Realistically, A Streetcar Named Desire is in a fantasy setting because its fiction; meaning this entire play is in a fantasy setting. Which essentially means that without fantasy, there wouldn’t be any play. As unnecessarily obvious as that is, the point is fantasy is a theme that has been expertly laced in between each character. At first, it’s a bit hard to notice, but nearing the end of this play, the scenes connect so much better. In other words, going looking back through the scenes after finishing the play, is a part of why this play is incredible. It’s the amount of tiny details you don’t catch onto at first, but then they all smack you in the face after a major line in a scene. In short, fantasy is the key word when you go through this play. Let’s look at Stella first. When given the big picture, Stella doesn’t seem like the type to associate herself with fantasy and a general sense of uniqueness to her character. She represents the control for the play as the normal character. Much like a science experiment, and like the control, she is very important to compare the change between characters. Throughout the play, her character stays relatively neutral with her interactions with others. So, to see her role in the fantasy, you must look at the big picture and widen it even further. Backing up to the previous statement on how the entire play is in a fantasy setting, that’s Stella’s role. To clarify, imagine being in Stella’s position during Blanche’s
How does Williams present the themes of illusion and fantasy in A Streetcar Named Desire?
In Tennessee Williams’ play A Streetcar Named Desire, Williams explores the internal conflict of illusion versus reality through the characters. Humans often use illusion to save us pain and it allows us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference between the two. When people are caught up in their illusions, eventually they must face reality even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy to escape her dreadful reality. Blanche’s embracement of a fantasy world can be categorized by her attempts to revive her youth, her relationship struggles, and attempts to escape her past.
“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further
This 1950's theatrical presentation was directed by Elia Kazan and written by Tennessee Williams. It is about a southern bell by the name of Blanche Dubois who loses her father's plantation to a mortgage and travels to live in her sister's home in New Orleans by means of a streetcar called Desire. There she finds her sister living in a mess with a drunken bully husband, and the events that follow cause Blanche to step over the line of insanity and fall victim to life's harsh lessons.
The play A Streetcar Named Desire, was remade into a movie that was filmed in New Orleans. The film takes place in the 1950s with Blanche who moves in with her sister, Stella, and her brother in law, Stanley. The movie is about Blanche’s experience and eventually demise all in New Orleans.
The author, Tennessee Williams, does a phenomenal job of portraying Blanche Dubois as a deceiving, manipulative, arrogant person in his book “A Streetcar named Desire”. Williams first showcases these characteristics during the arrival of Blanche. This introduction not only sets a mood and tone but it gives us our first impression of Blanche. Overall this impression leaves the audience with a sour taste in their mouths and ill feelings towards the new girl. However, don’t be so quick to jump the gun. What if I said Blanche isn’t the villain she’s depicted as in this story?
In Tennessee Williams’ play A Streetcar Named Desire, Blanche DuBois is thrust into a series of unfortunate events and undergoes drastic changes in an effort to come to terms with her completely changed life. Through these events, Blanche happens to be the only remaining individual left to take care of the once valuable and prestigious family belongings, and her psychological mind spirals out of control in her attempts to restore the family’s honor. In addition to experiencing loneliness and feeling isolation from humans, Blanche faced many new challenges in stressful situations, which contributed to her poor decision making skills and inevitable negative outcomes in most of those situations. Through the characterization of Blanche DuBois, Williams’ intends to display the power of significant experiences in one’s life, which serves as a warning of how the effects of significant experiences on individuals should not be underestimated. Unfortunately, in Blanche’s case, abandonment by her sister was the perfect example of an individual underestimating the result of their actions, as this action was the initiation point of the events that would eventually lead to her unfortunate fate. Specifically, Williams’ focuses on portraying the disastrous effects of human isolation, which is often the result of an individual’s mindless actions. Human isolation plays an important role in the outcome of the play, as Blanche is known to have been abandoned at a young age, and her
In the classic fairytale of Cinderella, the main character is trapped in an abusive household. However, Cinderella’s self-perception of optimism and hope, enables her to believe that ultimately, her life will naturally improve with these attributes. True to her convictions, Cinderella gets her happily ever after by going to the ball where the prince falls in love with her. Cinderella is saved from her evil. On the other hand, Cinderella can be viewed as a victim who does nothing to enable herself to escape her abusive reality, insteads helplessly waits for fate to intervene. She does not confront the situation nor independently strive to improve her circumstances. Correspondingly, how individuals act when faced with conflict is strongly influenced by their self-perception. It is possible to become confused between reality and illusion, which is determined by their level of self-awareness. In Tennessee Williams’ play, A Streetcar Named Desire, the character of Stella struggles between the control of her husband and sister. Throughout the play, this conflict is demonstrated as she struggles with becoming aware of her abusive household and the contrast to the fairytale illusion she desperately clings to. Ultimately, Stella’s choice to maintain her illusion, rather than confronting her reality, is due to the self-perception of her need to depend on others and desire for idealism, which overall controls her fate.
A Streetcar Named Desire is focused almost completely on its three protagonists: Blanche, Stella, and Stanley. It could be suggested that this play was influenced by Williams’ own upbringing: his sister Rose was mentally ill, and Williams’ was a doting older brother. Potentially, Blanche was inspired by Rose and that this play uses his unique perspective to comment on the treatment of the mentally ill. Williams may be using Stella’s conflict to highlight this.
Tennessee Williams was one of the most successful playwright at his time. In one of his play, which earned him the Pulitzer Prize as well as many other awards “A Streetcar Named Desire” takes place in New Orleans during the mid-1940s. This incredible play explores numerous of important themes and conflict between the characters. The story takes us to the lives of three main characters, Blanche DuBois, Stanley Kowalski, and Stella Kowalski, who have different ways of living and managing with their environment in which they live in. The story start off with Blanche, who comes to visit her sister, Stella, but end up in an unexpected situations. From the time Blanche got to Elysium Fields, she and Stanley are constantly scolding each other because Stanley and Blanche wants Stella to be on their side and neither one of them will give her up. They will not let this through, if one of them is to win and other leaving defeated.
In A Streetcar Named Desire, men are the social groups represented with these roles alpha, beta, omega. Males are portrayed as a big part in Tennessee's book, which shows the respect and rights they hold. The men are shown this way to give off their looks and personality. The way things are set up in the book shows the understanding of each male characters and where they stand.
In what way can A Streetcar Named Desire be seen as an exploration of”old” America versus the “new” America?
A Streetcar named Desire is a play written by Tennessee Williams in which there are many symbols that point the reader towards a character’s true nature. The play is about Blanche DuBois, who is an individual trapped between the world of the past and the world of the present. She cannot face the realities of her life and eventually her desire drives her to insanity. In this play Williams shows where desire can drive a person and explains that desire fills a person’s emptiness when no one is affectionate towards them.
The play A Streetcar Named Desire, by Tennessee Williams, is a play about a woman named Blanche Dubois who goes to live with her sister after she loses her home in Mississippi. Between the hardships of her previous life and the way she is treated now, she is not in a good way by the time the play ends. She basically has a mental breakdown. There are three stages of Blanche’s mental state. She lives in a fantasy, Mitch rejecting her, and Stanley raping her, Blanche is mentally unstable by the end of this ply.
The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.