A Marriage By Michael Blumenthal Summary

In her book Marriage a History Stephanie Coontz explains the male breadwinner family model and its dominance in family life during the 40’s, 50’s, and early 60’s. An illustration of the male breadwinner model is composed of a father, mother, and two children; typically a boy and girl close in age. Funded by their father’s well paying middle class salary, the wife and children live a comfortable life in suburbia and participate regularly in consumer trends. Perceived as the head of the household, the father was the sole financial provider. On the other hand the mother was the head of domestic life and was responsible for the children. The popular 1950’s TV show The Adventures of Ozzie and Harriet exemplified this family model. With regard to the male breadwinner family model, imagine having eight other brothers and sisters. Imagine growing up without a mother, and with a father who worked constantly. Then consider living this life alongside your peers who come from the “normal” male breadwinner families Coontz describes… How would your family differ from your peers? What would be your thoughts and feelings towards family life? More importantly, how would these unique circumstances change your perception of the nuclear family?

Marriage is recognized in the society like one men and woman union for a legal contract. Marriage has a numerous of definitions: legal and moral provision for generation among human kind. This word can represent more than its definition. Marriage for many artists symbolize hate, passion, oppression, euphoria that have been serving as the focus point of many literary works. One example is “Linoleum Roses “,one of the vignettes that made up “The House on Mango Street”, a coming-of-age novel by Mexican-American writer Sandra Cisneros. Cisneros in this specific vignette reveals the inherent oppressiveness of all marriages, which by their nature rob people of their independence.

Marriage has been a heated controversy for the past few years because people often marry for the wrong reasons. Anyone who thinks of an ideal marriage would think of two people loving each other and sharing a personal bond or goals together. Marriage is regularly defined as the legally or formally recognized union of two lovers as partners in a personal relationship. This definition remarks there is an actual connection between two people in marriage, but do people actually consider this when committing to “love” and “support” their partners forever? As research and studies have shown, people ultimately get married for many reasons, except love. This philosophy can be easily applied to the short poem, “Marriage” by Gregory Corso. In this emotional poem, the author argues marriage is more effectively understood or known for culture and convenience rather than through the abstract considerations of love. Here, we can identify people generally decide to marry for the incorrect reasons, for instance the story of the author himself. Corso finds himself confused multiple times, wondering if he should marry to not be lonely, for tradition and for his physical and mental health. He disregards love, a relationship or a connection with his future wife. General ways of convenience like loneliness, health and economic status between cultural stereotypes and religion are usually the true reasons of why people chose to have the commitment of marriage with another person.

In today’s society, the notion and belief of growing old, getting married, having kids, and a maintaining of a happy family, seems to be a common value among most people. In Kevin Brockmeier’s short story, “The Ceiling,” Brockmeier implies that marriage is not necessary in our society. In fact, Brockmeier criticizes the belief of marriage in his literary work. Brockmeier reveals that marriage usually leads to or ends in disaster, specifically, all marriages are doomed to fail from the start. Throughout the story, the male protagonist, the husband, becomes more and more separated from his wife. As the tension increases between the protagonist and his wife, Brockmeier symbolizes a failing marriage between the husband and wife as he depicts

As the story progresses, Perrault presents an example of the dire consequences that occur when a traditional woman shifts into a non-conformative one. Bluebeard's wife is shown as a imprudent, betraying her husbands trust by deliberately disobeying his orders. " She was so much pressed by her curiosity that, without considering that it was very uncivil for her to leave her company, she went down a little back staircase, and with such excessive haste that she nearly fell and broke her neck" (56). Because of her disobedience, she ends up discovering her husbands terrible secret- a room hiding the corpses of all his previous wives. Her curiosity is demonized as the cause of her misfortune. Bluebeard's marriage is an example of the traditional

“Marriage and Divorce in America” by Tony Hilfer is an effectively constructed argument. Therefore, it is a good, reliable source.

In Andrew J. Cherlin’s essay “American Marriage In Transition”, he discusses how marriage in America is evolving from the universal marriage. Cherlin’s definition of the universal marriage in his essay is the man is the breadwinner of the household and the woman is the homemaker. In the 20th century according to Cherlin, the meaning of marriage has been altered such as the changing division of labor, childbearing outside of marriage, cohabitation, gay marriage and the result of long- term cultural and material trends (1154). During the first transition of marriage, Cherlin discusses how in America, Europe, and Canada the only socially accepted way to have sexual relations with a person and to have children is to be married (1154). The second change in marriage occurred in 2000, where the median age of marriage in the United States for men is 27 and women is 25 (1155). Many young adults stayed single during this time and focused on their education and starting their careers. During the second change, the role of law increasingly changed, especially in the role of law in divorce (1155). It is proven in today’s research marriage has a different definition than what it did back in the 1950’s. Today marriage can be defined as getting married to the same gender or getting remarried to someone who already has kids. The roles in a marriage are evolving to be a little more flexible and negotiable. However, women still do a lot of the basic household chores and taking care of the

In the play Tartuffe, Molière portrays marriage in a unique way. He expresses a different perspective on marriage that most people would disagree with. In the play, marriage never seems to base around love but rather seems to be a very serious part of their life. Mariane submits to her father because during this time period the father was able to choose whom his daughter would marry. This submission is not based on love but rather who her father enjoys the best. It puts a great deal of pressure on the father to make the right decision. Marriage to Tartuffe would have caused Mariane a lifetime of discontent and it would have also associated the

Marriage has often been described as one of the most beautiful and powerful unions one human can form with another. It is the sacred commitment and devotion that two people share in a relationship that makes marriage so appealing since ancient times, up until today. To have and to hold, until death do us part, are the guarantees that two individuals make to one another as they pledge to become one in marriage. It is easy to assume that the guarantee of marriage directly places individuals in an everlasting state of love, affection, and support. However, over the years, marriage has lost its fairy

In life especially, 2,000 years ago, there was a path that women were expected to take. Marriage being the number one decision and path they were supposed to endure. Today, women role in society has changed tremendously since the 1800s. Women are now a little more equal to men. In Chopin, Kate. The Story of an Hour and Hawthorne, Nathaniel. The Birth-mark, two stories about gender role and marriages, show how it was like in the 1800s. Their opinion of marriage was correct even though somethings were flawed.

Love is defined as an intense feeling of deep affection. Although it is not as easily defined as some may make it. Every situation and the lessons we learn from those times, help to form what we believe love to be. For some it may be a physical attachment that others degrade to lust. For some it may be their reason for continuing on in life; but overall for most, love is what drives our lives. From childhood to adulthood we seek to find relationships that will fulfill our hearts and make our short time on Earth a little more enjoyable. However as well as any other activity we partake in, ways in which we perceive love and marriage have changed over time. Although there is slight variations, when most imagine the life of a married couple pure happiness is what is expected. As wonderful as that expectation may be, not every marriage fits into this ideal. The criteria of marriage used to be based off of what your partner can offer you. However as times have changed and gender roles have begun to disappear, marriage has now

Marriage unites two people for better or worse, in sickness and health, until death they do part. In earlier times, some people might say wedding vows were taken more seriously; other say divorce was different back in the day. Looking at Katie Chopin and Nathaniel Hawthorne, who both exemplify martial vows in their short stories, “The Story of an Hour” and “The Birthmark.” It is clear in one instance, it was because divorce was different but then on the other hand the stories demonstrate the seriousness of the wedding vows. However, these stories express a husband-dominated relationship, in which the men possess ideals such as possession, perfection, and being all knowing.

Marriage is recognized in society as one man and woman in union for a legal contract. Marriage has numerous definitions, for example, legal and moral provision for generations among humans. This word can represent more than its definition. Marriage for various writers signifies hate, passion, oppression, and euphoria which have been serving as the focal point of many literary works. One example is “Linoleum Roses”, one of the vignettes that make up The House on Mango Street, a coming-of-age novel by Mexican-American writer Sandra Cisneros. Cisneros in this specific vignette reveals the inherent oppressiveness of particular marriages, which by their nature rob people of their independence.

These ideas are an interpretation of what society views as concepts of marriage. One of the things I found to be interesting in the above list was the absence of the word love.

Conversely, most people perceive marriage as a sanctuary, satisfying the needs of both partners involved. It is one of the most important institutions affecting people’s health and well-being. Firstly, a strong marriage has a dramatic effect on the partners’