1001 Nights : Women Control Essay

In the world of popular culture, Cleopatra VII is regarded as a woman with heavy eye makeup, a thing of beauty, someone with power sourced from her looks. However, the Cleopatra that history recalls is one of deadly determination and dedication, a teenager with a thirst for power, then a woman with a goal to keep Egypt out of the Roman Empire’s reach. Throughout her life as a leader, Cleopatra VII faced many difficulties, each one of which she met with an intricate strategy that showcase her deep knowledge of the politics and governance of the world around her. As she faced misogyny, bias and turmoil in both her civil and personal life, Cleopatra remained a capable and resilient leader of an imminently crumbling Egypt, and she defied all stereotypes

Cleopatra was a noteworthy Egyptian Pharaoh whose legacy and role was shaped by her experiences and achievements in ancient Egypt. It can be argued Cleopatra was a significant figure and her role and legacy was formed by her experiences, achievements because she stood for a symbol of power and strength in a time where society was male dominated. Cleopatra’s personality and early life impacted the beginning of her rise to power and in 51 BC she became sole leader of the Egypt. The key events in Cleopatra’s reign and the role she played during the alliance between herself and Caesar impacted on her reign. External factors informed her motives, which pushed her to make decisions during her rule, as it significantly impacted her relationship with Mark Antony. Cleopatra’s legacy had short and long-term effects; the consequences of her decisions pushed her to commit suicide, the events and choices she made during her life portrayed her significance.

From a plethora of many authors and compilations over many centuries comes the fourteenth century The Thousand and One Nights, a Middle Eastern frame story during which there are as many as four implanted stories. In the outermost frame of this tale, a king who is betray by his wife vows to take a new wife each night and kill her the next morning in order to prevent further unfaithfulness. The main inner frame are stories from one of his wives which she continues each night to keep the king interested and thus postpone her death. Through these stories, the reader can examine the role of men and women in this time, specifically how women function in conjunction to men in the text. The reader may assume the men are superior while the woman are inferior, but through close reading of the text, the reader will discover that women in the text are only treated subordinately by men in the story but are revealed to the reader as the more powerful of the sexes. Authors reveal the power of women by their prowess at trickery or “women’s cunning” (The Thousand 1181), and their ability to force the actions of male counterparts. The reader can examine men’s attempt to stifle this power, which further acknowledges the women’s merit, through the excessively frequent occurring instances of men treating the women as insignificant, as well as instances when women are turned to ungulate animals, such

Cleopatra was a woman. “Cleopatra stood at one of the most dangerous intersections in history: that of women and power. Clever women, Euripides had warned hundreds of years earlier, were dangerous” (112). The number of successful female leaders up until this day is drastically smaller than the male ones, and even now in 21st century the stereotype of a leader is a male. How did Cleopatra manage to go around this stereotype and become such a successful ruler? She got the men of her time obsessed with her. When thinking about power, we should remember Aristotle’s saying, “Yet what difference does it make weather the women rule or the rulers are ruled by women? The result is the same”. Cleopatra managed to be a ruler herself, while ruling the most influential men of her time. No one before, or after Cleopatra was ever able to do this again, but to this day she is a role model. She proved that not only men can be in charge and that women can do as much as a man

In The Thousand and One Nights translated by Husain Haddawy, there is an emphasis on the role women play in and how their characters affect the male view on the rights and freedom women are entitled to. The value of women in the tale vanished after King Shahzaman’s wife had committed adultery with one of his palace workers. In the East during the time of this tale, there was little to no value for women, which gave men the power to use them as sex slaves and be able to throw them away after they have been sexually fulfilled. One day, when the vizier’s daughter Shahrazad volunteers to calm the raging king by telling him many tales and distracting him from his sexual acts and killing spree. The tale of The Thousand and One Nights was believed to be misogynistic, and presented women to be adulteresses who caused the downfall of men (Blythe). This tale was written in ancient Middle-Eastern civilization where women did not have rights or freedom within their societies and were victimized to be seen as the root of all evil and that “women are not to be trusted” (609. Haddawy). This tale will be evaluated based on the traditions placed in the ancient Middle-East, the modern-day observations of how women are treated in westernized countries, and the changes perceived.

Almost every pharaoh-queen was named Cleopatra, yet only one is ever thought of, Cleopatra Thea Philopator VII, “The Goddess and Beloved of her Father”. Every moment of her life from 69 BCE until August 12, 30 BCE was a story larger than life, epic in scale, and over the top in its grandeur. As the last reigning pharaoh of the Ptolemaic Dynasty in Ancient Egypt, she is remembered for her ability to rule as a political genius and a strong female leader living in a male-dominated world despite all odds being against her. Firstly, Cleopatra grew up in the Ptolemaic palace living a life of luxury, yet her subjects worshipped and even felt connected to her as more than just their queen. Secondly, after Cleopatra was exiled by her incompetent brother, Ptolemy XII, she came back with an army of mercenaries and took back Egypt to be its sole and more qualified ruler. Lastly, Cleopatra went to any means to secure her power and to ensure her nation’s financial and political strength; therefore what started off as a strategic alliance with Rome slowly became her dominance over most of the ancient world.

Throughout history, gender roles have been an important barrier in society. Women are forced to satisfy expectations established by men and society. “My Last Duchess,” by Robert Browning, focuses on the powerful Duke establishing certain expectations of the Duchess, and attempting to control her. Hamlet, by William Shakespeare, concentrates on Laertes establishing certain expectations of Ophelia, and seeking to control her. A Room of One’s Own, by Virginia Woolf, centers on societal expectations of Judith, and her father trying to control her. In all three texts, men have the ability to control women and have the freedom to do as they please. Women must conform to the expectations of faithfulness, attentiveness, and chastity.

In the modern world women work, vote, run for office and the list goes on. In most aspects, women are equal to men. However, this was not always the case. In centuries past, women were not viewed as being equal to men socially, intellectually, or politically and were thought incapable of accomplishing anything of value. Consequently, many cultures held the view that women were possessions whose only purpose was to be subservient to men. The view of women as mere objects is evident in various works of literature throughout the ages. Two classic works of literature that exemplify this are The Thousand and One Nights and Murasaki Shikibu’s The Tale of

The women’s movement began in the nineteenth century when groups of women began to speak out against the feeling of separation, inequality, and limits that seemed to be placed on women because of their sex (Debois 18). By combining two aspects of the past, ante-bellum reform politics and the anti-slavery movement, women were able to gain knowledge of leadership on how to deal with the Women’s Right Movement and with this knowledge led the way to transform women’s social standing (Dubois 23). Similarly, the movement that made the largest impact on American societies of the 1960’s and 1970’s was the Civil Right Movement, which in turn affected the women’s movement (Freeman 513). According to

Unlike the other two women, Shahrazad, the vizier's daughter, used her womanly powers to save instead of destroy or deceive. Even though her life was at stake, she put herself in the position to be the heroine for the kingdom.

Women have pushed forward in the struggle for equality. Today women are staples in the professional world. More women are attending college than men as proved in recent studies. Women have outnumbered men on college campuses since 1979, and on graduate school campuses since 1984. More American women than men have received bachelor's degrees every year since 1982. Even here on Haverford's campus, the Admissions Office received more applications from women for early decision candidacy than men for the eighth straight year. The wage gap is slowly decreasing and the fight for proper day care services along with insurance coverage for birth control pills are passionate issues for women across America.

Heroes, kings and presidents, for so long men are the protagonist of the stories. Across the world and through the centuries, women have always been situated below men. Women were considered the weak sex, they are portrayed as delicate, obedient, naive and passionate. “Never trust in women; nor rely upon their vows” (44). As the wives of the kings on The Arabian Nights, whose passion brought them to cheat on both their husbands. They ended up being executed because they threatened the kings’ power. Or bringing danger into the families, as the wives of Kasim and Ali Baba, who wouldn’t think of the consequences of their actions and would act by the pure instinct of greed and naiveness. Yet, seldomly acknowledged, women have had to step up to fix troubled situations, the few stories told of women of scarce resources who have manage to triumph over the standardized society. This not only shows how women take advantage of the resources at their reach but how their

Annette Bair and Marilyn Friedman have opposing views on whether women have distinct moral perspectives. Like Friedman, I believe that women have no different moral perspectives than men. Some people, like Bair, think that women base their moral perspectives on merely trust and love and men base theirs on justice. Friedman points out that care and justice coincide . People use justice to decide what is appropriate in caring relationships and care is brought into account when determining what is just. Since these two moral perspectives correspond, gender does not distinguish different moral perspectives.

In the Joseph Conrad’s novel, Heart of Darkness, Marlow, the main character, shows his opinion of women in a well masked, descriptive manner. Although women are not given a large speaking role ,the readers still feel their presence throughout the novel. In the scene at the Central Station, the description of the symbols in the painting,the blindfold, the torch, and the darkness, allow the readers to see the darkness in the world and the thought that women should not be exposed to that darkness. Marlow believe that women are too fragile to know the truth and should instead be left in their beautiful, untouched world.

In the Middle Age literature, women are often presented or meant to come off as an unimportant character; which can also reflect on how the author wants the women character represent. Women are usually shunned, have no say or control in what they do; due to what men desire; like Ophelia and Gertrude did in William Shakespeare’s Hamlet. But these female characters that I will discuss are women with power, control, and a voice. Majority of the female character’s appearances are made to represent wickedness, evil, or a seducer who challenges a man belief; and does not symbolize perfect women.