Marquis vs. Thomson on Abortion

To begin with, Thomson uses a thought experiment about a hypothetical famous violinist, to further her argument that abortion is morally permissible. In this thought experiment, you are kidnapped and unconsciously plugged to a famous violinist so that your kidney can remove toxins from the violinist’s kidney and ultimately save his life. Thomson argues that you are not required to stay plugged to the famous violinist even if unplugging yourself from the violinist would result in his death. Thomson argues that while everyone has the right to life, no one has the right to dictate what happens to another person 's body.

The next issue is, in Thomson’s opinion, the most important question in the abortion debate; that is, what exactly does a right to life bring about? The premise that “everyone has a right to life, so the unborn person has a right to life” suggests that the right to life is “unproblematic,” or straight-forward. We know that isn’t true. Thomson gives an analogy involving Henry Fonda. You are sick and dying and the touch of Henry Fonda’s hand will heal you. Even if his touch with save your life, you have no right to be “given the touch of Henry Fonda’s cool hand.” A stricter view sees the right to life as more of a right to not be killed by anybody. Here too troubles arise. In the case of the violinist, if we are to “refrain from killing the violinist,” then we must basically allow him to kill you. This contradicts the stricter view. The conclusion Thomson draws from this analogy is “that having a right to life does not guarantee having either a right to be given the use of or a right to be allowed continued use of another person’s body—even if one needs it for life itself.” This argument again proves the basic argument wrong. The right to life isn’t as clear of an argument as I’m sure opponents of abortion would like it to be or believe it is.

In the article "A Defense of Abortion" Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous "violinist" argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's "violinist" argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not make abortion permissible.

Marquis argument is superior to others as he avoids casuistry terms such as “human life,” or “human being” and rests on the ethics of killing, which also apply to the fetus (Gedge & Waluchow, 2012, p224). Killing a fetus denies it the right to a valuable life just as adult human beings have. This deems abortion morally wrong.

Judith Jarvis Thomson and Don Marquis both have different views on abortion. Thomson believes that in some cases, abortion is morally permissible, due to the life of the mother. Marquis believes that abortion is almost always morally impermissible, except in extreme circumstances, because the fetus has a future life. I will simply evaluate each of the authors reasoning’s that defend their belief, and give my argument for why I believe Judith Thomson’s essay is more convincing.

In Judith A. Thomson’s article, ‘A defense of abortion’ Thomson defends her view that in some cases abortion is morally permissible. She takes this stance even with the premise that fetuses upon the moment of conception are in fact regarded as persons. However one criticism of her argument would be that there is a biological relationship between mother and fetus however there is no biological relationship between you and the violinist. Having this biological relationship therefore entails special responsibility upon the mother however there is no responsibility in the case of the violinist. Thomson argues against those who are opposed to abortion with her violinist thought experiment.

In this paper I will discus and examine Judith Jarvis Thomson’s view upon abortion as stated in her argument “A Defense of Abortion”. I will explain her view on the issue and look deeper into her supporting arguments she included in her essay. I will also explain whether I agree with her statements. I would also discuss whether the person can agree with my statements and reason why having an abortion make you in moral.

In “Why Abortion is Immoral”, Don Marquis offers his anti-abortion argument known as a “future like ours" (Marquis, 558). Marquis takes a step back from focusing on the complicated moral status of the fetus, and instead asks seemingly less controversial questions: what makes killing an innocent adult wrong, and what right we adult humans possess not to be killed? His answer serves as the first premise for his argument: killing is prima facie morally wrong because it deprives an individual of their future of value. His second premise is that killing a fetus, i.e. abortion, also deprives it a future of value, which he refers to as a “future like ours” (559). Marquis concludes that because fetuses possess the innate property that is sufficient to make killing adult human beings wrong, that killing fetuses is also wrong. Simply stated, abortions are prima facie immoral, for the same reason that killing an innocent adult is prima facie immoral (559)

This essay will look at Marquis’s “future like ours” argument and challenge the premises and implications of his conclusion. I will not be considering exceptional circumstances, such as rape or major health implications, as Marquis’ focus was on general deliberate abortions. I will argue that the ideas of personhood, future-directed preferences and bodily autonomy establish a great moral difference between killing an adult and killing a foetus. In disproving Marquis’s conclusion and his counter-examples to criticisms, I will draw upon utilitarian and rights-based theories.

With Thomson’s violinist analogy she shows that although disconnecting him would result in death, it would not be morally incorrect. This argument can be applied to a woman’s pregnancy, suggesting that if you accept the prior statement and can find no reasonable difference between the violinist and the fetus occupying the woman’s body, then you should accept that abortion can be acceptable. Thomson

Thomson’s argument, “A Defense on Abortion,” is a piece written to point out the issues in many arguments made against abortion. She points out specific issues in arguments made, for example, about life beginning at conception and if that truly matters as an argument against abortion. Thomson uses multiple analogies when making her points against the arguments made against abortion. These analogies are used to show that the arguments made do not really make sense in saying it is immoral to have an abortion. These analogies do not work in all cases, and sometimes they only work in very atypical cases, but still make a strong argument. There are also objections made to Thomson’s argument, which she then replies to, which makes her argument even stronger. Her replies to these arguments are very strong, saying biology does not always equate responsibility, and that reasonable precaution is an important factor in the morality of abortion. There are some major issues in her responses to these objections.

In “A Defense of Abortion” by Judith Jarvis Thompson, Thompson works to argue that even if a human fetus is considered a person, abortion is still often morally permissible. This paper will work to explain Thompson’s positions on the different accounts of the right to life, and to provide an evaluation of them and explain why they are not plausible, specifically regarding three of the analogies on-which she based her entire argument: the violinist, the coat, and the case of Kitty Genovese, as well as to explore a logical counterargument and explain why it’s stance is impermissible.

In his essay Why Abortion is Immoral Don Marquis attempts to argue that abortion is almost always wrong except for a few special circumstances such as when the life of the mother is being threatened by the pregnancy. In his thesis Marquis asserts that abortion is in the same moral category as killing an innocent adult human being and the ethics of abortion is solvable. The strongest argument that Marquis presents to defend his thesis is the claim that what makes killing wrong is the loss of the victim’s future. In this paper, I will argue that this argument fails because aborting a fetus is not in the same moral category as killing an innocent adult human being.

In the article 'A Defense of Abortion' Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous 'violinist' argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's 'violinist' argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not

In her example, the society of music lovers say that they have “kidnapped you, and last night the violinist 's circulatory system was plugged into yours”. Thus, the violinist has been plugged into the woman against her own will. This example correlates similarly to a case of rape, where a woman’s body would also be used against her will. Although I agree that abortion in the case of rape can be permissible, I do not think that Thomson is considering the broader picture and does not take into account all cases of pregnancy.