and accusations against her father.Not only did Tennessee Williams feel guilty for not having saved Rose from all this, but he now feared for his own sanity because the mental illness that afflicted Rose might be hereditary. He certainly did have a breakdown of sorts in his early twenties.

In Tennessee Williams’ play A Streetcar Named Desire, Williams explores the internal conflict of illusion versus reality through the characters. Humans often use illusion to save us pain and it allows us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference between the two. When people are caught up in their illusions, eventually they must face reality even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy to escape her dreadful reality. Blanche’s embracement of a fantasy world can be categorized by her attempts to revive her youth, her relationship struggles, and attempts to escape her past.

This also shows to the audience the impact the rape has had on Blanche- that it has completely severed her already tenuous grasp on reality, accelerating her descent into madness, also showed by her anxious remark of “Why are you looking at me like that? Is something wrong with me?” . Blanche’s helplessness is reinforced as she is “pushed back” by her sister and Eunice whose domineering attitude over the conversation and planning taking place, allows the audience sympathy towards Stella although she has stated that she ‘couldn’t believe her story and go on living with Stanley’ holding no importance to the truth, likening her to her sister; the idea that the truth is of little importance compared to the magic they both chase. Williams accentuates this power change and thus understanding of Blanche’s fate before she herself knows through the conspiring nature of Stella and Eunice in turn creating sympathy for Blanche and

    Tennessee Williams allows the main characters in the plays, A Streetcar Named Desire and The Glass Menagerie, to live miserable lives, which they first try to deny and later try to change.  The downfall and denial of the Southern gentlewoman is a common theme in both plays.  The characters, Blanche DuBois from A Streetcar Named Desire and Amanda from The Glass Menagerie are prime examples.  Blanche and Amanda have had, and continue to have, many struggles in their lives.  The problem is that Williams never lets the two women work through these problems and move on.  The two ladies are allowed to destroy themselves and Williams invites the audience to watch them in

From the very title of the novel and beginning poem Levi implores us to consider the essence of what it is to be human, presenting to us the thought-provoking question, if this is a man? Levi this way allows us to engage on an emotional level with the events of the holocaust and examine our own consciences, and as he details in his preface ‘furnish documentation for a quite study of certain aspects of the human mind’, and accuses society of subconscious reasoning that ‘every stranger is an enemy’. In explicit stripping the prisoners depicted in the text of their humanity, making this uncomfortably apparent to us as we are consistently encourage to draw comparisons, or rather contrast, with our own lives and hence are perhaps

A Streetcar Named Desire written by Tennessee 0portray a play center and revolving around characters and New Orleans. The two settings are completely different we are introduced to Elysian Field where the Kowalski live and then Blanche from Belle Reve a high class society. Stella has written to Blanche “She wasn’t expecting to find us in such a small place. You see I’d tried to gloss things over a little in my letters” (31). Blanche meanwhile travelled to stay with the Kowalski on two streetcars which will ultimately determine her faith she longs for desire but could not bear the sign of death.

In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams, the audience has its first and generally most important impressions formulated on characters, the plot and the mood and tone of the play overall.

When Stanley shoots down her fantasy and points out that it is all a made-up lie, Blanche's desire for power is crushed. This further leads to Blanche’s collapse in the kitchen and the rape scene where she becomes an inert, helpless figure. Blanche being raped is a major turning point that relates to the theme because it clearly gets

There are nine types of heroes in this world, each of them with their own unique stories, plots, cliches etc. Among those is the classic tragic hero, one who is destined to fail no matter what. In a Streetcar Named Desire, the tragic hero is Blanche Dubois, an aging Southern Belle living in a state of perpetual panic about her fading beauty. In this essay it will be discussed what makes Blanche a tragic hero and how she compares to a typical tragic hero.

A tragic hero in literature is a type of character who has fallen from grace, where the downfall suggests feelings of misfortune and distress among the audience. The tragic flaw of the hero leads to their demise or downfall that in turn brings a tragic end. Aristotle defines a tragic hero as “a person who must evoke a sense of pity and fear in the audience. He is considered a man of misfortune that comes to him through error of judgment.” The characteristics of a tragic hero described by Aristotle are hamartia, hubris, peripeteia, anagnorisis, nemesis and catharsis which allows the audience to have a catharsis of arousing feelings.

Within A Streetcar Named Desire, ‘reality’ is a conceptually ambiguous concept. It challenges the authenticity of characters, through the coherence and conflict of their individual realities in relation to one another. The dramatic effect of Williams’s writing encourages the audience to question the reliability of reality, thus developing numerous contradicting emotional responses to the characters and their role within the play. Williams morphs multiple layers of character derail and tragedy in the different realities of characters and their responses to circumstances which presents how ‘humankind cannot bear very much reality’. Most clearly seen in the evolving deterioration of Blanche DuBois, through her fantastical illusions and constructed reality.

The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.

of scene 2; she says, "I ought to go [to the sky] on a rocket that

In Tennessee Williams play “A Streetcar Named Desire” madness continues to get progressively worse in the lives of the main characters Stanly, Stella, and Blanche. Because of low self esteem and her delusional thought process Blanche is most affected by the madness. Blanche’s delusional life style leads her to compulsively lie, live a promiscuous life style, and alcoholism. Blanche tries constantly to deal with her own madness, but her delusional mental state is constantly effect by the people around her. Although she causes most of the problems in her life some of her madness is justifiable. By the end of the play Blanche can no longer fight off the madness and is sent to an insane asylum. Even though most of the madness that occurs

According to Sigmund Freud, there are three different systems in the human brain, all developing at different times. The id, ego and superego are the three different systems that determine your personality. Stanley Kowalski is one of the main characters in A Streetcar Named Desire and Stella’s husband. The id is the impulsive part of the personality and develops when children are infants. The id has no control over decisions and does not understand the effects afterwards.