Shakespeare’s play, A Midsummer Night’s Dream, has been portrayed in many different ways. Along with the 1999 film, countless plays have reinvented this timeless masterpiece. In order to compare most effective acting, blocking, and prop usage, I have watched three different videos of Act III, Scene II, as listed above. Each had their perks, as well as faults. Overall, I enjoyed Production 3 the most. The actors and actresses used their voices and bodies in such a way that anyone could understand and follow the story being told. This play was, by far, the funniest of the three, as well. Demetrius and Lysander were constantly physically fighting for Helena’s attention, and were literally on their knees. Despite the light-heartedness of the show,
Love is a timeless topic which Shakespeare explores in depth in “A Midsummer Night’s Dream “. Shakespeare utilizes the format of a play within a play to communicate the complexities of love. Love is a force that characters cannot control. The play includes scenes of lovers searching for fulfillment in the arms of characters who are unavailable. The magic love potion wreaks havoc between actual lovers and it is clear just how negatively it is portrayed. The entire play revolves around the difficulties of maintaining love and how foolish and insecure the pursuit of love can make us. It also touches on the fickleness of love, that love can be
Hermia’s speech in Act 2, Scene 2, of Shakespeare 's A Midsummer Night’s Dream, contains an abundance of dream imagery. She has awoken from a terrible dream after falling asleep in the forest with Lysander. They were lost and tired so they decided to rest. Lysander wanted to sleep beside her but, she refused since they are not yet married and while they slept Puck applied a love potion on Lysander’s eyes thinking he was Demetrius. Lysander wakes and is repulsed by the sight of Hermia and never wants to see her again because he is now in love with Helena. Hermia awakes from her terrible dream and retells it thinking that Lysander is nearby listening. Then she realizes that he is not there and she does not see him anywhere. Hermia expresses the sentiment that she will find Lysander or she will surely die. She stated,
Shakespeare’s usage of metaphor and simile in A Midsummer Night’s Dream is best understood as an attempt to provide some useful context for relationships and emotions, most often love and friendship, or the lack thereof. One example of such a usage is in Act 3, Scene 2 of the play. Here, the two Athenian couples wake up in the forest and fall under the effects of the flower, thus confusing the romantic relationships between them. Hermia comes to find her Lysander has fallen for Helena. Hermia suspects that the two have both conspired against her in some cruel joke, and begins lashing out against Helena. She says “We, Hermia, like two artificial gods, / Have with our needles created both one flower, / Both one sampler sitting on one cushion, / Both warbling of one song, both in one key; / As if our hands, our sides, voices, and minds, / Had been incorporate. So we grew together, / Like a double cherry, seeming parted; / But yet a union in partition / Two lovely berries moulded on one stem: / So, with two seeming bodies, but one heart; / Two of the first, like coats in heraldry, / Due but to one, and crowned with one crest.” (Shakespeare 2.3.206-13). Shakespeare writes this list of vibrant metaphors to establish the prior relationship between these two characters and to make it evident how affected Helena is by this unexpected turn of events, as well as to add a greater range of emotion to the comedy, thereby lending it more literary and popular appeal.
I appreciated all three styles of A Midsummer Night’s Dream, but some were clearly better than others. The play was outstanding, it was of much higher quality than the text and the movie. I disfavor the text, it was unsatisfactory and hard to understand. The movie did not have a lasting impact, it was not a high quality performance and was utterly tedious. Overall the play was my favorite of the genres, displaying A Midsummer Night’s Dream.
In the A Midsummer Night’s Dream, William Shakespeare wrote about different aspects of love. Love is viewed as an arranged marriage in this story because Theseus and Hippolyta and Oberon and Titania had the girls parents decision on whom they must marry, however, their reactions to the marriage were much different. A Midsummer Night’s Dream by William Shakespeare explores the mature and stable love between Theseus and Hippolyta in contrast with the relationship of Oberon and Titania, that has a negative impact on the world around them. The story contradicts a healthy relationship to an unhealthy relationship by having one couple be so strong whereas the other relationship is so
Mandy Conway Mrs. Guynes English 12 16 March 2000 A Critical Analysis of "A Midsummer Night's Dream" William Shakespeare, born in 1594, is one of the greatest writers in literature. He dies in 1616 after completing many sonnets and plays. One of which is "A Midsummer Night's Dream." They say that this play is the most purely romantic of Shakespeare's comedies. The themes of the play are dreams and reality, love and magic. This extraordinary play is a play-with-in-a-play, which master writers only write successfully. Shakespeare proves here to be a master writer. Critics find it a task to explain the intricateness of the play, audiences find it very pleasing to read and watch. "A Midsummer Night's Dream" is a
In his critical analysis of A Midsummer Night’s Dream, by William Shakespeare, G. K. Chesterton introduces the idea that A Midsummer Night’s Dream is not only the greatest piece of literature produced by Shakespeare, but also the greatest psychological analysis. On the surface, A Midsummer Night’s Dream seems to be an argument against the idea of eternal love and the societal standard of marriage; but under the surface,
William Shakespeare’s A Midsummer Night’s Dream has been categorized as a comedy play because of all the characters being passionately in love to the point of being foolish. It’s a play all about love, and the characters that are in love are only young adults, so they are still naive when it comes to love. Their naivety and foolishness regarding love is what allows them to be taken advantage of by mischievous fairies when they all run away into the woods. By critiquing the love affairs and numerous misunderstandings that occur within the mystical woods, I argue that Shakespeare 's A Midsummer Night 's Dream portrays the characters’ young love as a foolish fantasy with drastic consequences.
Love is a term used daily in one’s life. Many categorize love in many forms. These forms differ from one-another such as the difference between love for food and love for one’s spouse. However, in the play; “A Midsummer Night’s Dream”, love takes different forms than the ones experienced in reality. One can classify the different types of love used in this play into three different categories; true love, love produced by cupid’s flower, and the state of lust.
Weird, unusual, different. These are all the words we can use to describe the book A Midsummer Night’s Dream by William Shakespeare. In the book, Bottom gets turned into a donkey, which you don’t see very often. Lysander shows that love is strong when he shows love to Hermia in the play and when he shows love to Helena. Lysander is a regular person who loves girls and wants to be with them. However, Hermia’s father did not want this marriage to happen because he wanted Hermia to marry Demetrius.
The supernatural world is rather distinct to that of the human world entrenched in societal standards and boundaries. Shakespeare’s play, ‘A Midsummer Night’s Dream’, explores this concept, particularly through the use of Puck. In agreement to Harold Bloom’s statement, the following essay will analyse how Puck is significant because, by being so disparate, he is able to show the limitations of the human. This will be done through, first, exploring a definition of the human in relation to the supernatural. Subsequently, the essay will use a Freudian lense to analyse the morality of Puck and, lastly, the essay will focus on Puck’s physical characteristics as well as his ability to span across boundaries in the play and the metatheatrical realm.
Though deviating from the common logic, one’s action and words follow a sets of principles under the effect of love, so love creates a unique reality in one’s mind. In A Midsummer Night’s Dream, Shakespeare conveys the essence of love as an illusion that prioritizes love. The farce between four lovers does not happen in disciplined Athens where people pursue material needs but a mystical forest where elves like Robin Goodfellow seek fun and entertainment. It suggests the irrationality and craziness of love. Shakespeare dramatizes and explains this irrationality by depicting contradiction between characters, describing perspectives from an insider and an outsider in affairs concerning love. As Lysander falls into love with
The woods in many forms of media is portrayed as a place of enchantment, mystery and horror. Often a common place characters become lost within, or use as an escape from the binds of society. In A Midsummer Night 's Dream, the scenes that take place in the woods are full of enchantment and mystery, but Shakespeare also uses the word "wood" in several very unique and distinct ways. The term is associated with several meanings and Shakespeare uses these differently throughout the play. The purpose of this essay is not to focus on the wood as a setting in the play, but how Shakespeare plays with the various meanings of word wood and in turn connects those meanings with the setting. As mentioned, the word wood has many meanings but I will be focusing mainly on the Oxford English definitions associated with insanity, enclosure, and violence.
A Midsummer Night's Dream is a play about four Athenian lovers. Theseus listens to both Hermia and her father’s request and he tells her to bend to her father’s will or die due to the old Athenian law. Hermia and Lysander flee Athens, into the domain of the fairy kingdom. At this time, Oberon is in a fight with Titania. This fight is over a human child of Titania’s friend. Oberon tells Puck, one of his loyal servants, to get a flower hit by Cupid’s arrow, and drop the oil into Demetrius’s and Titania’s eyes. However, Puck drops the oil into Lysander’s eyes due to Oberon’s vague description, making him fall in love with Helena and despise Hermia. Titania falls in love Bottom, who has the head of an ass, after Oberon places the oil
If there was no such thing as sympathy, empathy, or love in our world, it would be a hard place to live. If there was no hard law or reason in our world, it would be a crazy place to live. Neither of these worlds would be anybody’s first choice as a home - it's just common sense take away either of these two fundamental aspects of life, and everything is immediately chaos. In fact, it is only in a world such as ours, where legal and human emotion work together, that we are happy. In William Shakespeare's A Midsummer Night's Dream, Shakespeare recognizes this truth and uses the two settings to represent the city of Athens as law, order, civility, and judgment, while the woods represent chaos, incivility, dreams, and love.