Chapter 7 Quiz

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Foothill College *

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May 9, 2024

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Skip to main content (Downloads file) (Opens in a new window) (Opens an external site) (Opens an external site in a new window) GRLContent Welcome Jason Mok | Account | Log out MENU Home Main menu Home You are here Home Return to Site Exam: Assessment: Barkley: Crossroads: Chapter 7 Quiz Submitted: 05/07/2024 09:22:48 PM Student: Jason Mok Username: jasonmok3@gmail.com Attempt: 1 Your score on this attempt: 20.000 out of 20 (100.00%) Graded Score: 20 out of 20 (100.00%) Completion Time: 9 minutes 9 seconds Question 1: User Answer Correct At about 2:15 on the Napster Timer, Lila Downs perhaps represents the soaring nature of La Llorona’s ghost by: Type: Multiple Choice Points Awarded: 1.000/1.000
User Answer(s): Singing a melody without words  Question 2: User Answer Correct In Linda Ronstadt’s version of the cancion “Los Laureales,” what is the Napster timer’s timing for when the male singer sings in a manner imitating an animal call? Type: Multiple Choice Points Awarded: 1.000/1.000 User Answer(s): 1:16 Question 3: User Answer Correct In Lydia Mendoza’s corrido, “Luis Pullido,” which of the following is closest to the Napster Timer’s timing for when she first sings the protagonist’s name, “Luis Pulido?” Type: Multiple Choice Points Awarded: 1.000/1.000 User Answer(s): :28 Question 4: User Answer Correct In Sones de Mexico Ensemble’s version of “La Bamba,” there are multiple male singers who sing the lyrics.  Type: True or False Points Awarded: 1.000/1.000 User Answer(s): TRUE Question 5: User Answer Correct
In Ritchie Valens’ version of “La Bamba,” at Napster timer 1:10, he does a vocal mannerism that is rooted in Mexican music traditions when he: Type: Multiple Choice Points Awarded: 1.000/1.000 User Answer(s): rolls his tongue Question 6: User Answer Correct Z apateado refers to rapid movement of the feet against the ground to produce a percussive accompaniment.  Type: True or False Points Awarded: 1.000/1.000 User Answer(s): TRUE Question 7: User Answer Correct The arrangement of La Llorona by Sones de Mexico captures the polyphonic texture and aesthetic of the Renaissance and Baroque styles that dominated European classical music during the conquest and colonial periods in Mexico.  Type: True or False Points Awarded: 1.000/1.000 User Answer(s): TRUE Question 8: User Answer Correct “La Bamba” does not have a direct English translation, but is presumably derived from the Spanish verb bambolear which means to shake or stomp.  Type: True or False Points Awarded: 1.000/1.000
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