A Rational Demonstration of Irrational Thought Essay

"Pangloss and his student Candide maintain that "everything is for the best in this best of all possible worlds." This idea is a reductively simplified version of the philosophies of a number of Enlightenment thinkers, most notably Gottfried Wilhelm von Leibniz. To these thinkers, the existence of any evil in the world would have to be a sign that God is either not entirely good or not all-powerful, and the idea of an imperfect God is nonsensical. These philosophers took for granted that God exists, and concluded that since God must be perfect, the world he created must be perfect also. According to these philosophers, people perceive imperfections in the world only because they do not understand God's grand plan. Because Voltaire does not accept that a perfect God (or any God) has to exist, he can afford to mock the idea that the world must be completely good, and he heaps merciless satire on this idea throughout the novel. The optimists, Pangloss and Candide, suffer and witness a wide variety of horrors—floggings, rapes, robberies, unjust executions, disease, an earthquake, betrayals, and crushing ennui. These horrors do not serve any apparent greater good, but point only to the cruelty and folly of humanity and the indifference of the natural world. Pangloss struggles to find justification for the terrible things in the world, but his

In a way, Pangloss is Candide’s “father-figure”. As no physical father is present in Candide’s life, Pangloss’s teachings install order and opinion in his world. Whenever introduced to something new- terrible or grand- throughout this novel Candide’s first thought is always about Pangloss; what he would say about it or how he would react. Pangloss physically bounces in and out of this novel, infrequently, but in reference he is in the entire book. Page four in chapter one, while setting up the background for Candide, Voltaire includes an educational and philosophical speech by Pangloss in which he ends by stating, “...all is for the best.” This direct quote continues to influence Candide throughout his quest. This quote initiates an optimistic attitude in Candide which will encourage him throughout his adventures.

Pangloss, a philosopher is depicted all through the novel as an idealistic mastermind who lives by this logic. Candide, who is mentored by Pangloss aimlessly much of the time addresses this reasoning at snapshots of hardship over the span of his life, lastly rejects it, picking to trust that in spite of the fact that the world is not the best of all possible worlds but,“we must cultivate our garden” (Voltaire 365). Different characters in the book likewise can 't help contradicting Pangloss ' ideals. Jacques who went to Lisbon with Pangloss isn 't strong of these ideals. Jacques says “ humankind has corrupted its nature a little, for people were not born wolves, yet they have become wolves. God did not give them heavy cannon or bayonets, yet they have invented them to destroy each other” (Voltaire 309). The book recounts the account of Candide, as he goes through life and endures numerous hardships on account of others. Candide not only suffers, but the people he surrounds himself with suffer the same fate as well. The book does a good job at outlining human suffering that provoked enlightenment ideas to not only challenge it, but to really show their true selves. Each time something bad happens Pangloss shares his idealistic perspective as to why it occurred. The way Candide points these things out, causes the reader to disagree with Pangloss’s

In the novel Candide, Voltaire satirizes the disillusionment of optimism by depicting a multitude of hardships seen around the world. Candide, the open-minded protagonist, has been exposed to Pangloss’s optimistic philosophy for the majority of his life. However, throughout the course of the novel, it becomes increasingly difficult to see the positive side of all the catastrophe surrounding him. It is only after he starts doubting this philosophy that Candide starts to become influenced by the teachings of Martin. Although Candide resides in security at the conclusion, Voltaire draws on the disastrous events seen throughout the novel and utilizes Martin’s pessimistic point of view to claim that human nature is incomplete without suffering.

In “Candide,” Voltaire’s satiric theme is broad and varied. Although the most interesting satire is the one on religion, especially the utopia in which Candide starts off the story in, the first in importance is philosophical optimism, specifically Pangloss’s philosophy which in the novel this philosophical optimism seems to represent mankind's overall and overused optimism as means to copping with tragedy or loss. Pangloss’s philosophy is both the most important point for debate among the novel’s characters and one of the main targets of Voltaire’s satire. Pangloss is inevitably humorous “Pangloss gave instruction in metaphysico-theologico-cosmolo-nigology" his character is very predictable and superficial, his so called doctrine on optimism which is voiced out repeatedly that even great evil leads to good is opposed gross absurdity with absurdity. "It is clear, said he, that things cannot be

Candide 's hyperbolic optimism is Voltaire’s way of jeering at the German philosopher and mathematician Gottfried Wilhelm von Leibniz. In the Leibniz’s theodicy (1710) he wrote that the world must be “the best of all possible Worlds” which is clearly where Pangloss’ statement comes from. Another dig is at John Locke who believed that the human brain is like a blank tablet, or tabularasa, on which the natural world produces the individual 's understanding and beliefs. By having Candide be an example of a student who has no ideas of his own and acts like a tabularasa, Voltaire mocks the famous physician and member of the Royal Society.

Throughout Candide Voltaire mercilessly satirizes and mocks many aspects of philosophical optimism. One of the most prevalent examples of this is displayed through Candide’s teacher, Pangloss. Acting as a stand-in for Leibniz in the novel, Voltaire portrays him as both ignorant and arrogant, initially introducing him as Candide’s “metaphysico-theologo-cosmoniogoly”(Voltaire 15) teacher. Pangloss’s egocentric personality

Voltaire’s Candide can be understood in several ways by its audience. At a first glance it would appear to be simply a story blessed with outrageous creativity, but if you look deeper in to the novel, a more complicated and meaningful message is buried within. Voltaire uses the adventures of Candide as a representation of what he personally feels is wrong within in society. Written in the 18th century (1759), known commonly as the age of enlightenment, Voltaire forces his audience to consider the shift from tradition to freedom within society. He achieves this by exploring the reality of human suffering due to

Voltaire's Candide is a novel that is interspersed with superficial characters and conceptual ideas that are critically exaggerated and satirized. The parody offers cynical themes disguised by mockeries and witticism, and the story itself presents a distinctive outlook on life narrowed to the concept of free will as opposed to blind faith driven by desire for an optimistic outcome. The crucial contrast in the story deals with irrational ideas as taught to Candide about being optimistic by Pangloss, his cheerful mentor, versus reality as viewed by the rest of the world through the eyes of the troubled character, Martin. This raises the question of whether or not the notion of free will is valid due to Candide’s peculiar timing of his

Candide is a reflection of the philosophical values of the Enlightenment. Voltaire’s novel is a satire of the Old Regime ideologies in which he critiques the political, social, and religious ideals of his time.

In addition to Philosophy, Voltaire also ridicules complacency throughout the entirety of his novel. Complacency is shown as a product of the philosophical ideas portrayed through Candide and in many scenes is the only reason that things are allowed to go from bad to worse. It is displayed while the Anabaptist is drowning and again during the earthquake is Lisbon. During this scene, Candide is begging for help after being hit in the head by a piece of a building and buried by rubble. However, Dr. Pangloss would rather philosophize about why an

Voltaire was the author of the novella Candide, also known as "Optimism". The the novella, Voltaire portrays the idea of Optimism as being illogical and absurd. In Candide, Voltaire satirizes the doctrine of Optimism, an idea that was greatly used during the Enlightenment time period by philosophers. In this narrative, Candide is a young man who goes through a series of undertakings and ventures around the the globe where he experiences evil and adversity. Throughout his journeys, Candide maintained the ideas of the teachings of his tutor, Pangloss. Candide and Pangloss believed in the idea that “All is for the best in the best of all possible worlds...” (Voltaire 4). This belief is what Voltaire pointed out to be an irrational way of

Throughout the story, Pangloss encounters suffering that contradicts his beliefs that this is the “best possible world’ to live in. His struggle and suffering make us think that Voltaire was creating a satire of the beliefs of the time. With this era of time being known as the “Age of Enlightenment,” one might think that the intention of Voltaire was to represent extreme optimism in an era where you were supposed to think with rational and reason.

Voltaire's Candide is the story of how one man's adventures affect his philosophy on life. Candide begins his journey full of optimism that he lives in "the best of all possible worlds," but he learns that it is naïve to say that good will eventually come of any evil.

In Voltaire’s Candide, we are taken by the hand through an adventure which spanned two continents, several countries, and to a multitude of adverse characters. The protagonist, Candide, became the recipient of the horrors which would be faced by any person in the 18th century. But Candide was always accompanied with fellows sufferers, two of which our focus will lay, Pangloss and Martin. In equal respects, both are embodiments of different philosophies of the time: Pangloss the proponent of Optimism and Martin the proponent of Pessimism. Each of the two travelers is never together with Candide, until the end, but both entice him to picture the world in one of their two philosophies. Throughout the story there is an apparent ebb and flow