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A Streetcar Named Desire Analysis

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Realistically, A Streetcar Named Desire is in a fantasy setting because its fiction; meaning this entire play is in a fantasy setting. Which essentially means that without fantasy, there wouldn’t be any play. As unnecessarily obvious as that is, the point is fantasy is a theme that has been expertly laced in between each character. At first, it’s a bit hard to notice, but nearing the end of this play, the scenes connect so much better. In other words, going looking back through the scenes after finishing the play, is a part of why this play is incredible. It’s the amount of tiny details you don’t catch onto at first, but then they all smack you in the face after a major line in a scene. In short, fantasy is the key word when you go through this play. Let’s look at Stella first. When given the big picture, Stella doesn’t seem like the type to associate herself with fantasy and a general sense of uniqueness to her character. She represents the control for the play as the normal character. Much like a science experiment, and like the control, she is very important to compare the change between characters. Throughout the play, her character stays relatively neutral with her interactions with others. So, to see her role in the fantasy, you must look at the big picture and widen it even further. Backing up to the previous statement on how the entire play is in a fantasy setting, that’s Stella’s role. To clarify, imagine being in Stella’s position during Blanche’s

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