ISSUES IN CONTEMPORARY ART Woodbury University Professor Kathleen Onofrio FN 205 Spring 2004 Office Hours: by appointment Required Text: Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings, eds. Kristine Stiles and Peter Selz, University of California Press, 1996. General Information Attendance and participation is mandatory. Our lectures and discussions ARE the course. Assigned readings are not optional either, as they are the substance behind the form of the classroom interaction: if you don’t have one, the other doesn’t materialize. The course consists of two one hour and fifteen minute sessions per week, Tuesday and Wednesday afternoons from 4:30 until 5:45. Oral component: Class …show more content…
Please have those readings and journal writings completed by that class session. Jan 13-14 Syllabus Explanation: oral presentations, journal entries, essays. Reading: Enlightenment handout Overview, background: Enlightenment, (Newton & Galileo); Classicism/Romanticism (French & other Revolutions); Impressionism & Post (Industrial Revolution, Darwin), Modernism (WWI, Freud, WWII) Pop & Op (Vietnam, sexual revolution, Watergate); today (technological revolution). Jan 20-21 General Abstraction Reading: pages 11-62 Frankenthaler, Newman, Mitchell, Pollock, Rothko, Motherwell, Twombly. Jan 27-28 Geomoetric Abstraction Reading: pages Truitt, Noland, Reinhardt, Kelly, Klein, Judd, Flavin Feb. 3-4 Figuration Reading: pages Giacometti, Leger, Clemente, de Koonig, Appel, Neel, Kitaj, Spero, Mappelthorpe Journals Due Feb. 10-11 Material Culture Reading: pages Rauschenberg, Johns, Oldenburg, Warhol, Ringgold, Kruger, Levine, Koons Feb 17-18 Art and Technology Reading: pages Anderson, Viola, Nam Paik, Feb 24-25 Reading March 2-3 Installations Reading: pages Cornell, Nevelson, Chillida, Lin, Smithson, Holt, Denes, Christo, Aycock Journals Due March 9-10 Process Reading: pages Hesse, Graves, Serra, Nauman, Gilligan, Benglis, Puryear, Beuys, Kounellis, Horn First essay due March 16-17 Spring Break March 23-24 Performance Art Reading: pages Cage, Schneeman, Sherman, Ono, Acconci, Finley, Antin, Piper March 30-31
The definition of art is notoriously difficult and is a field of philosophical inquiry as such. The meaning of the word "art" are multiple, sediment and cross each other in the language. Missing uses of the word are present in expressions and help to make the subject more that difficult. However, according to my studies, art is an expression, a symbolic way to communicate. Its key is to make something subject or scientific, for instance: an object that went through certain modification would be consider an art. We have a different type of arts but I will only be focusing on this tree types: prehistoric art, art of the ancient near east and art of ancient Egypt.
A primary objective in measuring productivity is to improve operations either by using fewer inputs to produce the same output, or to produce:
This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their
Art History is the study of objects of art in their historical development and stylistic contexts. The history of art, we feel, can sometimes be confused with art criticism. However, Art History is concerned with finding the value of the artistic piece in respect with others in the same category of art or movement, and art criticism is more of an evaluation of art. The art examined best represents the culture during the time period, visions the artist imagined, and history behind an event. It also represents society in a specific area, beliefs the people may have, writing that tells a story, the natural world and environment, conflict between people and areas, and the human body. With these representations, artwork overall represents the life in which we live (d). Each piece has its own genre, design, format and style to it. This makes each piece extremely different, yet pleasing to the eye. They also vary between paintings, sculptures and architecture. These different types also make a variety of artwork to be seen by all people. The art pieces that I chose, Jar, Bottle and Glass by Juan Gris, The Persistence of Memory by Salvador Dalí, and Starry Night by Vincent Van Gogh, seemed interesting to me and I believe to best represent the context in which they were created, along with the major artistic movements of the time. I went on to research them more thoroughly to better understand the history behind them,
Over the years, I have flirted with visual art. It started with pencil drawing, continued as an affair with marker illustration, then a dalliance with lettering, and I now have a relationship with photography. However, my favorite art will never be displayed in museums or galleries. It is not static and immutable. Rather, my chosen medium is fluid, living, volatile. No matter how well rehearsed, it will never be the same again. That’s the beauty of performance art.
1. Do we create a hierarchy within archaeology of the tools/human fossils over the unknown objects/art objects by placing more importance on the sciences than the arts, i.e. we readily fund certain projects of a scientific nature (i.e. proving the missing link) vs projects of a purely aesthetic nature (restoration of pre-Columbian burial wrapping weavings)? What motivates this hierarchy, if a hierarchy exists?
* Masaccio –Tribute Money/ Expulsion in the [and Masolono, Filippino Lippi] Brancacci Chapel; Trinity with Virgin, St. John the Evangelist, and Donors
Man Ray like many other artists did not care to have his personal life shown in his art. He wanted to be viewed and recognized for his work which included sculptures, paintings, and photography. Man Ray was mostly influenced by Stieglitz's photographs. Man Ray used a similar style to Stieglitz. He captured images that created an unvarnished look at the photos' subject. Man Ray discovered a new way to create his photos; by accident in his work room he discovered how to manipulate objects in his photos on pieces of photosensitive paper.
Written language can change and can be forgotten but art will always stay constant, you can destroy people and their way of life but if art is preserved the way they lived their lives it will tell their story. Missing or stolen art has had a big impact on the world of art. There are many types of art that have been stolen; paintings, sculptures, jewelry, photography, and written artifacts. There are many questions on whether art is important to the preservation to a culture such as;
Which is more important color or drawing? These two have always been fought over for centuries by Poussiniste and Rubenistes. Two great pieces of art that were created in the 1600’s are Peter Paul Rubens’ The Caledonian Boar Hunt and Nicolas Poussin’s Landscape with Calm. While Rubens argues that color is the most important part of the painting Poussin argues that the drawing is more important. In the paragraphs below I will talk about the paintings each individually and then compare them.
1. It was hard to get the feet to look realistic. The detailing part was hard to. Like you had to get all the contrast, structure, movement, and realism. It was hard especilly because in my painting my feet were small. Another hard part was getting the right shade. Like ppaint the feet a color and then make it a little darker for the areas that neede shading and dimension to give a realistic/ contrast to distinguish the difference. It was hard to get a shade that wasnt dramatically drker that the feets color.
The Resurrection of Christ is from the Baroque period. This work of art portrays the sense of dramatic antagonism that Caravaggio achieved by manipulating light across full range of tones, changing the intensity and transforming its radiance this was done so that every beam and shadow expressed a dissimilar emotional content. (Sayre, 2010) In Rembrandt painting he focused on using emotional contrast between light and dark tones to emphasize the emotional difference. Here you can see pure light radiating out of the tomb of darkness. Christ himself begins to rise from the tomb in the light of true symbolic
Art gallery and art museum are two different types of structure. The major difference between them is that the purpose of the art gallery is to go to discover the artist’s work and with an interest in buying their art. So it's basically a small business to promote and sell art.
The idea of this piece is to show the connection between mother and daughter being painted. It shows the time and the classic style of the
“Painting today is pure intuition and luck and taking advantage of what happens when you splash the stuff down. “- Francis Bacon. However when I learnt more about history of art and the way each movement and happenings in the world inspired artist to make new works, I was able to see much more than just a canvas with random paints and sketches. The interesting part about this concept is that each piece of art could be interpreted in many different ways. In contemporary art there isn’t right and wrong, each of us view and find different meanings and connections with artworks.