Within my Film Theory essay, the two theories which I will be exploring in depth is Rudolf Arnheim’s essay ‘Film as art’ and Laura Mulvey’s ‘Visual pleasure and Narrative Cinema’. These two different theories will be applied in relation to Abdellatif Kechiche’s Blue is the Warmest Colour (2013).
Introduction:
In the essay’s inception, an overview of both theories will be established in a summary. Within this introduction, I intend to make my thesis and intentions of the essay’s outcome clear. The main intention that I will explore within my essay is how Mulvey and Arnheim’s theories relate in a contemporary context. With special attention paid in regard to Blue is the Warmest Colour as my case study - a film which attempts to authentically represent a lesbian relationship. However, is often considered and criticised as having a dominance of the male gaze, despite the films intentions and audience.
Body of paragraphs:
An alternation between the two theories in each paragraph will be employed in order to draw similarities and differences between the theories. Furthermore, an aspect which I believe is vital within my essay and likewise any essay regarding the advancements in film theory is the consideration of the historical, political and cultural context in which the theorists were writing. A thirty-two-year-old British woman, Laura Mulvey writing in the mid 1970’s - a peak point for the movement of second-wave feminism. In contrast with German born Rudolf Arnheim, writing in the early 1930’s in the wake of sounds introduction to cinema.
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The more or less similar argument is being examined in Visual Pleasure and Narrative Cinema (Laura Mulvey,
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