Body Paragraph #1: A Midsummers Night's Dream by William Shakespeare shows that the results of controlling another person's actions are abrupt. Egeus is the father of Hermia. Infact Egeus starts to tell his daughter Hermia that she is not allowed to marry her true love Lysander, Egeus tells Hermia that she will marry Demetrius if she doesn't Egeus threatens her to be killed. Egeus believes that Hermia will end up marrying Demetrius , but Hermia ends up running away with Lysander. When Hermia is about to go with Lysander, she tells her best friend Helena “Lysander and myself will fly this place( 1.1.208)”. This demonstrates that when Egeus tried to control Hermia by telling her who she is going to marry, Hermia took action and decided …show more content…
At first Lysander tried to control Hermia by convincing her to have a lover's conference by showing her how their relationship is but Hermia ends up denying the lovers conference. Lysander shows Hermia how strong their relationship by telling Hermia in a poetic tone, “Love takes the meaning in lovers conference. I mean that my heart unto yours [is] knit . So that one heart we can make out of it, two blossoms and a single troth (2.2.52-56)”. This shows me that when Lysander tried to control Hermia for a lovers conference by telling her positive and poetic things about their relationship was ineffective because Hermia shut down Lysander's offer by saying no. Another moment where controlling another person's action was ineffective was when Bottom tried to control Peter Quince . The reason why it was ineffective was because Bottom wanted to play all the parts in the play, but Peter Quince as the director told Bottom he wasn't allowed to play all the roles . By proving Peter Quince that Bottom is a good actor , Bottom shouts “I may hide my face, let me play Thisbe too. I’ll speak in a monstrous little voice )1.2.49-50)”. As a result Bottom does not succeed in controlling Peter Quince because Bottom only ends up getting one part in the play unlike what Bottom wanted . This shows me that when Bottom was trying to control Peter Quince was …show more content…
It could appear this way because Shakespeare's puts his writing in a way that tricked us into believing controlling a person's action does works . For example Shakespeare involves a fairy who seems to be controlling Bottom . Titania the fairy is under a spell that's that made her fall in love with the first thing she saw and that was Bottom a donkey . Titania shout at Bottom “Out of this woods do not desire to go thou shalt remain here whether thou wilt or no… I'll give the fairies to attend on thee (3.1.154-169).” When Titania fell in love with Bottom , Bottom was threatened by Titania because he was going to leave. Shakespeare also included a male fairy named Oberon that has a magical flower to make people fall in love with the first thing they see once they wake up . Oberon saw that Demetrius wasn't in love with Helena so he put the magic of the flower . As soon as Demetrius woke up he told Helena “O Helen ,goddess,nymph, perfect,Divine, to what my love shall I compare thine eyne (3.2.140-141)”. However this shows that it is possible to control a person and tell them what to do . But on the other hand both of the controllers are fairies which Bottom line , that are unrealistic on earth. Although Titania and Oberon do control Bottom and Demetrius. They are being controlled by magic which in reality magic does not exist. so in reality the fairies aren't
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we
Shakespeare introduces one of the difficulties Hermia faces with her father. This is evident when Egeus says, “Stand forth, Demetrius. My noble lord, This man hath my consent to marry her.— Stand forth, Lysander.—And my gracious duke, This man hath bewitch'd the bosom of my child.— Thou, thou,
Control is a big part of Shakespeare's Midsummer’s Night Dream and is what brings the whole story together. Whether, it is parental control, or it is the control of peers this story is full of it. Control is expressed with all of the characters, no matter how powerful or what their role is. Hermia and Helena two of the four teenagers and are best friends, but they have many problems throughout the story due to the other. Hermia and her father Egues are another example of control in this story. This shows two of the different kinds of control Shakespeare's Midsummer’s Night Dream has and also shows two of the controlled relationship that makes up the story.
They may have free will at first, but once they fall, they have no control anymore. Hermia understands the aforementioned concept well; she admits it when she says “I know not by what power I am made bold,” (I. i. 61) when she defies her father’s command to marry Demetrius. Hermia has another experience with the loss of free will when Lysander falls for Helena because someone else meddles with his adoration. Her love for Lysander causes her to feel confusion and hurt, while Lysander’s love for Helena causes him to abandon all reason and thought for Hermia’s feelings to chase Helena. Earlier in the book, Hermia and Lysander feel the pull of teenage rebellion together as their love for each other pulls Hermia away from her father. Lysander suggests, “If thou lovest me then, steal forth thy father’s house tomorrow night,” (I. i. 165-166). Together, the two lovers plot to run away together, something Hermia would never do if not for Lysander’s
Have you ever been pulled over by a police officer? Or been told what to do by a boss at work? If you have and you do what the person asks then that person has succeeded in controlling you. In A Midsummer Night’s Dream by William Shakespeare, control is a major theme. Within this play there are many characters that are able to control others and there are people that are controlled. The play is about Hermia, an Athenian lady, who wants to marry her true love, Lysander, but can not because her father is forcing her to marry a man she doesn’t love. Another manipulative character in this play is Oberon, the Fairy King. He puts a magic love spell on three of the characters throughout the play. A character
True love is a great thing to have but sometimes magic needs to play an important part. The magic in the play altered many relationships and caused a lot of chaos, but none were affected more than Helena and Demetrius. The fairies decide that it would be better if they attempt to alter their relationship, “A sweet Athenian lady is in love/ With a disdainful youth. Anoint his eyes,/ But do it when the next thing he espies/ May be the lady. Thou shalt know the man/ By the Athenian garments he hath on./ Effect it with some care, that he may prove/ More fond on her than she upon
Egeus tells the Duke that his daughter can marry Demetrius, not Lysander. Hermia replies ". . . If I refuse to wed Demetrius," Egeus replies "Either to die the death,
Hermia’s father told his daughter she could marry Demetrius, become a nun, or die. Hermia does not like any of those choices, so rebels against her father and decides to go and marry Lysander, her true lover. Love causes Hermia to choose Lysander, which shows how the human nature of love has controlling powers. However, in the end, Hermia’s father accepts the fact that his daughter has love for Lysander and allows them to marry, but not just because they love each other. The marriage of Hermia and Lysander results from Demetrius falling out of love with Hermia. In Hamlet, Hamlet decides to obey and remain loyal to his father, while in A Midsummer Night’s Dream, Hermia decides to go against her father’s requests because of her love for Lysander. While these Shakespearean plays produce two different outcomes between the human nature of love and loyalty, they both show how love controls the loyalty of a person to a loved one.
Puck manipulates Titania and Bottom through magic. Titania loses all free will, while Bottom is changed into a donkey against his will. For example, “And thy fair virtue's force perforce doth move me On the first view to say, to swear, I love thee (3.1, 140-41, Shakespeare). Titania loves Bottom, who has the head of a donkey, against her free will. Oberon placed a love potion on Titania’s eyes, which resulted in Titania loving Bottom. Furthermore, Bottom was changed into a donkey by Puck. The lines, “I see their knavery: this is to make an ass of me; to fright me, if they could” (3.1, 119-20, Shakespeare), allow the reader to know Bottom has the head of a donkey. In Scene Two, Hermia, Helena, Lysander, and Demetrius have conflict. In the lines, “Now she holds me not; Now follow, if thou darest, to try whose right, of thine or mine, is most in Helena” (3.2, 336-37, Shakespeare), Lysander begins to argue with Demetrius about Helena. Lysander’s loss of free will results in conflict. In the lines, “I will not trust you, I, nor longer stay in your curst company. Your hands than mine are quicker for a fray, my legs are longer though, to run away” (3.2, 341-44, Shakespeare), Helena is attempting to run away from the situation because Hermia was upset with the situation. Act Three summarizes the conflict. Shakespeare uses the loss of free will to spark conflict
This demonstrates how there is money and power involved in the story. Egeus, Hermia’s father, removes all of her power. Egeus has her power and controls his daughter, Hermia. In the story, Egeus arranges her marriage with someone whom she doesn’t love, and he doesn’t let her marry who she loves, Lysander. Not only that, but also shows how money also is being used in the story.
By using Egeus, Shakespeare shows that it is insoluble to control others. In act 1 scene 2 lines 41-44 it says “[c]onsent to
3. Egeus wants to complain to Theseus about his daughter Hermia. Egeus wants her to marry Demetrius but she is in love with Lysander. He wants her to choose either Demetrius or death.
One of the most notorious topics of interest in the works of Shakespeare is the role women receive in his plays. The way Shakespeare wrote his plays, women were very submissive to men and had no will and choice of their own. Women were extremely reliant upon the men in their lives, believing that they were inferior and thus following their desire for the women’s lives. This included that marriages were usually arranged by a powerful male, instead of giving the woman the opportunity of choosing marriage for love. It is not surprising that Shakespeare portrayed women in a way that was familiar to him and the time era in which he lived. In A Midsummer Night’s Dream and The Taming of the Shrew, both focus on the development of love and not, with
In Athens, women had very little rights. Womens fathers were the ones who got to choose whom they married, and that caused trouble for the lovers. Hermia’s father, Egeus, strongly believed in this rule. At the beginning, Egeus decides that he wants Hermia to marry Demetrius, which is good for Demetrius but bad for Hermia. Hermia, daringly refuses her father’s wishes, so they seek the help of Theseus, the Duke of Athens. Theseus listens to their situation, and being the authority in the situation, tells Hermia: “Either to die the death, or to abjure for the society of men. Therefore, fair Hermia,... if you yield not to your father’s choice, you can endure the livery of a nun...”(24). This shows how authority, in this case the law, gets in the way of “the course of true love…”(28). Egeus’s decision to have Hermia marry Demetrius does not only affect Hermia but also affects Helena. When Hermia’s father chooses Demetris to be her
Lysander on the other hand was not able to hold on to his love for Hermia during the time in the woods. In the beginning he started out madly in love with Hermia and unable to hide his true feelings for her. He was forced by the spell to forget about Hermia and instead he wanted her friend Helena, because of the nectar in his eyes, which made him fall in love with the first person he sees (intervention of supernatural, to change destiny). Lysander chased Helena and begged for her love. The spell from the nectar caused Lysander to take a totally different view on his life. Now, he wanted Helena and he could not even stand to look at