There are times when things can be characterized by one specific quality. An entity can be black or white with no gray space in between. However, war is a different story. To those involved in a war, it can be far more enigmatic than one may assume. In The Things They Carried by Tim O’Brien, the author’s structural choices convey the subjectivity of truth during the war. Tim O’Brien uses juxtaposition in order to prove the point that war is neither black nor white; but rather something of a more paradoxical nature. While describing the qualities of a war story in the chapter, “How to Tell a True War Story,” O’Brien explains the varying truths that follow soldiers after they endure the conditions of war. “In war you lose your sense of the definite, …show more content…
He does this throughout the book, as he uses differing perspectives to describe the same events. This, once again, pushes forth the idea that in war there is more than one truth. When describing Kiowa’s death, O’Brien tells the story from multiple perspectives, two of which being those of Jimmy Cross and Norman Bowker. In the chapter, “Speaking of Courage”, Tim O’Brien tells the story of Kiowa’s death from Norman Bowker’s point of view. This version of the story is more numb, and it describes all of the external qualities of the situation. O’Brien tells of what Bowker absorbed with his senses. “He heard the valves in his heart. He heard the quick, feathering action of the hinges. Extraordinary, he thought. As he came up, a pair of red flares puffed open, a soft fuzzy glow, and in the glow he saw Kiowa’s wide-open eyes settling down into the scum” (O’Brien 149). Bowker saw the situation as a bystander, watching Kiowa’s death. He still felt the mourning that came with the death, yet he didn’t feel the same guilt portrayed through Jimmy Cross’ version of the story. In the chapter, “In the Field,” O’Brien tells Jimmy Cross’ perspective of Kiowa’s passing. He views it as a crime, and rather than describing the event through his senses, he described it with his guilt. “He should’ve moved to higher coordinates, should’ve radioed in false coordinates. There was nothing he could do now, but still it was a mistake and a hideous waste” (O’Brien 164). He felt responsible for what had happened, and that was reflected in what he believed to be his truth about the occurrence. He carried it with him in a more personal way than Norman Bowker, who had just watched the death happen. The differing perspectives on the same event show how differently one thing could affect two people during the war, showing the varying levels
Tim O’ Brien, having the memories of war engraved in his mind, recalls the memories of his youth during battle in “The Things They Carried,” an intriguing collection of military accounts that symbolize his attempt to resist closure from past experiences. O’ Brien’s story reflects the difficult choices people have to make in their struggle to confront the war waging inside their bodies as well as on the ground they tread. In Steven Kaplan’s criticism, “The Undying Uncertainty of the Narrator in Tim O’ Brien’s The Things They Carried,” he explores the uncertainty and inevitability that lies in the path of each soldier through their military conquest of Than Khe. In context to O’ Brien’s
Kiowa who was a devout Baptist carried an illustrated New Testament given to him by his father. Having this religious background, it allowed Kiowa a sort of comfort. With his and other religions, the thought of death is eased in near the same way by life after death. Another way Kiowa dealt with the war was through helping others get through their emotional stress. He especially helped O’Brien with his transitions of the war. Kiowa also brings along Native American things, such as his distrust for the white man, his grandfather’s hatchet, and a pair of moccasins that allowed him to walk silently during the needed times of war.
Hypothesis: “Speaking of Courage” gives Bowkers view of Kiowa’s death, “Notes” gives O’brien’s view, and “In The Field” offers the perspective of Kiowa’s death from Azar, Bowker, Cross, and an un-named soldier. Kiowa’s death amounts to be a huge climax in the novel, Kiowa’s gentle, peaceful manner serves as a foil for many characters and his death affects the men immensely. Norman Bowker feels he had betrayed his friend, Bowker thinks he was as brave as he could have been, but even that much bravery wasn’t enough to save his friend. “...You weren't a coward either”
The first three words of the chapter “How to Tell a True War Story” are, “This is true” (67). Although Tim O’Brien begins this chapter with such a bold and clear statement, throughout the chapter he has the reader thinking and confused when he contradicts himself by stating things such as, “In many cases a true war story cannot
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing
When truth became distorted by the ambiguous or absent motive for war, the soldiers needed to make up their own truths in order to keep sane enough to live through the senselessness and fear. Along with the fact that O’Brien’s boyhood died after killing the man in the path, his conception of truth died as well. He examines this fact when his daughter Kathleen asks him, “Daddy tell the truth, did you ever kill anybody?” and O’Brien ponders this stating, “And I can say, honestly, ‘Of course not.’ Or I can
“The Things They Carried’ by Tim O’Brien is a novel whose theme is not only related to soldiers but to everyday people as well. The theme of this novel lies in the struggles that soldiers bear, both physically and emotionally. The title —The Things They Carried— and most of
“They carried all the emotional baggage of men who might die. Grief, terror, love, longing--these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight. They carried shameful memories. They carried the common secret of cowardice.... Men killed, and died, because they were embarrassed not to.”
"The Things They Carried," is a story about drafted soldiers during the Vietnam era who were sent to the Vietnam War. The author, Tim O’Brien, describes the things that the men carry during their tour of duty. The items carried are both physical and impalpable items and what these things are is subject to the individual soldier. They carry the necessities for survival in the jungles of Vietnam as well as the personal things each soldier feels necessary to make life as comfortable as possible. Additionally, each of the men carries the memories and fears of past and present experiences. The heaviness of the impalpable items is as tangible as that of any physical item, and not so easy to cast away. The literary argument in which the novel
The Things They Carried by Tim O'Brien expresses the importance of a story-truth, as opposed to a happening-truth by use of literary elements in his writing. The novel is about war and the guilt it leaves on everyone involved in the war. Story-truth is not exactly what happened, but uses part of the truth and part made up in order to express the truth of what emotion was felt, which an important thematic element in the novel is. The three literary devices he uses to express this are diction, imagery, juxtaposition, and hyperbole. All of these elements allow the reader to identify emotion that is expressed in each story, as though that were the complete truth.
Almost like in a manual for story writing, O’Brien starts out every part of this short story by giving away a supposedly important feature of a “true war story” and then giving a matching example to help the reader visualize his lesson.
Tim O’Brien’s, The Things they Carried is a riveting tale of struggle and sacrifice, self indulgence and self pity, and the intrapersonal battles that reeked havoc on even the most battle tested soldiers. O’Brien is able to express these ideas through eloquent writing and descriptive language that makes the reader feel as if he were there. The struggle to avoid cowardice is a prevailing idea in all of O’Brien’s stories.
“The Things They Carried” provides a personal view into the minds of soldiers, and tells us the emotional and psychological costs of war. The soldiers may have carried physical objects, but some of these objects connect to a deeper psychological weight most do not see.
In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.
This might have been avoided if Momaday had made it clearer that the focus of the story was on the Kiowa people and not his journey back to see his grandmother's grave. Once I understood this aspect though, I was able to completely appreciate the story and imagery for what it was. This was a slight downside of Momaday's writing, however he was able to pull it all together and make it less of a distraction in the end.