A Comparison in the Presentation of the ‘Horrors of War’ in Birdsong and A Journey’s End
In Journey’s End there are a lot of references to the shear numbers of people killed on the battlefield. Quotes such as “One thousand eight hundred companies in France” use figures to stress just how epic the war really was, the reader has to be reminded of how vast the war was as most of the readers would not have experienced it for themselves. Journey’s End makes the mass death seem even more insignificant by introducing the fact that the German’s were just like the allied forces, “I remember once at Wipers we had a man shot down…Next day we blew each other to blazes”, no matter what happened the two sides
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There is however some suggestion of injury, “S-M shrinks back and throws his hands across his face, as though a human hand could ward off the hot flying pieces” which give the text a definite dark tone to the otherwise cheery mood. The likely explanation for a lack of graphic imagery is that the text was intended as a play and therefore severe injuries would be complicated to apply mid-performance.
Birdsong alternatively is a fairly graphic novel, Faulks was not afraid to describe in detail the shear horror and physical grotesque of war. As Birdsong is a novel the inclusion of such description is far more practical than in the play format of A Journey’s End. Faulks uses violent imagery to captivate the reader, well-described events can be easily imagined by the reader and therefore creates far more involvement with the characters and settings. “His nose dangled and Stephan could see his teeth through the missing cheek” is a good example of violent imagery that is very effective in drawing the reader in. The far greater amount of violence in Birdsong is likely to be because the text was published far after the war, Faulks was far more informed about the war and he did not have to worry about causing public upset.
An element that plays big parts in both texts is the loss of battlefield friends and the deaths of family
As with any genre, all novels termed ‘war stories’ share certain elements in common. The place and time settings of the novels, obviously, take in at least some aspect of at least one war or conflict. The characters tend to either be soldiers or are at least immediately affected by the military. An ever present sense of doom with punctuated moments of peace is almost a standard of the war novel. Beyond the basic similarities, however, each of these battle books stands apart as an individual. Charles Yale Harrison’s World War I novel, Generals Die in Bed is, in essence, quite different than Colin McDougall’s Execution. Coming years earlier,
| In any war story, but especially a true one, it’s difficult to separate what happened from what seemed to happen. (pg. 67)
The defining characteristics of WW1 were its sickening violence and its immense death toll so, understandably, many pieces of war literature aim to present the horrors of war in order to unflinchingly reveal the true experiences of the soldiers. However, Journey’s End by R.C Sherriff and A Long Long Way by Sebastian Barry also focus on the emotional aspect of war and the relationships it created and destroyed. The war forced people of every background to rely on and interact with each other while it also wrenched soldiers away from their families, introducing unique tensions between people that would not have existed otherwise. However, it is debatable which form, Sherriff’s play or Barry’s novel, is most effective in presenting these relationships.
“The Death of the Ball Turret Gunner” by Randall Jarrell is able to accomplish so many thing with so little lines-mainly through the use of metaphor and diction. It explains the terrors of wars in gruesome detail and explains the ways in which wars, in a sense “breed” and “birth” death. To some, this poem is seen as the ultimate poem of war, and rightly
The first three words of the chapter “How to Tell a True War Story” are, “This is true” (67). Although Tim O’Brien begins this chapter with such a bold and clear statement, throughout the chapter he has the reader thinking and confused when he contradicts himself by stating things such as, “In many cases a true war story cannot
First, the reader must understand just what makes a good "war story". The protagonist of the novel, Tim O'Brien, gives us his
The poet Wilfred Owen was one of many poets who were against war. He reflected this idea of anti-war in his poems, one of his poems called “Anthem for Doomed Youth”, mirrors most aspects of war all put together in this short still deep poem. An example of that would be when the speaker stated,” What passing-bells for these who die as cattle?”(1) The speaker asks is there any sound that marks our soldier’s death other than the sounds of church bell’s which are mostly rung to represent somebody’s absence? Clearly, the speaker sets anger as the tone of the poem through this question to show that soldier’s death is unremarkable.. The speaker compares the soldiers to a “cattle” which illustrates that soldiers are treated more like animals with no feelings and also shows how they are killed indiscriminately in war. Finally the line ironically contains an iambic pentameter which is a natural rhythm for such dark, grim, dull subject. The two novels, The Red Badge of Courage by Stephen Crane, and All Quiet on The Western Front by Erich Maria Remarque, both present a similar idea of how soldiers are killed out there in the front comprehensively and the dehumanization of war towards its soldiers. The first novel is set during the Civil War, and it focuses on the psychological aspects of one soldier named Henry Fleming and how his naive thoughts about war constantly change through the course of the novel. The second novel presents the life of a soldier named Paul Baumer and his
The Wars, written by Timothy Findley, is a story about World War I, and consists of many shocking images passed over to the reader. Findley accomplishes to pull the reader into the narrative itself, so that the reader manages to feel an impact upon him/her-self about what is read. If it was not for this specific skill, or can also be seen as a specific genre, the novel would not have been as successful as it is now. Also, something that helps the book be so triumphant, there is the fact that Findley never overwhelms the reader with too many gruesome details about the World War I. Instead, he breaks the book down to help the reader calm down from everything that is happening. Throughout the essay, there is going to be some commenting on a
was not the truth. This book showed the harsh reality of war that most people
All humans possess an innate inclination toward the uncomplicated. The simpler a task is, the easier it is to accomplish, so many attempt to apply that notion throughout life. Unfortunately, however, life is never simple. Just as there is no black or white answer to life’s trials, there is no set truth to a story; the veracity of an account is in the opinion of the reader. Through the contrasts between life and death and ugliness and beauty in the The Things They Carried, Tim O’Brien would consider both the film Fury and the short narrative An Occurrence at Owl Creek Bridge to be true war stories.
In “How to Tell a True War Story” by Tim O’Brien, the main protagonist of the tale takes the reader on a captivating and riveting journey. A journey that is filled with guts, gore, and love. O’Brien demonstrates how war can be complex and a paradox in itself. Through O’Brien’s eyes the reader captivates what it is like to be present in a battlefield, and endure the hardships of war. The point of the story is gradually unveiled before the reader’s eyes, as O’Brien guides his audience through a forest of mysticism and doubt.
The simile ‘whining like hounds’ is used to simultaneously emphasise the sorrows of war by personifying the planes as being able to feel and express sadness through whining, and also depicts the beginning of the imagery of dogs as having the ability to feel human emotion. This imagery of hounds is again used when the planes arrive in Australia, and ‘the howl of their homecoming rises’ throughout the country, which is of particular importance in helping the reader identify with the grief and sorrow felt by the families of the dead. Furthermore, it highlights the dehumanisation of war and the lack of recognition soldiers receive for making the ultimate sacrifice with their life, as it appears only their dogs are able to feel and grieve their loss. The dehumanising nature of war is again developed in the poem through Dawe’s use of consonance to strip the dead soldiers of their names and personalities. They are instead described as ‘curly-heads, kinky-hairs, crew-cuts [and] balding non-coms’, where the hard C sound is representative of the mechanical, machine-like process of preparing the bodies for transport back home.
Journeys End was written with the intention of “letting the war speak”. The lives of the officers on the front line during 1917 are examined. A key theme that is explored throughout the play is the reactions of the mind and body, under the stress of the war. Each character represents the weakness of the human being in an individual way, but the character on which frailty is mainly focussed is Stanhope.
Storytelling helps other people to emotionally connect themselves to the author so that they know they are not the only ones who are experiencing a painful or exciting experience, and are able to share the same emotions. It often helps other people to know what they should do in order to get over it when it comes to a painful experience. Maya Angelou’s I Know Why The Caged Bird Sings explores the life of Maya Angelou and the struggles she has been throughout her childhood to her adulthood. Richard Wagemese’s Indian Horse explores the life of Saul Indian Horse and the struggles he has been through after departing from his family. The power of storytelling can unfold questions which ask the audience of how and why are the events are unfold the
The speaker lets the reader know right away about the reality of war. The invincible, fearless soldiers that are envisioned by the reader are quickly transformed into