Something obscure can so seamlessly fit inside of a book or a show that an average person would simply overlook. A thing so small usually so normal can be changed just slightly to create a whole new perspective in life. It can change the format of a hardened structure that has been reinforced for thousands of years. Incidentally, this is what Kurt Vonnegut does with his book Slaughterhouse-Five lacking a beginning, middle or end.
Reading Slaughterhouse-Five can be difficult. With its completely non linear story and timeline jumping missing something can be easy, but that really doesn’t matter. Kurt Vonnegut inserts the asterisks marking the end of a time and skipping ahead or reverting back to a different time. Some delightful symbolism may be missed, but for the average reader this story does not require any parts other than one timeline. These asterisks represent the same sequence as a Tralfamadorian book. Describing only a single situation during the time. Not in order, but carefully chosen so
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His time in the war, his life before and after and the time he spent on the planet Tralfamadore. We see his hardships and the calmer times in his life. We see all this in different points in the book. One moment we would be seeing Billy taken as a prisoner of war during World War II and then the next moment he would be communicating to the Tralfamadorians on their planet. All these moments strung together making a life not a story. “There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects”. Most stories requires all of these things, and all of these Slaughterhouse-Five does not have just like a Tralfamadorian book. Its beginning is the middle and the middle is the beginning and the end. The asterisks play into all of this allowing this to happen, making tons of stories each as amazing as the one before it. Additionally, the asterisks have changed life and death in
Critics of Kurt Vonnegut’s are unable to agree on what the main theme of his novel Slaughterhouse Five may be. Although Vonnegut’s novels are satirical, ironical, and extremely wise, they have almost no plot structure, so it is hard to find a constant theme. From the many people that the main character Billy Pilgrim meets, and the places that he takes us, readers are able to discern that Vonnegut is trying to send the message that there will always be death, there will always be war, and humans have no control over their own lives.
Billy Pilgrim is the person that the book is written around. We follow him, perhaps not in a straight order, from his youth joining the military to his abduction on the alien planet of Tralmalfadore, to his older age at his 1960s home in Illum. It is his experiences and journeys that we follow, and his actions we read about. However, Billy had a specific lack of character for a main one. He is not heroic, he has very little personality traits, let alone an immersive and complex character. Most of the story is written around his experiences that seem more like symptoms of Post-Traumatic Stress Disorder from his World War Two days, combined with hallucinations after a brain injury in a near-fatal plane
Moments in Billy's life change instantaneously, not giving Billy a clue to where he will end up next. In one moment, he is sitting in his home typing a letter to the local newspaper about his experience with the Tralfamadorians, and in the next he is a lost soldier of World War II running around behind German lines aimlessly without a coat or proper shoes. He then became a child being thrown into a pool by his father and afterwards a forty-one year old man visiting his mother in an old people's home. In the novel, changes in time are made through transitional statements such as, "Billy traveled in time, opened his eyes, found himself staring into the glass eyes of a jade green mechanical owl." p.56 In the movie there is no such thing and different moments in Billy's life happen instantaneously. Because scenes are continuous as times change, the movie better displays the author's attempt to capture in the notion of being "unstuck in time." On the other hand, the novel does help the audience follow these time changes better by setting it up for the next scene, offering a background of Billy's experiences before they begin through these transitional statements.
Esteban Echeverria’s story “The Slaughterhouse” uses symbolism and horrific details that recount the time during the reign of the ‘Unitarios,’ more specifically Juan Manuel de Rosas. Rosas was the ruler of Argentina from 1835 to 1852. Echeverria and some friends to combat the reign of terror that Rosas put on Argentina founded a the “Association of May.” Once Rosas caught wind of this uprising he forced Echeverria to emigrate to Uruguay where he later died just before the downfall of Rosas’ reign. During his involvement in the Association of May, he wrote ‘Slaughterhouse’ or “El Matadero.” This story went on to become of the most influential pieces of political propaganda in Latin American history.
A reason for Billy being so unattached would be PTSD. PTSD leaves people feeling alone and depressed. He is having flashbacks of parts of his life and at the end of the book he is reliving his moments during the war.
More of the time travels Billy has take him to his time on the planet Tralfamadore. Billy says that the aliens abducted him on his daughter's wedding night and returned him a few milliseconds later, but actually spend many months on Tralfamadore because the Tralfamadorians can also see in the fourth dimension, time, which allowed them to keep Billy for what seemed like longer than what he was actually there. While on Tralfamadore, Billy learns to accept his life as it is dealt to him because nothing that happens to you damages you forever. Since time is relative, and your life is like a mountain range, your death ,birth, and all the events in between are nothing more than peaks in a range of mountains, irremovable and able to be visited numerous times.
Billy Pilgrim's life is far from normal. Throughout most of his adult life he has been moving backwards and forwards through time, from one event to another, in a non-sequential order. At least, this schizophrenic life is hard to understand. Because Vonnegut wants the reader to relate to Billy
It makes it difficult to know what time is his “present”. While the narrator wants us to think that Billy is actually time traveling, there is actually evidence that these episode are really PTSD flashbacks. By pretending Billy is time traveling, though, the narrator gives us a first person perspective of how war and PTSD affect people. The episodes are so realistic that Billy believes he is time traveling. Billy’s first episode occurs in the second chapter while he is on the run with Roland Weary and the two scouts, “his attention began to swing grandly through the full arc of his life, passing into death, which was violet light” (pg.54). This is a powerful anti-war message because it show the terrible effect of war on an
Since the first time Billy claimed to have come unstuck in time while in the forest leaning against a tree, he has depended on an alternate reality in which he has created a new life for himself to avoid thoughts of the horrific events he witnessed while in Dresden. Although Billy claims that he was abducted by the Tralfamadorians, in reality, he was captured by the Germans. The reason that the Tralfamadorians exist is so that Billy can escape from the harsh reality of being a prisoner of war. Although separate in Billy’s conscience, the Nazis and the Tralfamadorians are interchangeable. Billy’s adventures on Tralfamadore all have significant and undeniable connections to his life:
War is a tragic experience that can motivate people to do many things. Many people have been inspired to write stories, poems, or songs about war. Many of these examples tend to reflect feelings against war. Kurt Vonnegut is no different and his experience with war inspired him to write a series of novels starting with Slaughter-House Five. It is a unique novel expressing Vonnegut's feelings about war. These strong feeling can be seen in the similarities between characters, information about the Tralfamadorians, dark humor, and the structure of the novel.
There are 3 themes in the novel Slaughterhouse-Five, that stick in the readers mind as they
While never a defeatist, Billy merely flows through his disjointed life without much heed to the event at hand. Billy realizes that he holds the power to create his own happiness and satisfaction out of life through appreciation of the present moment rather than contemplate the occurrence of past and future. Vonnegut develops Billy Pilgrim as a unique protagonist as a means of forcing the reader to question the application of free will upon society and gain a new perspective on the beauty of the present.
When he tells Billy that he needs to figure it out and snap out of it, Billy says, “ You guys go on without me. I’m all right” (Vonnegut 47). This just displays the hopelessness in Billy’s life. The war has driven him to lose touch with himself and not value his own life. This makes it very easy for a reader to feel empathy for Billy and get an idea of how war can really affect these men. Billy isn’t the only character that Vonnegut uses to depict the terrors of war.
During his stay at mental hospital he would bed next to a former infantry captain, Eliot Rosewater, where Rosewater would introduce him to the science novelist Kilgore Trout. Through the stories by Trout, Billy read about aliens and time traveling. From these ideas, influenced by Trout, Billy was able to make up his own stories and correlate them to his personal war experiences.