In order to help you understand the visual and auditory elements in bad boys II I will explain how the use of mise en scène, cinematography, and sound make the audience interested and wanting more action.
Two good friends “Marcus Burnett” and “Mike Lowrey” are both police detectives in Miami. A drug called “ecstasy” is flowing into Miami by Cuban drug dealer “Johnny Tapia”. Both partners struggle because Mike has a secret relationship with Marcus's sister.
Marcus and Mike are on a police chase chasing a car Carrier trailer. During the chase the Haitian gangbangers are driving the trailer and releasing cars onto the highway while in motion. During this scene plenty of cars and property are being destroyed causing explosions fire gun fire bullets
1. On the 21st of October 1995, Anna Wood took an ecstasy tablet at a dance party and died three days later. At such a young and thriving age, Anna Wood was just 15 years old with a loving family, many friends and a new job. On the night of the event that had taken place a series of risk behaviours were undertaken. Firstly by wanting to take an ecstasy tablet to get high as well as not having any knowledge on the actual drug. By having a broader knowledge on the drug she may have been still alive as she would’ve only had taken half due to knowing a whole tablet would be too much.
The book being reviewed in this papers is Code of the Suburb: Inside the World of Young Middle-Class Drug Dealers by Scott Jacques and Richard Wright. This book is written on the context of 30 different individuals from a small location referenced as “Peachville” in Atlanta Georgia (Jacques & Wright 1). Each of these known individuals during their time in high school were selling drugs. Marijuana was the particular substance to be sold, but few dove into other illicit drugs including ecstasy, cocaine etc. (3). Generally speaking, the first questions that appears is what pushed these students to dive into the prospects of peddling and using drugs? Better yet, why continue to use them? The 7 chapters included in this book contain various stories of popularity and financial gains and losses along with the destruction of relationships.
Tony had started dealing drugs in those shadowy hallways of Murphy Homes before he was ten. By the time he was fourteen, Tony had built a fierce reputation in the neighborhood. Despite his skinny frame and baby face, his eyes were lifeless and hooded, without a hint of spark or optimism. Tony’s dead-eyed ruthlessness inspired fear. He spent much of his time in West Baltimore but had decided to try to open up a drug sales operation in East Baltimore as well.
Wes making a critical decision in his life, without a voice around to say otherwise entered the drug game. Both Wes Moore’s shared a common thread while growing up. They both grew up in single parent environments, both were raised in inner city neighborhoods, and both had run-ins with the law. As author Wes Moore states in the introduction, “The chilling truth is that his story could have been mine . . . .
Even though the film is essentially a visual experience, the use of sound has become extremely important in modern film. The modern viewer hears a complicated soundtrack that is as meaningful as the image on the screen. Three elements comprise the film's soundtrack: the dialogue, the sound effects, and the musical score. The proper balance and mix of these elements produced the essential emphasis required, which created the desired effects. As explained by Joseph Boggs and Dennis Petrie,
In this 1997 film, George Lucas uses music to connect with the reader, clearly triggers the viewer's emotions, and uses colors to symbolize a classic theme: good vs. evil. First, if we carefully listen to the movies soundtrack, we see how different the music is in each situation with different characters. Second, we notice how effectively Lucas uses pathos to make us want to choose a side; good, or evil.
Contributing to these drug issues throughout America are multiple street gangs, drug cartels and drug lords. These groups to transport illegal drugs into America, to sell them illegally on the streets, for a very hefty profit. High crime profiled states and cities such as, New York, Baltimore, Maryland, District of Columbia, and Chicago host some of America’s most notorious gangs, cartels, and drug lords. The purpose of this research paper is to analyze the life of a notorious Baltimore drug lord, by the name of Anthony Ayeni Jones, and how a life of drugs effected his personal life, caused criminal actions, and resulted in court trials and a life sentence in prison.
The movie Boyz N the Hood is an illustration of how a group of early adolescents’ lives was affected negatively due to the environment they lived in. These adolescents lived in an environment where drugs, gangs, and shootings were the center of their community. Living in a predominantly African American community these adolescents were faced with many misfortunes. Ricky one of the adolescent characters I have decided to evaluate for this particular paper was faced with adversity.
The film ‘Boy’ (2010) uses a range of techniques to construct an effective mise-en-scene. Taika Waititi (director) has been able to create aesthetically pleasing scenes to communicate to the audience about the setting, characters, story and themes. The sequence at the beginning of the film is an appropriate example of the good use of mise-en-scene.
Along with background music, sound effects play more of a role on the way we feel than many moviegoers think, and "although the function of sound effects is primarily atmospheric, they can also be precise sources of meaning in film" (Giannetti, 225). When the
The main protagonist is Kate. Her and her two brothers produce meth that they then sell to distributors such as Alex’s neighbor. Alex is a skinny blonde meth addict with a quick temper. What makes her identifiable is her internal struggle she deals meth in hopes of starting a business and buying a house in a new state. She has promised herself that she will clean-up as soon as possible, in order to become a more respectable person. Alex’s fear of women and Kate’s position as the brains of the drug operation has made her the major foe. Kate’s use of violent tactics and disregard for those who get in her way makes her
Another aspect of sound in this film was how it affected the story. By using sound dramatically in certain parts and not using it at all in other parts, sound gave this story an entity of its own. For example, during long stretches of film with mostly dialogue, there was no music played in the background, only a phone ringing in the distance, or the men's voices during their deliberation. These long silences also took place during editing shots of the town and images that surrounded this German city. This dramatic difference in sound was a revelation of how mood can be made by images and sound put together to make an incredible component.
The book that I read “This is Your Country on Drugs: The Secret of Getting High in America by Ryan Grim” tells us the stories and relationship among Americans, their drugs and the government, which is a drug literature. The book and author will give us a tour in an illicit world of drugs use in the United States. The Americans dilemma of love-hate relationship with psychotomimetic substances extended from the nations commencing until the present time.
The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.
One would have to say that one of the most notable features of the film would have to be its soundtrack, which incorporates no music but only diegetic sound, from the preliminary noise of the river flowing under the bridge through the even louder sounds of the forthcoming American tanks to the quaking clamors of the ending battle scenes. A prodigious example of sound transpires within the middle of the film. It is when the boys are woken from their cots and called into combat; the sequence features electronically distorted sounds that together equally insinuate the boys’ disorientation as well as the disorientation of the viewers.