A Lacanian Study of Motherhood in the Poems of William Wordsworth

Furthering the importance of mythology in the speaker’s adolescence, the speaker transitions into the story of Narcissus, the man so enraptured by his own reflection, he disregarded those who tried to save him from himself. The speaker employs subtle references to the myth through visual imagery such as “his watered face floating / beautiful and tragic” (14-15). Alongside the speaker’s description of their own face as “a mirrored comfort,” this careful choice of words reinforces the speaker’s connection to the tale and how it was relevant in their own life (17). By again utilizing kinesthetic imagery to describe how their father pulls them to safety, the speaker has further established him as the active force in her learning and maturation, guiding her away from life’s problems and stepping in when necessary. Once again, the father is the hero of the story, saving his child from becoming to entrapped in themselves. And while the speaker’s problems become more mature as they begin struggling with vanity and self-esteem, the influence of bedtime stories ingrained in them in children and their high esteem for their father help them navigate their way through the challenges presented to them as they grow older. Concluding sentence?

The notion that ordinary, everyday experiences encompass universal emotions of both sadness and delight is central to Gwen Harwood’s anthology of Selected Poems. This Australian poet often uses her personal journey towards self-knowledge and experience of growing up to comment on universal aspects of raw, uncensored life experiences. She aims to convey the idea that motherhood is a difficult experience for many women who resent the way they are forced to abandon their individuality and careers. Harwood also illustrates the sadness in the loss of innocence and regrets in childhood. However, she also reminds the audience of the importance of celebrating the richness and vitality of human life such as the importance and power of women and parenthood. Ultimately the collection also suggests that aspects of both sadness and delight are evident in every human experience.

While both poets Muir and Wordsworth wrote about the happy feelings that they have towards nature the beautiful outdoors or what some people may say Mother Nature, some of which the feelings are the same and some that are different as they speak of the different plants.

In the first stanza it is the semantic field of water: ‘waters’ (twice), ‘sea’, ‘drowning’ and ‘being drawn’. As I mentioned earlier, water is often the symbol of life but it also evokes tears, sadness and despair.

In the romantic era, British authors and poets focused on nature and its influence. Two of those poets, Charlotte Smith and William Wordsworth, wrote many pieces on the beauty of nature and their personal experiences with the beaches of England. In “Far on the sands” and “It is a beauteous evening,” Smith and Wordsworth describe their respective experiences on the shore at sunset. Both authors use structure, theme, allusions, and imagery to effectively convey their perceptions of nature. While the sonnets share a setting and the topics of nature and tranquility, Smith’s has a focus on introspection and Wordsworth’s is centered around religion. These have different focuses which achieve different effects on the reader.

Wordsworth’s famous and simple poem, “I wandered lonely as a cloud,” expresses the Romantic Age’s appreciation for the beauty and truth that can be found in a setting as ordinary as a field of daffodils. With this final stanza, Wordsworth writes of the mind’s ability to carry those memories of nature’s beauty into any setting, whether city or country. His belief in the power of the imagination and the effect it can have on nature, and vice a versa, is evident in most of his work. This

“Mother to Son” develops a sense of happiness and determination. As Hughes explains that the mother endures trials and tribulations throughout the poem, we find that she continues to persevere, setting a wonderful example for her son. In contrast, “I Wandered Lonely as a Cloud” uses a tone which is somewhat different to “Mother to Son.” Wordsworth takes a different approach in showing an individual’s feelings. Wordsworth’s character feels lonely and depressed. Suddenly, the tone changes to a more joyful and appreciative tone when he stumbles upon a field of daffodils. Clearly, the tones of each poem differ and resemble each other at the same

In Wordsworth’s Preface to Lyrical Ballads, he writes, “I have wished to keep my reader in the company of flesh and blood, persuaded that by so doing I shall interest him” (297). With this assertion, Wordsworth highlights his desire that readers of his poetry respond with sentiment when presented with genuine, unembellished characters. His attempts to prove this claim can be seen in the poems Michael and The Ruined Cottage. Observing how the two poems handle certain rhetorical devices—a frame of narration, personification of nature, meditation on ordinary objects, and Biblical allusion—reveals their intended purpose as promotions of empathy. Discerning the similarities and differences between Michael and The Ruined Cottage allows the moral lessons within Wordsworth’s poetic experimentation to be uncovered.

environment metaphorically, to deny the lost of paragenesis relations with motherhood. I’m not sure whether the concept here in her work reinforces the mirror stage theory or the opposite way. The infant realizes the self is the other, the self-identification constructs and reflects on the other. Woodman

This is just the beginning of his thought process about the unknown world he refers to as “Outside.” The perspective of the narrator allows the reader to begin to understand the mind of a child. The author chooses to use this unique point-of-view to give the audience the chance to think of what it would be like to be in a situation like this. It makes a person reflect and think about their childhood, how it was different, and what they

Ground-breaking, momentous, and a time of great struggle, the Industrial Revolution was famous for its innovations and infamous for the sobering reality it inflicted upon the standard family. Mid-18th century Britain brought poverty to everyday urban workers. With it, came an increase in child labor like never seen before. In order for a normal family to survive in the urban lifestyle, all members of a family had to work. This included children as young as four years to work as chimney sweepers, miners, and most popularized in 18th century Britain, factory workers. By the year 1800, children under the age of 14 in Britain’s factories accounted for 50% of the labor force (“Industrial Revolution, Child Labor”). Though the number continued to grow, all did not go unaccounted for. Romanticism, an effort opposite the movement, gave recognition to the emotional conflicts overlooked. Romanticism shed light on the daily struggles of the everyday man, woman, and the most neglected up until that period of time, the child. Throughout history, others have written about childhood, but Romantic poets began to question what it meant to be a child. The question, though not answered directly, later became revealed in their works where it exposed their belief systems. The role of the child in British Romantic Poetry represents the early life of Romantic poets, and the qualities they possessed in childhood.

An analysis of poems discussing the different ideas of infancy and what infancy and childhood means to different people. The ideas of infancy vary across the poems from being a curse to the family to being a blessing from the heavens or even a key to break out of the boundaries set by reality. The poets use various literary devices such as metaphors, similes and different poem structure to convey the message that they carry. Each poem has its own viewpoint on infancy. On the whole four of the poems, “Infant Joy” –William Blake, “You’re” – Sylvia Plath, “Once upon a time” – Gabriel Okara and “Piano” by D.H. Lawrence all have a more positive view towards infancy whereas, “ Infant Sorrow” – William Blake and “Prayer before birth” – Louis MacNeice show a more pessimistic side towards infancy. Despite the fact that each poem has its own different point of view on the subject of infancy, they all seem to share one thought which is the fact that infancy represents innocence and in some cases a fresh start.

Wordsworth’s Lyrical Ballads were published in 1789, with no preface as an “advertisement.” Another Lyrical Ballads, this time with two volumes, a preface, and no poetic diction, was published in 1800. In 1802, another Lyrical Ballads was published with two volumes and a preface. Wordsworth’s Elegiac Stanzas are an internalization of epic. Nature, memory and imagination all play a huge role in the poem, as does imagination’s relationship with knowledge. Wordsworth talks about imagination as an absolute ideal, although that is dangerous because it divorces us from the rest of the world.

The friendship of Coleridge and Wordsworth is one of the most literary, productive relationships among the poets of the Romantic Period. Coleridge and Wordsworth were “together on daily basis since July 1797” (Matlak 72). Wordsworth’s poetic career was “reconstructed, if not entirely created through the process of a poetic exchange that made his earlier importance an affective power” (73). At the same time, Wordsworth contributed similarly to Coleridge’s literary career. For example, many of Rime of the Ancient Mariner’s imagery and narrative events were suggested by Wordsworth (Matlak 83.) An early important example of their literary partnership was their Lyrical Ballads. As this friendship lasted until the death of Coleridge, many of the

essfully analyze the poem written by William Wordsworth (“it is a beauteous evening, calm and free”) we need to look at some aspects such as the sonnet form, syntax, diction, figures of speech and sound effects in order to comment on nature and the nature of the child. This poem was one of William Wordsworths excellent sonnets which he wrote from his personal feelings and experiences after meeting his daughter for the first time after ten years in the early 1800’s.