Comparison between Adele Ratignolle and Mademoiselle Reisz In order to help to get a point or idea across it is not uncommon to provide two stark contrasts to assist in conveying the point. Writers commonly use this technique in their writing especially when dealing with a story that concerns the evolution of a character. An example of such writing can be found in Kate Chopin's The Awakening. The novel deals with Edna Pontellier's "awakening" from the slumber of the stereotypical southern woman, as she discovers her own identity independent of her husband and children. In order to illustrate the woman that Edna can become in The Awakening, Chopin creates two opposing forces Adele Ratignolle and Mademoiselle Reisz for her best …show more content…
Adele is comfortable and thoroughly happy with her simple, conformist existence. A foil for Adele Ratignolle, Mademoiselle Reisz serves as a living example of an entirely self-sufficient woman, who is ruled by her art and her passions, rather than by the expectations of society. A small homely woman, unmarried and childless, Mademoiselle Reisz is a talented pianist and somewhat of a recluse. She represents the anti-mother along independence and freedom. The first time she is introduced in the novel she is introduced as being “eccentric and quarrelsome”, from that we are able to infer that she is unlike the other women. Later as the novel continues to progress from her house and manner of expression we are again able to infer that she is unlike the other Creole women. For her home is an apartment above everyone, with a view, that is disagreeable and often cold. Mademoiselle Reisz is the woman that Edna could have become should she have remained independent of her husband and children and lived to old age. Adele Ratignolle's effect on society is that she merely conforms to the Creole society in which she subsists. Adele has no problem that she has traded in her identity and independence for serenity and security. When it comes to folding laundry, preparing meals, and listening with honest interest to her husband’s dinner conversation Adele is truly content. It is in her husband, children and domestic duties that Adele finds pleasure. Meanwhile
She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.
Illogical, submissive, and sensual are some of the words used to describe the view of women during the nineteenth century. In the novel The Awakening, Kate Chopin tells the controversial story of a woman, Edna Pontellier, and her spiritual growing. Throughout the story, Edna constantly battles between her heart’s desires and society’s standard. The novel shows how two women’s lives influence Edna throughout the novel. Mademoiselle Reisz and Madame Ratignolle are both in their own way strong, motherly influences in Edna’s life. Mademoiselle Reisz is Edna the mother who wants Edna to pursue her heart’s desires. Madame Ratignolle however, is the type of mother to Edna who wants Edna to do what is socially right. The way the two live
At first, she is struck by the epitome of Creole wife that is Adele Ratignolle. Adele Ratignolle was widely considered “the embodiment of every womanly grace and charm” with “spun-gold hair...blue eyes...like nothing but sapphires...and lips like crimson fruit” (Chopin, 12). Golden hair, sapphires and crimson fruit are all products that can be owned and by using such words, Chopin is making a statement about the relationship between Adele and her husband: she is a commodity he owns. Adele is also described as being a talented pianist, yet even this is “on account of the children...because she and her husband both considered it a means of brightening the home and making it attractive” (Chopin, 27). Again, the characterization of Adele remains of the physical, the visual, the superficial through the diction of “brightening” and “attractive”. The fact that her opinion is lumped with her husband’s is also an important detail as through this passage. Chopin is demonstrating that Adele has a singular identity––as wife to a Creole––with a singular source of happiness––stemming from her children––and that if Edna were to choose this path, she would be expected to do the
Mademoiselle Reisz understood what it means to be an artist. She was an “artist at the piano” (Chopin 554). Mademoiselle Reisz was isolated from society. She lived alone with practically no friends, except Robert and Edna. Her proprietor described her as “the most disagreeable and unpopular woman” (Chopin 580). Mademoiselle Reisz defied society’s convention. She devoted herself entirely to art; as a result, she became ostracized from society (Koloski 119). She plays music, not for others, but for herself. She told Edna that she was “the only
Chopin uses the first hand description of Adele from Edna as a literary comparison to previous descriptions of Adele, allowing insight into Edna’s own perceptions and changing world view.
In Kate Chopin’s The Awakening, two people who have the ultimate influence on Edna are Mademoiselle Reisz, and Robert Lebrun.
Mademoiselle Reisz was an inspiring figure to Edna because she was single, she did what she wanted, and she was a marvelous pianist. The people at Grand Isle did not approve of Mademoiselle Reisz yet they were hesitant to vocalize, that is everyone except Mr. Pontellier. He warned her that she was not someone who his wife, Edna, should be associated with. The manner in which Enda reacted to her playing the piano, and Mademoiselle Reisz’s response demonstrated that she understood Edna’s thoughts even if for a brief second. “The young woman was unable to answer; she pressed the hand of the pianist convulsively. Mademoiselle Reisz perceived her agitation and even her tears. She patted her again upon the shoulder as she said: ‘You are the only one worth playing for’”(Chopin 35).She appreciated Edna’s demonstration of emotion because she also did not fit into the stereotype that society adored, and
The relatively open and honest (less suppressed)culture of the Creoles is one which catalyzes her human sensibilities. Who could blame her? Especially Madame Ratignolle, and the way Chopin describes her sensuousness and warmth, would be compelling features it seems for anyone to be attracted to and to want, almost unconsciously, to emulate. Second, the attentive nature of Robert LeBrun is so marked and attractive when compared with Leonce’s domineering, controlling, even neglectful ways in which he treats (and does not treat) his family, (but with a measure of trying to placate them as the result of his own selfishness at Klein’s). When he wins, he forgets all about the candy and peanuts he promised his children. With Edna, he is talkative, but not attentive. Still, though, Edna is culturally in over her head when it comes to the sensual honesty and astonishingly implicit trust of these men to let their wives do what they do at this time in history. Thus far, I see an ostensibly lethal combination of Mme R and Robert working, however innocently in Edna’s life.
In the novel, The Awakening, by Kate Chopin, we see how much of an importance the men in Edna’s life serve as a purpose to her awakening. Chopin is known to write stories about women who are unsatisfied with their lives while living in a life that is dominated by men. Other than Edna, the main men characters are typical men of the late 19th century era. Chopin shows how these three men are diverse from one another. The Creole men are Léonce Pontellier, Edna’s husband, Robert, Edna’s mystery man number one, and Alcee, mystery man number two. Léonce, Edna’s husband, is a businessman who has no time for his family let alone his wife. Alcee comes off as carefree and does not seem to care what society thinks of him. Robert is Edna’s main mystery man who she loves but Robert doesn’t love her back. Throughout the novel, these men make Edna question herself, which lead her to her awakening. These men show how men in the late 19th century behaved. In a male dominated world, women were not allowed to do much except for be good wives and mothers to their families. Edna learned the hard way as to what it meant to be the wife of a Creole man in the Victorian era. Men expected too much of women because appearances meant everything and no man would want to have a wife who is out of line and not well behaved in public. In studying these three men in Kate Chopin’s The Awakening, we see how different yet alike these men are to one another.
Chopin uses character foil to give us insight into the protagonist and societal expectations by depicting many socially acceptable roles in society through “The Awakening” that Edna could embrace (such as Madame Ratignolle an impeccable mother and spouse, old maid who is free yet excluded such as Mademoiselle Reisz and last,but not least Mariequita who is a flirtatious young lover) , however knowing the fact that she is the protagonist of the novella it is
This description of Adele by Edna Pontellier gives a deeper meaning to Adele 's characterization as the perfect mother. Other women were aware of her perfection and her immense love of her children and they envied how easily it was for her to love her life and be content with just being a homemaker. Both Mademoiselle Reisz and Adèle Ratignolle are extremely contrasting characters with completely different outlooks on life in the late nineteenth century.
In The Awakening, Kate Chopin portrays women as being loving wives and mothers that live their life to care for their family and worship their husbands. According to literary critic, Dana Kinninson, this story indicates two types of women, which are expressed by Adele Ratigndle and Mademoiselle Reisz. Adele Ratigndle is "the ideal wife and mother who never experiences an impulse that deters her from the sole concern of caring for her family. She also embodies every womanly grace and charm." Then you have Mademoiselle Reisz, which is the complete opposite of Adele. She has devoted her time and energy to the development of her own abilities instead of a husband and home. Reisz is a pianist older woman who lives alone and is depicted as homely and disagreeable. (Kinnison, 22)
"She was a disagreeable little woman, no longer young, who had quarreled with almost everyone, owing to a temper which was self-assertive and a disposition to trample upon the rights of others." (25) This is how Kate Chopin introduces the character of Mademoiselle Reisz into her novel, The Awakening. A character who, because of the similarities she shares with Madame Pontellier, could represent the path Madame Pontellier’s life may have taken, had she survived old age.
In Kate Chopin’s novel, The Awakening, the constant boundaries and restrictions placed on Edna Pontellier by society will lead to her struggle for freedom and her ultimate suicide. Her husband Leonce Pontellier, the current women of society, and the Grand Isle make it evident that Edna is trapped in a patriarchal society. Despite these people, Edna has a need to be free and she is able to escape from the society that she despises. The sea, Robert Lebrun, and Mademoiselle Reisz serve as Edna’s outlets from conformity. “Edna's journey for personal independence involves finding the words to express herself. She commits suicide rather than sacrificing her independent,
Unexpectedly, Robert and Edna become extremely close with each other by summer's end. Unwilling to further his relationship with a married woman, Robert leaves the country for Mexico. Furthermore, Leónce truly believed he had no obligation to care for his children and that it was Edna’s duty to do so. “If it was not a mother’s place to look after the children, whose on earth was it?” (Chopin 7). In society’s eyes, all a man needed to do was support their kids financially while the woman supported them in other ways. Chopin focuses on two other female characters in the story, Adele Ratignolle and Mademoiselle Reisz. These women are examples of how women should be in the nineteenth century. Adele was an example of a "motherly woman.” She would gladly sacrifice anything to care for her children, husband, and household, while Edna would not. Edna finds both role models lacking and begins to see that the life of freedom and individuality that she wants goes against society. Not only did society have a specific look on how a women should be, but Leónce as well, towards Edna. “’You are burnt beyond recognition,” he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage.” This shows how Edna is not an acceptable color according to her husband’s wishes. Edna had specific guidelines to follow