Dr Jekyll and Mr. Hyde consists of reputation, good vs. evil and damage control. In other words, Utterson tirelessly works to prevent his good friend Dr. Jekyll from being dragged into the horrid affairs of Mr. Hyde, and Dr. Jekyll goes to the greatest of lengths to prevent his Hyde identity from being discovered, in order to avoid anyone knowing of his somewhat questionable scientific work and morally despicable behavior. Much of the novel is based on the characters reputations and how they have to maintain a good public image, as they are upper class people. The novel takes place in Victorian England and the main characters are all male members of upper class London. Enfield, Utterson, Lanyon and Jekyll are all aware of social …show more content…
In approaching the novel's mystery, Utterson never imagines that Hyde and Jekyll are the same man, as he finds it impossible to believe their extremely different behavior. In pursuing his scientific experiments and validating his work, Jekyll claims, "man is not truly one, but truly two." So, in Jekyll's view, every soul contains elements of both good and evil, but one is always dominant. In Jekyll's case, his good side is dominant, but he knows there is evil inside of him, but at the end of the book his evil side becomes stronger and unstoppable. However, as a respectable member of society and an honorable Victorian gentleman, Jekyll cannot fulfill his evil desires. Thus, he works to develop a way to separate the two parts of his soul and free his evil characteristics. Unfortunately, rather than separating these forces of good and evil, Jekyll's potion only allows his purely evil side to gain strength. Jekyll is in fact a combination of good and evil, but Hyde is only pure evil, so there is never a way to strengthen or separate Jekyll's pure goodness. Without counterbalancing his evil identity, Jekyll allows Hyde to grow increasingly strong, and eventually take over entirely, perhaps entirely destroying all the pure goodness Jekyll ever had. The book portrays Hyde in like an animal; short, hairy, and like a troll with gnarled hands and a horrific face. In contrast, Jekyll is described in the most gentlemanly terms; tall, refined, polite and honorable, with long
Dr Henry Jekyll, the protagonist, is a reputable middle class gentleman born into wealth, with many male friends and a respectable profession. He is described as “a large, well-made, smooth-faced man of fifty, with…every mark of capacity and kindness.” Whereas, Mr Hyde, the antagonist, is first described, he is represented by Enfield as “a little man who was stumping along”. This is when the idea that
If Hyde has been described as Hyde "savage, uncivilized, and given to passion…poorly evolved" (Shubh), then perhaps he represents the true, original nature of man, repressed by society, norms, and conscience. The Strange Case of Dr. Jekyll and Mr. Hyde suggests that this restrained, amoral side of human nature, once given a chance to escape, cannot be controlled. Even in this 'height of western civilization', Victorian England, this tempting evil can overcome even the most virtuous of men. Jekyll is neither good nor bad, but a man whose deeply repressed urges motivated him to separate, but not remove, the evil parts of his nature. There is a misinterpretation that Hyde is an unwanted byproduct of trying to create pure good, that Jekyll is not in control as Hyde, and that Jekyll doesn't enjoy being Hyde. In fact, Jekyll loves being Hyde, he revels in the freedom that he brings him (Stevenson 54), but the problems with his dual personality starts when he has to face the consequences of his actions. Jekyll has a difficult time balancing Hyde's debaucheries and Jekyll's rational, refined side. However, Jekyll realizes too late that he has indulged in Hyde too much and has let him grow out of control. At the beginning of the novel, Hyde was the “smaller, slighter, and younger than Henry Jekyll” (Stevenson 57). His more youthful appearance represents how young and free Jekyll feels as Hyde, but also symbolizes how little his personality was seen before Jekyll drank his potion. Early in the novel, Hyde is easily controlled, Jekyll can use his potion to limit how often he transforms into Hyde (Stevenson 56). However, as he starts to morph back and forth, it starts to take more and more potion to control the switches until
Eventually due to the inaccuracy of his ‘unscientific balderdash’ (as spoken by Lanyon) something goes wrong and his changes from Jekyll to Hyde become more irrepressible, ‘My blood was changed into something exquisitely thin and icy. Yes I had gone to bed Henry Jekyll, I had awakened Edward Hyde.’ He lacks the power or strength to stop these changes. Hyde seems to perform the metamorphosis without warning or consent. I believe this to be significant to the fact that Hyde is becoming stronger and less willing to do as dictated, and because he, the inner demon, has been exercised at such a severe extent he had become a bigger part of Jekyll and so containing the inner beast becomes harder. Stevenson writes ‘the powers of Hyde seemed to grow with the sickliness of Jekyll.’ I do not think he wrote this meaning a literal sickness but was instead talking about the mental deterioration of Jekyll. The distinction of the unplanned and unwelcome changes between Jekyll and Hyde is symbolic to the fact that as the lines forming the distinction of the personality of Hyde and Jekyll began to merge thus so did the transition.
Jekyll and Mr. Hyde is one long social commentary. One of its main themes is breaking down the façade of perfection created by the upper class, and examining what lies underneath. In fact, the whole story is about a man in high society, whose private life is rather an opposite of his public one. In Dr. Jekyll’s letter, Stevenson writes, “I knew myself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold slave to my original evil… I was suddenly aware that I had lost in stature,” (Stevenson page 2273). The idea of a “loss in stature” holds a double meaning. Stature, meaning size, can allude to Hyde’s height which is understood to be much less than Jekyll’s own. Yet, stature, meaning stance in society, can also imply that Jekyll, when transformed, no longer hold’s his prominence in his culture. This speaks to the Victorian society’s habit of only portraying the high society as impeccable which Stevenson battles throughout this mysterious case. Another parallel of appearance is described by Nabokov as he states, “The relations of the two are typified by Jekyll’s house, which is half Jeykyll and half Hyde,” (Nabokov 186). The side facing the street filled with others in the upper class is neat, tidy, and welcoming; this is Jekyll’s half. The side facing a dimmer and more dangerous street is dark, looming, and mysterious; similar to Hyde’s
As Jekyll thinks he’s in control of Hyde, his addiction to his darker side spirals out of control and he transforms into Hyde without taking the potion. Hyde’s character is gaining strength and Jekyll is getting weaker. Jekyll gets weaker because he is getting weaker at controlling Hyde. By becoming Hyde and letting his evil side out, he has made live harder for himself because now he wont be able to get rid of Hyde as he once said he could. Hyde has now overpowered Jekyll and is in control.
Jekyll talks about the years before the creation of the potion that transforms him into Hyde. He summarises his finding of the dual nature, human beings are half good and half evil. Jekyll’s goal in his experiments is to separate two opposite elements, creating a person with only good characteristics and a being of only evil. He does this because he wants to free his good side from dark urges. He fails this experiment, in fact he only manages to create a whole evil person ‘Mr Hyde’. In the letter, Jekyll says ‘I learned to recognise the thorough and primitive duality of man . . . if I could rightly be said to be either, it was only because I was radically both.’ The events of the novel inform the reader that the dark side (Hyde) is much stronger than the rest of Jekyll, this is why Hyde is able to take over Jekyll. This letter is really important for the reader so that the whole novel is understood. A lot of horror is created and it is all quiet in the reader's mind. The reader feels horrified by the way in which Jekyll seems to love and care for Hyde. Jekyll’s words make the reader angry that a man who was so good could enjoy becoming so
By looking at Dr. Jekyll, one may think that he is pure and innocent; a dignified scientist who is kind, pleasant, and lives in a grand house full of servants who love him. Little does everyone know, Jekyll possesses a hidden, sinful side that desires to be freed. Although Jekyll has temptations to commit acts of darkness, it does not necessarily mean that he is a corrupt man. According to Dr. Jekyll and Mr. Hyde, Jekyll wrote in his confession that, “ … of the two natures that contended in the field of my consciousness, even if I could rightly be said to be either, it was only because I was radically both…I had learned to dwell with pleasure, as a beloved daydream, on the
Jekyll and Mr. Hyde, Stevenson uses very rich diction so that his audience can visualize every detail of the setting and characters. In Dr. Lanyon’s letter to Mr. Utterson describing how he came to know of Dr. Jekyll’s deception and secrets, he also describes Mr. Hyde. This was the first time in the novel that Mr. Hyde was descriptively described. The diction Stevenson used influenced not only the visual aesthetics of the reader but several themes and gives the reader foreshadowing. Dr. Lanyon first describes Mr. Hyde’s clothing as “enormously too large”, and goes into further detail by observing that his pants were too long for him and were “rolled up to keep them from the ground” and “the collar sprawl wide upon his shoulders” (Stevenson). Dr. Lanyon’s description also foreshadows the truth behind Dr. Jekyll’s secret because Dr. Jekyll was described as a large man, “a large, well-made, smooth-faced man of fifty” (Stevenson). Mr. Hyde’s description also included Dr. Lanyon’s surmise that “there was something abnormal and misbegotten in the very essence of the creature” (Stevenson). In the last chapter, the letter from Dr. Jekyll to Mr. Utterson, the audience gets a sense of shame and understanding from Dr. Jekyll. Stevenson’s diction strongly influences the reader’s perception of Dr. Jekyll’s letter. His use of words like “morbid sense of shame,” “driven to reflect deeply and inveterately on that hard law of life,” and “shed a strong light on this consciousness of the perennial war among my members” (Stevenson), imply the emotional impact that Dr. Jekyll’s experiments had on
Utterson, Lanyon, Enfield, Jekyll... one of these does not belong. Clearly, within the context of Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde, Henry Jekyll struggles to fit himself into the strict Victorian society. In the events leading to his demise, he longs to separate his firm, polished face from his true inner self; from here, Stevenson paints this juxtaposition with the use of several point-of-view techniques. When Utterson, the protagonist, “[stands] a while when Mr. Hyde had left him... putting his hand to his brow like a man in mental perplexity” (Stevenson 19), he clearly becomes the literal center of attention for the story’s opinions and perspectives. Rather than giving an omniscient style to the novel, Stevenson provides an external viewpoint in order to engage his audience. The use of point-of-view techniques in Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde reinforces the audience’s reaction to the story’s moral dilemma.
Though Jekyll is fully responsible for his behavior and actions, Hyde is not. While Jekyll has the option to do good or evil, Hyde is completely focused on evil as this was the intent of the transformation. The fact that Jekyll chose to create a potion to bring forth Hyde rather than bringing forth someone who was concentrated on pure good shows that Even a respectable man such as Jekyll had unconscious urges to do bad. “If he had “approached [his] discovery in a more noble spirit,” willing the good to overpower the evil, he would have “come forth an angel instead of a fiend”. Hyde on the other hand has no choice other than to do evil, and therefore it is arguable whether he should really be blamed for his actions.
To begin with, Dr. Jekyll is a well-rounded, well-respected man descending from a highly intellectual and respected Christian family of doctors and lawyers. He is nothing short of the ideal Victorian gentleman: tall, polite, honorable and refined, physically portrayed as being “a large well-made man of fifty,” and as having a “large, handsome face” (Stevenson, 19). Opposed to this seemingly impeccable man is none other than Mr. Edward Hyde, a short, hairy, ‘troglodyte’ man with a horrific
This novel can be interpreted in many different ways; from the duality of human nature to the loss of control of many things, such as loss of judgment and moral control which plays a huge role in this novel. Dr. Jekyll has the power to have two personalities because of this concoction, and he is fully capable of control his evil side but I don’t believe he wants to completely at first. Yes there is a clear difference between the two characters Dr. Jekyll obviously has a better demeanor and doesn’t commit horrid acts when he is playing this person; however, they are one person. (NCBI) This novel is interesting in the fact the main character transformation is clearly depicted Dr. Jekyll is described as this tall handsome, middle-aged, successful man while Mr. Hyde is described as short, fat, angry man who no one liked. Jekyll and Hyde communicate by writing letters or notes to one another which helps predict what is going to happen next when the next
The dual character combination of Dr. Jekyll and Mr. Hyde is one of the most well-known in literature and is arguably the most blatant example of duality Stevenson uses to try and get the theme of The Strange Case of Dr. Jekyll and Mr. Hyde across. The dual personalities Dr. Jekyll possesses are stark examples of the animalistic and civilized sides of man that inherently resides in all men. The virtuous Dr. Jekyll serves as a portrayal of the more rational, human side of man. When Mr. Utterson attends Dr. Jekyll’s dinner party he paints a picture of a quintessential Victorian man when describing Jekyll’s appearance, “well
The Strange Case of Dr. Jekyll and Mr. Hyde “explores the sinister side of Victorian masculinity, in particular the idea that the criminal tendencies and depraved behaviour normally attributed to the lower classes could also infect the middle and upper classes.” Maxwell continues expressing how the lower classes are associated with felonies but in this novella it “infects” Mr. Jekyll, a member of the upper class. Utterson avoids telling the cops that Dr. Jekyll is a close friend of Hyde after the murder of Sir Danvers Carew. Instead of maintaining his friend’s reputation and protecting his public image, Utterson talks to Jekyll directly. As a result of this, the relationship of Dr. Jekyll and Mr. Hyde is kept a secret. There is great importance on outside appearances; so in order to protect themselves and Mr. Jekyll, they must keep themselves quiet. Not only can they ruin their reputations, for they can also ruin how they think and how they act.
Hyde. In this way, Jekyll becomes monstrous himself as he wishes to pass on his evil parts into another person. Jekyll’s concoction is a threat to cultural morals and values as it enables someone to set evil free. Consequently, there is no obligation and interest in adhering to any moral standards. In the end, he is a split person, one-half is represented by Jekyll and the other one by Hyde. Stevenson used the different standpoints in the story to create the feeling that Jekyll and Hyde are two different individuals: “‘The Master Hyde, if he were studied,’ thought he [Utterson],’must have secrets of his own; black secrets, by the look of him; secrets compared to which poor Jekyll’s worst would be like sunshine.” (Stevenson 22). Thus, Strange Case of Dr. Jekyll and Mr. Hyde is a story where the line blurs. As Hyde and Jekyll are one and the same person, the reader realises that they together are both moral and immoral and both good and